My Photo and Video Editing Desk Setup for 2026
Having a good desk setup is critical for Photographers and Videographers to produce their best work. It might not be as sexy as talking about the latest cameras or delving into vintage lenses because you want to create something organic! However, having a cluttered, poorly organised setup is not just bad for your creative process, but you could even be causing yourself long term health issues! With all of this in mind, I felt it was time to sort out my setup. Hopefully, it will also give you a few ideas of how you can change your own setup!
Having a good desk setup is critical for Photographers and Videographers to produce their best work. It might not be as sexy as talking about the latest cameras or delving into vintage lenses because you want to create something organic! However, having a cluttered, poorly organised setup is not just bad for your creative process, but you could even be causing yourself long term health issues! With all of this in mind, I felt it was time to sort out my setup. Hopefully, it will also give you a few ideas of how you can change your own setup!
I’ve always ensured that I have somewhere suitable for my editing process, but there were always little pain points that just annoyed me enough to make editing feel like a chore. Some of those were simple changes, like having a little more desk space. Others would require a bit more investment of time and (painfully) money!
❤️ PLEASE NOTE - No AI was used to make this article. I will try to add product links or alternatives where I can and they will be Amazon Affiliate links - you still pay the same price but I receive a very small commission. If you would like to support the blog, please consider making a small donation.
✏️ The PERFECT Desk FOR EDITING
Like many, many other professionals, I have always turned to Ikea to solve my furniture problems. My previous desk was an Ikea table top and although it is perfectly fine for what I use it for, I found myself repeatedly having the same problem - it was just too big! Well more accurately, it was too deep and thanks to my poor eyesight (a story for another day!) I was constantly dragging my monitor forwards so that I could see it properly!
Also, I had always loved having my scanner off to one side to make sure there were less barriers to the scanning process - but it was always on a shaky stand! This is a massive ‘no no’ for scanning for a fairly obvious reason. The solution to all of this, another Ikea classic - the Karlby counter top! I went for the longest available size (I still had to trim a bit off though!), added my favourite square legs and a couple of additional legs to help with flex and I was away - a solid base to build from, literally!
💻 A POWERHOUSE Computer
The heart of any editing setup is obviously the computer. For years, I have flitted between using a laptop or having a more permanent solution. In the past couple of years, I have ditched a PC and gone to a solely Mac setup. I recently retired my M1 Mac Mini and have since been using the Macbook Pro M2 Max - more than enough horsepower to handle my level of photo and video editing.
Why go purely laptop? Well I do travel for work and having the ability to edit on the go is a must! This might not be the same for everyone but being able to edit on the go is a non-negotiable for me. This does have one downside, the laptop takes up a bit of desk space. Yes, I could use it in clamshell mode for a cleaner setup but in honesty, I like having a second screen when I’m editing to dump slightly less crucial windows such as emails (or cough, ‘Spotify’, cough…). Talking of screens, let’s have a look at the monitor situation…
🖥️ ESSENTIAL Monitor FOR EDITING
This was one of the main reasons for rebuilding my setup. I have been using the BenQ SW320 which is a fantastic monitor but it was starting to feel it’s age. It had developed a weird green line across the screen which was distracting and despite regularly calibrating the monitor - I just never felt confident with the colours I was seeing on it. It was time to upgrade - up step the Asus Pro Art PA32UCDM!
At £1600, this was a massive investment but the big 32”, 4K, OLED monitor certainly had some impressive specs and piqued my interest enough to give the Credit Card a bit of a beating! Was it the right choice, well it looks nice… Do I have some buyer's remorse? A little… but I’m going to save that for the full review which you can expect in the next few weeks - if you can’t wait, it’s great but the factory calibration is questionable… Anyway, let’s have a look at audio (that sounds odd!).
🔊 Sound QUALITY MATTERS
One thing that does not sound odd is my audio setup - which in truth I'm pretty happy with! My studio monitors are the incredible Adam Audio A4V’s which provide fantastic sound quality. I have added the 7 inch Sub (discontinued and replaced with the Sub8) for a bit of extra low-end reach. If there is one weak point, it would arguably be the Topping DX3 Pro+ DAC - Not that it’s particularly bad quality but I always feel like it might not be the best for monitoring audio, adding its own distinct feel to the audio - but I could be over thinking that.
One new addition to the setup is on the input side - a FocusRite Scarlett Solo is now my chosen input method for recording voiceovers for YouTube videos and tutorials. Another area for concern is my budget condenser microphone - Would I like a Shure SM7B? Yes! Can I afford one? No! So this will be something to address in the new year…
📹 Other ESSENTIAL EDITING Peripherals…
Scattered across the desk are some other crucial devices that help my day-to-day workflow. However, I’m going to start under the desk, where I hide all of my secrets… well, storage and other devices. Starting with a big Sabrent Docking Station crammed with 24TB of SeaGate Ironwolf NAS disks. This acts as a project dumping ground and short term backup to my main NAS (hidden in another room!) a 36 TB QNAP NAS that operates as my long term storage - not the perfect setup but it works for me.
CalDigit TS4 is a must for these kind of setups
On the subject of storage, I use two ‘working’ drives that hold current projects that are live. The two drives are the incredible Oyen U34 Bolt and a custom built Acasis drive - these both have 4TB of incredibly fast storage that can travel with me if needed. Let me know in the comments below if you would like me to do a full run through of my data management system!
Also below the desk, along with power bricks, LED lights and other fire hazards is the excellent CalDigit TS4 Dock - This little beauty handles all of the inputs/outputs for audio/visual meaning I only need one cable plugged into the MacBook Pro to charge and operate all peripherals - a really neat way of working and reducing the hassle of connecting everything when you need to get to work quickly.
The Epson is an excellent scanner for film photographers
Back topside of the desk and I have my aforementioned film scanner, the Epson V850, An excellent flatbed scanner that handles all of my 35mm/medium format film needs and now, it sits on the solid desk to reduce any shake issues!
I want to give a special mention to the TourBox Lite - an excellent little controller that I have previously reviewed. This helps make editing photos and videos so much faster! The TourBox was provided to me for free to review but I can honestly say, I use it every single day and would have no concerns buying another, it really has made my life so much simpler - well, even easier now that I have upgraded the mouse as well!
The TourBox Lite really is one of my favourite editing tools
I use both Logitech keyboard and mouse - the keyboard is the Logitech MX Keys S and whereas it is an excellent keyboard with zero usability issues, I do wish I chose something a bit smaller. The mouse is the amazing MX 4 Master - I won’t go too far into this as I have recently reviewed it so check that out. Above the monitor you will find the BenQ ScreenBar and Elgato Key Light for, well, illuminating everything. Mixed with the cooler temperature bias lighting behind the desk, these all provide a really nice ambience that is perfect for long editing stints.
