2026 Update: Yashica Mat 124G Review - Budget Beauty or Twin Lens Tat?

📆 2026 Update: YASHICA MAT 124 G REVIEW

The Yashica Mat 124G impressed me when I first reviewed it back in 2023. However, with a few more years of usage under my belt, I can honestly say that this has grown to be one of my most loved cameras. I find myself enjoying the lightweight but sturdy build and the TLR experience is one of the most satisfying of all cameras - It is also a great talking point for other camera enthusiasts. 

Quick Verdict: In short, it is a great camera to use and the lens renders a great image. It is simple enough to use to make it a perfect first camera for those just getting into Medium Format photography and as long as you enjoy composing and working with the square format, there is very little not to like about this great little camera.

Who is it for?/Who should avoid it?: It really is a fun camera to use so it is well worth a try for most people who want to shoot Medium Format. However, for those where image quality is the utmost importance or those needing interchangeable lenses/technical movements etc. There are better options.

Typical Used Prices: In early 2026, you can expect to pay around £200-£300 / $260-$400 depending on condition - look for a good, clean example and ask if it has been CLA’d and if the light meter works.

Pros:

• Excellent fun to use and the TLR experience is a joy for most photographers

• Good value compared to other options and pretty abundant so easy to find

• Great image quality for it’s age and the lens (depending on condition) is sharp and contrasty

Cons

• Not the greatest build quality but fair for the price, just be gentle with it

• No interchangeable lenses so you need to be comfortable with using a fixed focal length

• The Square format isn’t for everyone, you can always crop but there are better options if 1:1 isn’t for you

Read my original review below and if you find it useful in any way, please consider making a small donation to help support the blog and my work, thank you! Don’t forget to check out the FAQ’s at the end of the post 👍

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It takes immense dedication to be running around these days with an old vintage camera. And when I say 'old', I don't mean the 2000s or 1990s 'old'... I mean back when cameras had cogs, pulleys, and gears in them, as if a simple service meant pulling apart the innards of Big Ben. Just like my Yashica Mat 124 G, using something this vintage is quite an interesting experience in almost every regard, from repairs to taking photos.

You'd typically have to persevere with the oddity of the mechanics and ergonomics when shooting with an old camera, back when things were less standardised. Not to mention, the mind-numbing aspect of having to fix stuff when things go wrong. To be a vintage camera owner is akin to driving around in a Ford Model T, at a time when Teslas are commonplace. So, with that being said, why bother with vintage cameras?

PLEASE NOTE: I PURCHASED THIS WITH MY OWN MONEY AND NO PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW

Well, as my experience with the Yashica Mat 124 G has told me, these ancient cameras are a lot of fun! For a spot of context, the Yashica Mat 124 G is a TLR, or 'twin-lens reflex'. If you were born early this century, it means that it has two lenses at the front... There's the 'viewing' lens at the top, which you view through by looking from the waist-level viewfinder at the top. This gives you an idea of what you're taking a photo of.

Then, there's another lens at the bottom - this is what's taking photos onto the film, otherwise referred to as a 'taking' lens. Historically, the Yashica Mat 124 G is one of many cheaper alternatives to the legendary Rolleiflex cameras. The latter of which can often cost you thousands of dollars. That, of course, depends on their condition, the specific model or variant, not to mention the market and who you're buying from.

📸 The Merits Of Using Vintage Cameras

While the Rolleiflex can be classed as a high-end collector's piece, the Yashica Mat 124 G could be had for anywhere between £250 to £500. It should be noted that the "G" model is one of many other Yashica Mat 124 versions sold, so each one does have it’s own merits. As for mine, I bought it on the former end of that price range, and it is even in pretty good condition, as well. With that out of the way, how do you use it?

To anyone who's used DSLRs or their iPhones to take pictures, the idea of a waist-level viewfinder may, at first, appear somewhat archaic. But, I'd argue that we should bring waist-level viewfinders back, because there's a shocking amount of practicality to be found. On those long days of shooting, not having to lift up a camera to your eye level and hold it there could be surprisingly comfortable and ergonomic.

Video Source - Kyle McDougal via YouTube

Instead, all you need to do is let it hang by your waist level - or bring it up slightly to your chest - and look down at it to peer through the viewfinder or the focusing screen. There are other practical use cases for it, too. For instance, with a waist-level viewfinder, you could take photos while also being discreet... Holding up a big camera to your face does catch people's attention. This makes it ideal for street photography.

There are certainly worse looking cameras out there! <3

Similarly, imagine wanting to take a portrait of a model, and still have that eye-to-eye communication with them as you're keeping your TLR still, without having a giant camera in your face, getting in the way. If not for any practical reasons, an old-fashioned TLR is certainly a conversation starter for passers-by. Alas, its perhaps not strong enough of an argument for any camera maker to engineer new TLRs in 2023.

“A great buy for anyone who’s enthusiastic about film photography, but without breaking the bank”

🎞️ A Rolleiflex For Those With Tight Budgets

Specs-wise, the Yashica Mat 124 G is a medium-format film camera, with a 6x6 square negative. And, they come with fixed 80mm lenses, which is a 50mm equivalent to the 35mm standard. As there are two lenses on TLRs, they each have their own focal length, and the same goes with the Yashica Mat 124 G. Its viewing lens at the top is an f2.8, while the taking lens at the bottom (responsible for taking photos) is an f3.5.

On the other hand, the shutter speeds can vary between 1/500th of a second to 1 second. So far, its pretty standard fare for medium-format film cameras, even in the decades following its initial release. Plus, you'd even get a Bulb mode. Naturally, being a film camera, you'll need a roll of film to capture photos with it. A Yashica Mat 124 G takes in either 120 or 220 films, with options between 12-exposure to 24-exposure.

Given the fact that 220-roll film is no longer in production these days, you're mostly stuck with 120. With it, you'll get 12 shots out of a single roll, which is modestly economical. Being an older camera, the 124 G is a very mechanical device to use. Albeit, the 124 G (not necessarily a staple of all 124 models) comes with an included light meter. Unfortunately, the light meter on my unit here is very broken and doesn't work.

Once you dive into the forums, you'll realise that light meter failures are a common fault on these. So, if a photoshoot demands that you need one, make sure you have an external light meter or even a simple light meter app on your phone at the ready... Just in case. That's unless you happen to have some spare PX625 mercury oxide batteries around to recharge the built-in light meter on the Yashica Mat 124 G.

✅ Simple To Use, Yet Brilliant To Take Photos With

As is expected of a camera from yesteryear, there aren't a lot of controls to fiddle around with. There's the focusing knob, with aperture and shutter speed controls on the very front of the camera, besides the lens. Elsewhere, on the right-hand side of the camera, there's the winding lever, as well as a sports finder for a direct shoot. To be fair, the placement of things on the 124 G does take some getting used to.

That's especially if you're more accustomed to the industry-standardised layouts of modern cameras. Just as peculiar is having to use that waist-level viewfinder. Despite all my praises for it, having the picture be inverted requires some degree of patience as you're getting the hang of trying to compose a shot. Though, if the image quality to come out of it is at least okay, then the Yashica Mat 124 G is worth it, right?

Video Source - Jaycie Linh via YouTube