Things have changed a bit in the last five years!
I will also draw attention to my little iPad Mini 6 - which is more than useful to have around but this has now been pretty much converted into an Elgato StreamDeck by using Elgato’s StreamDeck Mobile. It’s actually much cheaper than buying one of their devices if you already have a compatible device lying around. It offers some amazing customisation and I use it to help launch and control software as well as some hardware accessories - again, I’ll probably create a separate post about this.
Simple things like a cutting pad can really protect your desk
Finally, I have both a (fake) leather pad to protect the desktop and a rubber cutting pad as a space for assembling camera gear when I go out on shoots - this is a much better solution than sitting on the floor trying to put camera rigs together! I should mention the chair which is something basic from Amazon - it’s comfortable enough but again, I probably need a better solution (Herman Miller if you’re reading this, hit me up!).
🔴 Five Quick tips for YOUR editing space
Write down the ‘pain points’ the things that stop you from want to edit or that slow you down and address those first!
Make sure your space is comfortable including a suitable chair, desk and footpad if you need one! Doing your own DSE Assessment will help with poor working arrangements.
Don’t overlook lighting! Having well balanced bias lightning and avoiding reflections and glare on your screen are essential for the editing process.
Think about sound treatment. If you are working with video and audio is crucial, consider treating your room to ensure you can hear and isolate any audio problems.
Take your time - I’ve built my setup and adjusted it countless times over many years. Concentrate on making subtle changes rather than spending thousands on things that might not work for you!
✅ Final Thoughts
I fully appreciate that not everyone has the time, money or patience to build a desk setup like this - it’s all been a bit of a stretch to me! However, I cannot stress enough the importance of having a space that allows you to be creative, concentrate on the editing process and most importantly of all - remove all of those little annoyances that stop you from wanting to and enjoying the editing process!
I’m pretty happy with this setup, we’ll see how long it stays like this 🤣
Is this my final setup ever? Absolutely not, there are still plenty of changes to be made. What it does for now is allow me to go into 2026 with the ability to focus on producing the best work that I can - both for paying clients and you guys that read my blog and watch my YouTube videos - expect to see more of this setup over on my channel. What I want to know now, is what you would change about your own setup? Leave a comment below and tell me what is stopping you from producing your best work?
📸 Are you a photography/videography brand looking to showcase you products? Take a look at my Media Pack and Contact Me to discuss how we can collaborate on a sponsored review.
Posts you might also like…
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
Five Tips for Choosing an Event Photographer in Birmingham
As we hurtle towards 2026, I suddenly realised that I am heading into my 16th year of being a photographer. In that time, I’ve learnt a lot about the technical aspects of photography but also a lot about the photography and videography industry as a whole. Now, I want to share some of my insights to help customers and fellow professionals get the most out of the opportunities on offer. To start this off, I want to look at five tips that can help clients choose the right event photographer for them and how to avoid some common mistakes when selecting a photographer.
As we hurtle towards 2026, I suddenly realised that I am heading into my 16th year of being a photographer. In that time, I’ve learnt a lot about the technical aspects of photography but also a lot about the photography and videography industry as a whole. Now, I want to share some of my insights to help customers and fellow professionals get the most out of the opportunities on offer. To start this off, I want to look at five tips that can help clients choose the right event photographer for them and how to avoid some common mistakes when selecting a photographer in Birmingham.
Just to be very clear, this is not an advert for my own services! As we will see, every photographer brings their own unique skill set and attributes to every job. That also means that others might not be able to deliver the right style or quality of image to fit your needs - this also includes me!
I am always upfront and honest with every client on what I can and can’t do - regularly turning work away if I don’t feel I am best placed to deliver the right results. The following tips will help you seek out the right providers for your event photography and get the results you want to showcase your event.
📝 Have a solid brief for your event
My first recommendation before even reaching out to any local Birmingham event photographer is to have a solid brief. Knowing the basics in terms of times, dates and venue are a given but having a breakdown of the day in terms of where you want the photographer to be and at which times is essential. Some events may have multiple activities happening at the same time so being clear with the photographer over where they should be is a high priority.
I strongly recommend arranging a call prior to the event to run through the schedule for the day and outlining the deliverables in terms of style and quantity of images. I always suggest to clients trying to find a few examples of event photography they like (even if it’s not from their particular sector) to allow the photographer to get a feel for the kind of images they want.
The brief should also include budget, turnaround time and any other specific delivery details. For instance, are you clear on whether the photographer will edit the images and any specific sizing requirements and how they will get the images to you? Clarifying these items sets the photographer up but allows the client to cover off all of their requirements to make the day run that little bit smoother.
🏢 Consider your Venue and Logistics
As a photographer, one of my main concerns when attending an event is how bright the space is and how easy it is to move around. These are not commonly things a client will think about when choosing a venue and obviously, shouldn’t be the deciding factor when selecting a space. However, they are fairly critical aspects that a photographer will need to take into account. The darker the space, the more difficult it is to get nice, sharp images that showcase your event to the best of your ability.
Another frustration when it comes to spaces is the lack of space - awkward table layouts and trip hazards can make it particularly dangerous for a photographer to move around the room. Again, this might not be the clients first thought but the safety of guests is always a high priority. Ensuring walkways are clear allows the photographer to move around and ensure they can get multiple angles of both speakers and audience. Now these key logistics are sorted, let’s consider the budget.
💰 Know your Budget
As we all negotiate a ‘cost of living crisis’ - any conversation about money always feels a touchy subject. However, as with many industries right now, it feels like there is increasing pressure to reduce costs in terms of suppliers undercutting each other to bag clients. This does not always ensure the best work.
Sometimes spending a little extra can really go a long way. After all, with the price of venues, speakers, catering etc. documenting your event shouldn’t be an afterthought or something you cut corners on - the images should literally show your event in the best possible light!
Whilst on the thorny subject of budget - make sure you really take some time to evaluate multiple photographers portfolios so that you get a good understanding of what your money is getting you. When evaluating their portfolios, think about if their style of photography matches your brand guidelines and the aesthetic you are going for. Also, does their photography show a variety of event photography from different locations, is it all interior or exterior as well? Do they offer editing services and if video is important, is this something they can offer?
📍 Do you need an event photographer from Birmingham?
It may seem counterintuitive, seeing as I am a Birmingham Photographer - but is it easier to find a photographer from somewhere else? I commonly shoot events in London, Manchester, Liverpool and well, all over the country.
The main reason for this is that I have repeat clients from all over the UK - once clients find a photographer they know and trust, they tend to stick with them! So do you already know a photographer who may be willing to travel to Birmingham?
On the flipside, I also shoot a lot of events in Birmingham for national clients. Birmingham has some fantastic offerings in terms of event spaces and due to its central location and good public transport - it is very appealing to national organisations looking to bring attendees from all over the country. So even if you are a larger organisation with multiple locations, having a centrally based event photographer can often be a very useful contact.
⏰ Don't leave booking a photographer until the last minute
Again, this might seem like a glaringly obvious statement but I can’t tell you the amount of times I get contacted to shoot an event that is happening the same week! Birmingham boasts an incredible pool of talented photographers but availability can still be an issue. I personally tend to book jobs at least a couple of weeks in advance so booking a photographer last minute can be a headache for clients.
Most event organiser will have the venue and catering etc. booked months in advance so booking a photographer shouldn’t really be a last minute thing. One other consideration is to maybe have a back-up should the worst happen and you get let down by a photographer - again, this is something that should be discussed in an initial conversation so that you know what the photographer's policy is if they are unable to attend an event.
🔴 Quick Summary
Have a well defined brief explaining your needs
Check portfolios and experience
Compare prices and see who offers package details
Read reviews and ask for referrals
Consider the photographers personality and if they will fit your event
Book early and clarify your requirements upfront
✅ Final Thoughts
There are a lot more considerations to make when looking for a Birmingham based event photographer but hopefully some of these tips give you a better understanding of how to book a photographer, some of the key questions you should be asking them and what will help you get the most from working with them. I’ve previously written about how much to pay for a photographer which you might also find useful.
This is genuinely not meant to be an ‘advert’ so I’m not going to push my own services - but if you do need any further advice on booking a photographer I am always happy to help. As mentioned, Birmingham has a wealth of very talented photographers but I also appreciate how difficult it can be to understand who is actually right for you and your event. All the best for your search!
What’s your biggest challenge when hiring photographers? Share your thoughts below :)
Posts you might also like…
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
Logitech MX Master 4 Mouse - the Porsche 911 of mice!
Writing product reviews is actually more difficult than most people think, in particular when that product is something that a lot of people use on a daily basis and tend not to make really in-depth purchasing decisions about, like buying a mouse for your computer. However, even the most mundane products can be exciting in the right hands and MX Master 4 is certainly one of those! Let me explain why it is so special and indulge me as I compare this little chunk of plastic to a Porsche 911!
Writing product reviews is actually more difficult than most people think, in particular when that product is something that a lot of people use on a daily basis and tend not to make really in-depth purchasing decisions about, like buying a mouse for your computer. However, even the most mundane products can be exciting in the right hands and MX Master 4 is certainly one of those! Let me explain why it is so special and indulge me as I compare this little chunk of plastic to a Porsche 911!
❤️ PLEASE NOTE - No AI was used to make this article. It is my own work based on my experiences and created in my own time. This item was purchased with my own money and is not in collaboration with Logitech. If you would like to support the blog, please consider making a small donation.
🔨 Build Quality
Out of the box, the MX Master 4 doesn’t feel a whole lot different to the previous iterations. I have been using the MX Master series for years, this being my fourth one now and instantly, your hand sculpts to the familiar layout - no new learning curve here. The mouse feels robust enough and is made from a healthy mix of recycled plastics. Like previous versions, longevity doesn’t feel like it will be an issue which is on par with what you would expect from a premium product like this.
Logitech have reformulated some of the ‘touch points’ of the mouse with improved stain resistance where your hand rests on the mouse and subtly transparent main buttons have a near silent click but feel incredibly satisfying to use. The attention to detail from Logitech on those touch points is very welcome. One of my main complaints of previous versions is that they develop a slightly greasy looking sheen on the main contact points. Logitech seems to have addressed this with their choice of new materials but in truth, time will tell how well it holds up.
The additional customisable buttons and scroll wheels all feel very similar to the previous version which is actually great to see. Logitech’s ‘MagSpeed’ scroll wheel is probably the best in the business and as I will be repeating a lot throughout this review - if it isn’t broken, don’t fix it. Elsewhere, battery life and connectivity seem to be solid, most likely improved from previous versions but this obviously depends on personal usage. I am using the Mac version of the MX Master 4 and it connected quickly to my Mac and no issues since.
Source: Youtube - Oliur / Ultralinx
😎 Getting the most from the Master
OK, so this is where things get interesting (no, really!) but first let me cover a few basics. In it’s most fundamental use case, for connecting to devices and pointing at things - this mouse is already excellent. It is comfortable to use, feels great in the hand and does everything you would expect a mouse to do. Honestly, how much can ‘Mouse technology’ really change? Well, turns out, quite a bit… Logitech has added a few features that kind of make you think ‘why has nobody else done this before’... I’ll start with haptic feedback.
Ok, so in essence most mice have some kind of feedback - afterall, that satisfying click of the mouse button or scroll pad does indicate that a button has been pressed and therefore an action has been initiated. However, Logitech has taken this much further. The first time you turn the mouse you get a satisfying buzz - and no I’m really not that excited about using mice, you genuinely get a little buzz, similar to that of a mobile phone receiving a call. It feels a little odd to start but it very quickly becomes an incredibly sensory thing that just adds to the user experience.
I must admit, I turned the feedback down a little as I thought the original factory setting was a bit much but you very quickly get used to the subtle buzz of actions being taken. The haptics main purpose is to support Logitech’s new ‘Action Rings’, the second main feature of the mouse and one that I think will have most users excited about upgrading to this device.
🖥️ Customisation and Action Rings
If you are looking to buy this mouse for any particular feature, it really should be the Action Rings. In its most basic sense, the Action RIngs are just customisable shortcuts that reveal a beautifully designed onscreen overlay with popular actions. The Actions can be programmed to specific software with Photoshop and Lightroom being supported straight out of the box. However, the actions can be customised so most shortcuts can be assigned.
Even whilst navigating the general OS of your computer, a quick tap on the Action key reveals a set of thoughtful actions and the aforementioned haptic feedback makes scrolling the actions feel immersive and gives you a better sense of connection with your device - sounds weird but once you try it, it becomes a little addictive.
When I first saw this feature advertised, I thought it sounded a little gimmicky - in particular as I already have a lot of shortcuts set up on my Mac and for editing, I already use (and love) the TourBox - so why would I need to add even more confusion to my editing process? Well, it turns out that I can now pretty much edit anything I need to with one hand!
This might sound like a somewhat shallow win, but in truth, it is a timesaving masterpiece and even though I still insist on using the TourBox for some actions (who doesn’t like a ‘twiddly knob’!) I could easily carry out most actions on the MX Master 4 and when travelling, I really only need to carry the mouse now.
For both Lightroom and Final Cut - my two main pieces of editing software, a combination of customised buttons and the new Action Ring get me through 95% of my main editing actions. I only really use the keyboard or TourBox for very specific tasks that are so ingrained in my personal workflow that I can’t really seem to change. For most users (and photo and video editors, I’m really talking to you here!) the MX Master 4 is by far the most useful mouse… No actually, the most useful customisable user interface that I have ever used… I’m sure professional video editors using multiple thousands of pounds worth of editing desks might have a different experience - but for the rest of us, this little mouse is a brilliant addition!
🤔 upgrade from previous versions?
I would guess that the vast majority of photo/video editors already have a previous version of the MX Master series. So it begs the question, should you upgrade? In short, Yes! My personal experience is that the physical product feels very similar in most aspects to the previous version. This is a good thing, I love the Master 3 and if Logitech has decided to make massive changes, putting buttons in different places and changing the ergonomics - I genuinely wouldn’t even have considered changing my mouse - it’s only because it is so familiar that I thought about upgrading.
Where the real value lies is in the haptic feedback and the Action Rings. It’s clear that Logitech will be investing into this going forwards and with the additional software support and customisation options - I can see the Action Rings becoming a massively beneficial addition to most users - justifying the upgrade even from the most recent generations of this series. It really is one of those things that once you try it, you can't understand why it wasn’t there in the first place.
Source: Youtube - Cameron Dougherty Tech
🔎 QUICK LOOK PRO’S AND CONS
PRO’s
Excellent ergonomics and comfort
Haptic feedback feels like a genuine innovation and something we will see more of
Incredible customisation of buttons and the ‘Action Ring’
Solid battery life and connectivity
Top choice for both professional use and normal day-to-day opperations
CON’S
Definitely cheaper options out there…
The Action Rings usage in apps like Lightroom can be a bit fiddly
The MX Master 3/3S are both great choices if you don’t need the Action Rings
✅ Final THoughts
I started by comparing the MX Master 4 to the Porsche 911 - I’m sure a lot of you will have already worked out the relevance of this but let me explain… Porsche is often accused of being ‘lazy’ when it comes to design. The 911 shape hasn’t really changed that much in over 60 years! At first glance, the MX series is a lot like that - you might be scratching your head as to what has actually changed from the previous version! But like with iPhones, toasters, McDonald’s menu (yeah I’m clutching at straws!) Sometimes simplicity is the key to its success…
Continuing the 911 analogy, you can use the big Porsche to go to the shops and it will get you there and back just like any other car. What a lot of cars can’t do, is get you round the Nurburgring in lightning fast times and leave you with a smile on your face at the end of it! The MX Master 4 is the same… It can do all of the pointy clicky things any other mouse can do… But it also has the potential to save you hours of editing time and leave you with a smile on your face because now, you can spend that saved time on far more interesting things!
🔴 FAQ’s
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The MX currently retails at around £120 (I’ve seen it at $110 in the US) but it does seem like there are fairly regular discounts and I would assume that this may also be a ‘Black Friday’ item when sales come around - check the latest prices on Amazon (affiliate link)
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In short, Yes. The addition of the haptic feedback and action rings make it worth checking out and for the action rings alone, I would consider this worth the cost of the upgrade
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Honestly, this is a very solid mouse for any user and the ActionRings make a lot of day-to-day actions very simple - but for photo and video editors, I think they will get he most additional benefits from this mouse.
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I’m genuinely struggling to think of anything… It’s a great product that I can’t really see how it would be improved… But I said that about the previous product and Logitech proved me wrong with the MX4!
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This is hugely down to personal preference - some may prefer a track pad or vertical mouse but that really is down to your own specific use case. For most people, I think the MX4 is probably the best mouse on the market right now though for photo/video editors, I’m still a big fan of the TourBox and the MX4 hasn’t completely replaced it… yet.
📸 Are you a photography/videography brand looking to showcase you products? Take a look at my Media Pack and Contact Me to discuss how we can collaborate on a sponsored review.
Posts you might also like…
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
Canon PowerShot V1 Review - Compact Power in your Pocket
When I started out, over 15 years ago, I would never have believed all of the features that we take for granted in a consumer level camera. Incredible autofocus, high resolution stills, 4k video with effective wide-dynamic range (Log) - With the Canon PowerShot V1 launched in April 2025, we now have all of that and much more in our pocket. When I think about it, it really is mind blowing. However, it does all come at a cost, let's find out if it’s worth it… Oh, and I will have a video review coming soon so be sure to check out my YouTube Channel…
When I started out, over 15 years ago, I would never have believed all of the features that we take for granted in a consumer level camera. Incredible autofocus, high resolution stills, 4k video with effective wide-dynamic range (Log) - With the Canon PowerShot V1 launched in April 2025, we now have all of that and much more in our pocket. When I think about it, it really is mind blowing. However, it does all come at a cost, let's find out if it’s worth it… Oh, and I will have a video review coming soon so be sure to check out my YouTube Channel…
TL;DR
If you don’t have time to read the full article, my ‘Too Long; Didn’t Read’ take on this is…
The Canon Powershot V1 is an excellent compact camera. Yes, it has a premium price tag but it is an incredibly capable little camera. Whereas some of it’s counterparts make up for their high price tags by offering a myriad of features and specs, the Canon is simple to use yet powerful enough to get great results in an all but the most challenging scenarios. It’s a great stills camera but for a vlogging/content creator, the video features make this camera a ‘no-brainer’…
PLEASE NOTE - No AI was used to make this article. It is my own work based on my experiences and created in my own time. If payment was received or any items gifted to me, it will be clearly stated in the article. If you would like to support the blog, please consider making a small donation.
Build Quality and Ergonomics
Straight out of the box (and I’m pleased to see Canon using mostly recycled packaging for their cameras) the camera feels like a premium camera. It has a little weight to it and feels dense - though at 426 grams, it’s certainly not heavy. That dense feel makes sense when you think of all of the technology crammed inside this thing! The package comes with a battery and wind cover for the mic, this camera is certainly targeted towards vloggers after all.
Ergonomics
The ergonomics of the camera are another standout feature. Can have somehow managed to make this feature packed camera incredibly simple to handle and use. I’ve used my fair share of small cameras and there is usually a compromise when it comes to button layout. The PowerShot V1 focuses on being simple and fast to use. Startup time is quick, the buttons all makes sense in terms of placement and the flip out LCD touchscreen is a joy to use in all but the very brightest of situations.
What is missing?
I do have two very minor gripes with the body. Firstly, and probably most importantly is that the PowerShot V1 is not weather-sealed. Canon has obviously had to work thermal wonders to keep the issue of overheating at bay. However, that does come at the expense of not being able to use the camera in wetter conditions - which is a shame for more travel focussed users. My other personal issue is the lack of EVF - though I really am stretching here as the camera is packed with other features - I really don’t know how they would have fit an EVF in, so its absence is understandable.
Canon Powershot V1 for Stills Photography
I’m going to break the review up into the two main areas of use for this camera, stills and video. The 1.4 inch CMOS sensor crams in 22 megapixels which helps deliver fantastically rich images. I’m not going to bang on about ‘Canon colour science’ but if you know, you know. The PowerShot V1 delivers images that certainly have that ‘Canon Feel’ and as an owner of the Canon R5 MkII - in some ways I preferred the images out of the V1 but my mixed emotions towards the R5 MkII is a conversation for another day.
Source - Gordon Laing via YouTube
I’ll talk more about the 16-50mm equivalent lens in the video section but suffice to say it delivers wonderfully crisp images with little compromise and with Optical Image Stabilisation - it’s more than just a typical ‘point and shoot’ lens. There is a bit of distortion but nothing that isn’t very easily fixed and sharpness throughout the aperture range seemed decent from my own very basic testing - though YouTube is your friend if you want to find some very detailed examples. The lens has a maximum aperture of f2.8 at the wide end going to f4.5 at the longer end which is decent for a small camera like this.
Image Performance
The images have decent dynamic range and I was impressed with the lowlight performance. I really think we have reached a point where you would struggle to find a truly ‘bad’ modern camera for stills but I’m pleased to say that the PowerShot V1 is a good stills performer, even with its diminutive form factor. The Dual Pixel Autofocus performs very well. It's nice to see some of Canon’s new tracking features built in. An additional bonus is the built in ND filter which can help in some scenarios - the mechanical shutter maxes out at 1/2000 of a second but there is an electronic shutter that delivers up to an incredible 1/16000 of a second.
Overall, the PowerShot V1 delivers fantastic images from what is a compact camera. The lens is sharp and the sensor renders images with plenty of dynamic range. As a professional photographer, I would have no problem using this camera to deliver images for social media, websites etc. and for most users, they will not be disappointed with the image performance and more importantly, the usability of this camera to capture great images.
Canon Powershot V1 for Videography
There is no doubt that this little powerhouse is mainly focussed on the video side of things with its primary customer base being vloggers and content creators. However, to simply class this little camera as a ‘vloggers camera’ would be missing some rather large points. Most notably the 4K 60 P video and the fact that this camera has Canon Log 3 - a feature that up until only a few years ago was reserved mostly for Canon’s premium Cinema line of cameras. It shouldn’t be overlooked that this ‘pocket’ camera, if used in the right hands, is capable of producing some beautiful video.
Additonal Features
Other key video features include Canon’s ‘Movie Digital IS’ - this worked well in the field but it does come with a small crop factor and call me old-fashioned, but I appear to be the only person that still likes a bit of ‘normal’ camera shake. The previously mentioned built-in ND filter is also a great feature though fairly commonplace in video oriented compact cameras these days. In addition to the 4K 60 P, this little beast also delivers Full HD 120 P which for a lot of content creators will be a great addition - for those looking to make more ‘cinematic’ content, the choices of frame rates have you well covered. The Dual Pixel Autofocus also appeared to work well with the lens and I rarely found the camera ‘hunting’ for focus - in particular when used as a vlog-style camera.
The Lens for video
One of the most crucial features for videography and in particular for the cloggers out there is the lens, and with a 16mm equivalent at the wide end - it really does have you covered. One of the main gripes for most vlog-style cameras is that you normally need the dreaded ‘selfie-stick’ to get the camera far enough away from the user so that they do not completely dominate the frame. The Powershot V1 is wide enough that this really is not an issue. The lens is slightly more compromised at the long end - the 50mm equivalent offers some degree of ‘zoom’ but from a personal perspective, I’d love to have seen this closer to 80mm or ideally, 105mm. I must caveat that with the fact that I don’t know the technical limitations of building a lens with that zoom range so it may not be possible!
Video Perfomrace
Video quality overall is great and for most users, they will be happy with the results. The audio also sounds fantastic for a small camera and even though I’d always recommend using a wireless lav etc. the onboard audio sounds full and rich - just remember to use the supplied wind-cover when outside. For more advanced users, the addition of C-Log 3 is great to see. Lowlight performance was decent with noise present as you start to ramp up the ISO - but this is where I feel some people forget the basics of videography in terms of looking for good lighting scenarios, with balanced audio and good framing - it is only a camera after all and won’t make poorly shot video look incredible, so some user skill is required to get the absolute most out of this camera - but it is certainly easy to get good looking footage from it.
Source - PetaPixel via YouTube
FREQUENTLY ASKED QUESTIONS…
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The Canon PowerShot V1 is clearly marketed towards the ‘Content Creator’ and Vlogger. The video-centric features make this ideal for those looking to produce YouTube style content. However, the great still performance make this an icreadibly versatile camera for most end-users.
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The PowerShot V1 is feature packed but the headline grabbing features are the excellent 22 MegaPixel sensor, the high quality lens and the professional standard video features. The additon of 40K 60 P video, Full HD at 120 P and Canon C-Log 3 make this and increidbly well specced camera for video creators.
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An often overlooked feature of video cameras is how well the audio performs and I’m pleased to say it performs incredibly well for such a small camera. The included wind cover is a nice touch a I would always recommend getting the mic closer tothe source (use a wirelss lav mic) but audio sounds great on the PowerShot V1
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For me, the biggest downsides are the lack of weather sealing, the focal range of the lens and the cost. All of these are personal things and you will know if they are deal breakers for you - but I would have loved to have seen a bit more reach with the lens. As for weather sealing and cost, well these are issues that are slighlty more difficult to overcome.
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I can’t state enough that even though this camera is marketed towards ‘vloggers’ and ‘content creators’ this is still an incredibly well specced portable camera and even for old, worn out photographers like me - it still makes a great, pocketable option for an everday carry style camera.
Final Thoughts…
I’ve taken a slightly different approach to this review, without focussing too heavily on every technical detail. As I mentioned at the start though, I find it genuinely mind-blowing that a ‘pocket size’ camera can deliver all of these features and functions. More importantly, it delivers fantastic stills and video performance in a simple to use, well built and stylish form factor. If you know that this camera suits your needs as a user, it’s very difficult to find any downside to it. However, there is one…
My biggest downside to this camera is the cost, at £959 - it’s expensive. Shopping around may bring that price down a little but that price still places this camera very much in the ‘premium compact’ category. The strange thing is, I actually think it is worth the money - this camera is incredibly capable. My main issue with the cost is that it puts this camera very near the price point of some other very capable mirrorless cameras. I’m not going to start making comparisons as this isn’t an ‘A vs B’ review - but at nearly a thousand pounds, that's a large chunk of change to be spending on a camera. That’s before we even get into the ‘camera vs phone’ debate for making vlog style content (camera every time for me but again, a conversation for another day!).
If the price is not the deciding factor for you, then one thing is for sure - you’ll be hard-pressed to find a more capable little camera that can slip in your pocket. Canon have done their research and delivered a camera that will have 99% of its target market covered! I would have no issue using this camera as an ‘everyday carry’ or for travel. For content creators, I think the PowerShot V1 would be an excellent option. Please leave a comment below if you like the look of this camera or if you think there are better options out there, I’d love to get your thoughts…
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
A Walk Around The Photography Show 2025 London - My HIGHLIGHTS
The 2025 Photography & Videography show took place at ExCel London and I made the journey south and took a look around. In this video, I share my highlights from the show and give you a feel for what the event was like, My particular highlights were getting to play with the new Sigma BF - a beautiful new camera. I also got to try the Canon C400 and C80 video cameras which I am very interested in as well as a host of other really cool stands and exhibitions. Watch the video below for my full highlights.
The 2025 Photography & Videography show took place at ExCel London and I made the journey south and took a look around. In this video, I share my highlights from the show and give you a feel for what the event was like, My particular highlights were getting to play with the new Sigma BF - a beautiful new camera. I also got to try the Canon C400 and C80 video cameras which I am very interested in as well as a host of other really cool stands and exhibitions. Watch the video below for my full highlights.
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
VIDEO: Fuji X10 in 2025! BEST Budget Fuji X100V Alternative?
The Fuji X10 could be one of the best budget alternatives to the legendary Fuji X100V and similar style cameras. However, can a camera from 2011 really compete with the modern day lowlight monsters? In this video I look at the pro’s and obvious con’s of comparing a camera over a decade older than it’s modern counterparts. I have previously written about the Fuji X10 and it’s fair to say I was a fan then, but has anything changed?
The Fuji X10 could be one of the best budget alternatives to the legendary Fuji X100V and similar style cameras. However, can a camera from 2011 really compete with the modern day lowlight monsters? In this video I look at the pro’s and obvious con’s of comparing a camera over a decade older than it’s modern counterparts. I have previously written about the Fuji X10 and it’s fair to say I was a fan then, but has anything changed?
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
VIDEO: My Favourite Cameras That I have Used in 2024!
I love using different cameras and whether they are film or digital, photo or video focussed - every one of them brings something unique. I thought I would share my favourite cameras that I have used throughout 2024 and there may be a few in there that surprise you. Take a look at the video and let me know in the comments what your favourite camera of 2024 has been!
I love using different cameras and whether they are film or digital, photo or video focussed - every one of them brings something unique. I thought I would share my favourite cameras that I have used throughout 2024 and there may be a few in there that surprise you. Take a look at the video and let me know in the comments what your favourite camera of 2024 has been!
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
REVIEW - Manfrotto Pro Light Cineloader Small - Big Things come in Small Packages!
I have previously reviewed the Pro Light Cineloader Medium and it’s fair to say that I absolutely loved it! So when Manfrotto reached out to me and asked if I would like to try the Small version, it was an instant yes! I would highly recommend reading my review of the medium as the small is almost exactly the same, just smaller… It boasts the same excellent build quality, thoughtful design and offers a great level of protection for your gear - but let’s take a closer look, I’ll keep it brief.
I have previously reviewed the Pro Light Cineloader Medium and it’s fair to say that I absolutely loved it! So when Manfrotto reached out to me and asked if I would like to try the Small version, it was an instant yes! I would highly recommend reading my review of the medium as the small is almost exactly the same, just smaller… It boasts the same excellent build quality, thoughtful design and offers a great level of protection for your gear - but let’s take a closer look, I’ll keep it brief.
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
As mentioned, I’ll try not to repeat myself too much from the review of the medium version of the Cineloader but it’s fair to say it’s smaller sibling is no less of a quality product. In many respects, I’ve actually found the small version more useful as commonly, I just want to transport a rigged out camera and don’t need all of the additional space that the medium offers. More so, it fits on top of a Pelicase perfectly with the additional loop and that has become my go too setup - Cineloader for the camera, Pelicase for all of the additional items.
Build and Features
The build quality is excellent with a good, solid structure to the bag which gives you extra confidence that your precious gear will be protected. This is something that I have tested out the ‘hard’ way when I dropped my bags down a set of stairs! The Cineloader did a wonderful job of protecting the camera and apart from wiping a bit of dust from the water repellent exterior, everything was fine - apart from my embarrassment levels which were distinctly peaked!
There is a single larger compartment in the interior with ‘M-Guard’ dividers that feature heavily in the medium bag also present here. The dividers help the versatility of the bag but personally I have been using the bag without them, preferring to just have the main compartment for the built out camera rig. The straps, zips and padding are all equally as well constructed as on the medium version and Manfrotto have certainly not skimped in any way on the smaller version.
Source: ProAV TV via YouTube
Usability and Versatility
What the small version lacks in terms of size compared to the larger options, I think it makes up for its portability and usability. The small is the perfect size for small and medium cinema rigs and it makes it the perfect option for just throwing a camera in the bag and running out of the door. Not having to break a camera down to transport it really is the biggest feature of the Cineloader bags once you’ve used one, it’s pretty difficult to go back to the ‘old’ way of doing things.
Apart from the trolley loop setup which has become my preferred way of transporting the bag, the included shoulder strap is more than comfortable enough and makes carrying the bag for long periods of time easy. External pockets also add to the versatility of the bag and on many occasions, if it’s just capturing b-roll or a simple setup, I just take the small with a few batteries in the pockets and a tripod strapped to the top with the included tripod loops - good job Manfrotto.
Final Thoughts
It’s very difficult not to just repeat everything that I have said in my review of the Pro Light Cineloader Medium as it really is only the size that is different. However, I do find that having both sizes offers a lot of benefits for different styles of working. The medium certainly has its benefits for larger jobs when you might be carrying multiple cameras and all of the additional items that are needed such as audio, lighting etc.
However, the small bag is a joy to use when you simply need to travel light and I love combining it with a Pelicase and having my perfect ‘solo shooter’ setup. You will probably have noticed that I haven’t mentioned any negatives and that is because I really can’t find any. Even the price, usually around £150-£170 is a good price for a product of this quality. The bigger question is does this fit your needs? If you regularly carry a rigged out camera, or even cameras with longer lenses - it’s difficult to see how this wouldn’t be a great addition!
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
Five Pieces of Photo & Video Gear That I Would Love to Try in 2025!
As 2024 draws to a close, it’s time to start planning for the next twelve months and I thought it might be good to share my thoughts on some gear that I would love to get my hands on in 2025! It would be really easy just to list off a load of dream cameras and lenses but that’s not really what this is about. Each of these items would help make a significant difference in either my workflow or the quality of my final output and let’s face it, that’s what all of this is really about.
As 2024 draws to a close, it’s time to start planning for the next twelve months and I thought it might be good to share my thoughts on some gear that I would love to get my hands on in 2025! It would be really easy just to list off a load of dream cameras and lenses but that’s not really what this is about. Each of these items would help make a significant difference in either my workflow or the quality of my final output and let’s face it, that’s what all of this is really about.
There are some pretty ambitious items on the list that may be out of reach. There are also some pretty surprising items as they don’t seem particularly exciting at first glance. There is no getting away from the fact that if I actually want to round up all of these items, a little win on the lottery would probably be needed (more likely the case that I’ll be overwhelming eBay with old camera gear!). But sometimes, it’s nice to have some lofty aspirations to keep you motivated on those cold, early January mornings! Let’s take a look at the list…
1) Canon C400
This one might be a bit of a stretch as it’s well outside of my budget, but the Canon C400 sure looks like an amazing camera. I recently broke the HDMI out on my Canon R5C and this has got me thinking about whether now would be a good time to ‘upgrade’ my main video camera. For anyone that has been following Canon’s latest offerings, you might think that the C80 is the obvious replacement but there are a couple of limitations with that camera. Notably, only having SD cards and the slightly peculiar body shape really put me off.
Source - CVP Via YouTube
The Canon C400 seems to offer everything I would ever need - more so in fact, so much more that it would be a borderline waste on me. However, that’s where the opportunity lies! Being able to grow into a camera system and push yourself on more challenging shoots is exceptionally beneficial. Plus, it has triple base ISO and solid autofocus, two things that I really would rely on judging by the varying nature of the work I carry out. My biggest challenge would be making the financial side of things work but sometimes, you have to push yourself and this may just be one of those times, we’ll see.
2) Zhiyun Molus G300
I’ve been a big fan of the Zhiyun range of lights for a while now and own a few. However, I always find myself just wanting that little bit more power in my bag. I use the G200 on a regular basis and it has been great and I absolutely love the form factor, but I worry about walking into a situation where 200w just isn't enough. I’m learning to light ‘spaces’ more than faces and with this in mind, I like the idea of having a few 200w+ lights that can help bring the overall ambiance of a scene up and having a 300w as a key light sounds like a good balance.
It’s difficult to say whether this is a good or bad option as there are certainly more powerful lights out there. However, I constantly have to think about portability and how I will travel with lights and this is where the G300 seems to be best in class - power vs portability! I can see this light working really well in my setup and is (in the world of lighting) even pretty reasonably priced. I will be holding out for some January Sales and hoping to add this to the kit bag.
3) Lighting Diffusion
OK, so this may seem like an obscure choice when talking about things that you can’t wait to try, but hear me out. In 2025, I want to move slightly more into corporate interviews and maybe even documentary style work, so lighting will be essential. With this in mind, learning how to diffuse light and create really pleasing and natural looking lighting is essential. Up-steps diffusion and with so much to choose from, it might be difficult knowing where to start.
Manfrotto offer a fantastic looking range of scrims and diffusion which certainly seem to have most bases covered. I could go down the ‘budget’ route of trying Muslin and even shower curtains! I’m just not sure how that looks when turning up to a commercial client's premises armed with what looks like a bag full of decorators dust sheets! It’s certainly an area that I am looking forward to experimenting with and hopefully upping the quality of my video production.
4) EIZO FlexScan FLT Monitor
I admit it, I get excited about some pretty unusual gear choices and upgrading my monitor setup is certainly on the cards in 2025! I was casually looking at EIZO’s lineup who are relied upon by many professional photographers & videographers and stumbled across the FlexScan FLT - A lightweight monitor with some pretty impressive stats but not just in the area you may think, but in its eco-credentials! This might be the perfect second monitor! It is literally a Class-A power efficiency monitor made from 95% recycled plastics, happy days!
Even though I was initially looking at replacing my main working monitor which is what led me to EIZO in the first place - I’m suddenly really drawn to the idea of having a secondary working monitor and with power efficiency and eco-credentials like this, it seems like a no-brainer. I will be trying to get my hands on one of these to see how it can help my workflow but it has also set my mind racing about where else I can be looking at more sustainable options and that can’t be a bad thing!
5) General Audio Gear
One area that I would probably like to focus on making some serious upgrades is my audio gear. I have already invested in this area quite a bit but the more work I do, the more I realise just how important it is to be able to capture good quality audio in a range of circumstances. Nothing panics me more than forgetting to set audio levels correctly or a mic being badly placed and even though 32-bit float audio is a lifesaver, there are always areas for improvement.
Source - Curtis Judd Via YouTube
One particular area that I am keen to improve is the quality of the Lav mics that I use and getting better at placing and hiding a mic. In a dream situation, the Sanken COS 11D’s look like amazing options. It’s not super-necessary for a lot of the style of work that I do but showing an appreciation for subtle improvements in the quality of output is what elevates you above your competition. It’s the kind of area that many people might look to save a few quid but actually, nailing audio might just be one of the most important steps in the video process.
Rounding Up…
I love this time of year and not because of the Whiskey and Mince Pies (I’m quite partial to one of those!) but because it offers an opportunity to take stock of where you are and plan out where you want to be. Making lists like this might feel fanciful and more of an elaborate shopping list to show off to your fellow photographers/videographers - but I actually think it’s a really useful exercise in seeing how you can grow and become a better professional in your area of production.
I may not accrue all of the items on this list (I’m looking at you Canon C400! ££££) but by consciously looking for the gaps in your current gear and how you can make your workflow faster, easier and better quality - it’s not just good for you but also your clients and the quality of your final output. I’m really keen to hear what areas you are looking to upgrade in 2025 and what’s on your kit wish list? Leave a comment below and thanks for reading.
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
Belroy Traveller 26L - The Perfect Travel Companion for Photographers
The Bellroy Venture Travel Pack 26L is a versatile and thoughtfully designed backpack that offers photographers a blend of style, functionality, and durability. As a photographer constantly on the move, I've found this pack to be an excellent companion for both urban adventures and outdoor shoots. However, does its stylish looks outweigh its practicality? Let’s find out…
The Bellroy Venture Travel Pack 26L is a versatile and thoughtfully designed backpack that offers photographers a blend of style, functionality, and durability. As a photographer that travels and is constantly on the move, I've found this pack to be an excellent companion for both urban adventures and outdoor shoots. However, does its stylish looks outweigh its practicality? Let’s find out…
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
Design and Build Quality
I’ve previously used a Belroy Sling and was always seriously impressed with the build quality and the 26l is exactly the same. Bellroy has crafted the Venture Travel Pack with a sleek, minimalist aesthetic that doesn't scream "camera bag." This low-profile design is perfect for photographers who want to blend in while navigating busy city streets or exploring new locations. The bag is constructed from a 100% recycled water-resistant woven fabric that feels robust and ready to withstand the rigors of travel.
The zippers are heavy-duty and feature weather-sealing strips, providing an extra layer of protection for your valuable gear. While these zippers may feel a bit stiff initially, they do loosen up with use. The overall build quality is impressive, with no noticeable issues even after months of use.
Comfort and Ergonomics
For photographers who often carry heavy gear for extended periods, comfort is paramount. The Venture Travel Pack excels in this area, thanks to its well-designed back panel and shoulder straps. The back panel features a contoured shape that follows the natural curve of your spine, with a solid lumbar support cushion at the bottom. This design helps distribute weight evenly and reduces strain on your back, especially when carrying a full load of camera equipment.
The shoulder straps, while slightly rigid, are comfortable and feature a sternum strap for added stability. The top grab handle is generously padded, making it easy to maneuver the bag in tight spaces or when stowing it in overhead compartments. Personally, I found the bag to be very comfortable to carry for long periods of time and loved carrying it around whilst exploring new cities. A lot of the time, you just forget it’s there.
Capacity and Organisation
With a 26-litre capacity, this backpack strikes a good balance between spaciousness and compactness. It's large enough to accommodate a professional camera body, an extra lens or two and accessories while still fitting under most airline seats as a personal item.
The main compartment opens both fully clamshell-style and as a top-loader, offering flexibility in how you access your gear. This feature is particularly useful for photographers who need quick access to their equipment without fully unpacking the bag.
One of the standout features for photographers is the "brain" pocket at the top of the bag. This compartment is divided into two sections and can easily fit a mirrorless camera like a Fuji X100V or even a larger camera with a pancake lens. It's an ideal spot for storing frequently used items or smaller camera gear that you want to access quickly. For me, it was the X100V and an Osmo Pocket 3 - perfect travel companions.
Camera Gear Storage
While the Venture Travel Pack isn't specifically designed as a camera bag, it adapts well to photographic needs. The main compartment can easily accommodate a camera cube, allowing you to organise and protect your gear efficiently. Alternatively, you can use packing cubes and pouches to create a custom setup for your equipment.
The bag's various pockets and compartments offer ample opportunities for organizing smaller items like memory cards, batteries, and filters. The side pocket is large enough for everyday carry items but can be useful for storing a travel tripod or monopod, depending on their length.
Unique Features
One of the most innovative features of this backpack is the hidden tote bag stored in a dedicated pocket on the front of the bag. This 15-liter tote can be incredibly useful for photographers who need an extra bag for carrying props, additional gear, or even souvenirs picked up during their travels. It’s also useful if you are exploring a new city and want to leave the main bag behind, just carrying the tote bag itself.
The water bottle pocket does take up some internal space but provides easy access to hydration while on the go. However, it may cause some gear in the main compartment to shift if not packed carefully. Personally, I used it for smaller items and never bothered with a water bottle. I found this compartment was ideal for storing toiletries and other potential ‘leak’ hazards as it is separate to the main compartment.
Weather Resistance
The water-resistant fabric and weather-sealed zippers provide good protection for your gear in light rain or drizzle. However, for heavy downpours or extended exposure to the elements, you may want to consider using an additional rain cover for extra peace of mind. I have been caught in a few showers and the bag has stood up to the test very well, but it’s always best to practice a bit of caution.
Versatility
One of the Venture Travel Pack's strongest suits is its versatility. It can seamlessly transition from a camera bag to a travel pack, hiking backpack, or even a daily office bag. This adaptability makes it an excellent choice for photographers who don't want to invest in multiple specialised bags. The addition of laptop storage pockets also make this great for those that need to edit on the go!
Pros and Cons
Pros
Versatile Design: Functions well as both a travel pack and camera bag.
Comfortable Carry: Ergonomic back panel and padded shoulder straps reduce fatigue.
Ample Organisation: Multiple compartments including a "brain" pocket for easy access.
Hidden Tote Bag: Extra storage option for souvenirs or additional gear.
Durable Materials: Water-resistant fabric protects against light rain.
Travel Friendly: I’ve been using this as a ‘carry on’ bag so no need to pay for a cabin bag.
Cons
Saggy Base: The rounded bottom makes it difficult for the bag to stand upright.
Water Bottle Pocket: Takes up internal volume that could be used for gear.
Side Pocket Depth: Items stored here can sink too low, wasting space.
Weight Distribution: Heavier loads may require more support; adding a waist strap could enhance comfort.
Cost: Certainly not the most budget friendly option.
Conclusion
The Bellroy Venture Travel Pack 26L is a compelling option for photographers seeking a versatile, well-built backpack that doesn't compromise on style or functionality. Its thoughtful design, comfortable carry, and adaptable storage make it suitable for various photographic pursuits—from urban street photography to outdoor adventures.
While it may not have all the specialised features of dedicated camera bags, its versatility and quality construction more than make up for it. For photographers who value a bag that can seamlessly transition between different roles and environments, the Bellroy Venture Travel Pack 26L is definitely worth considering.
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.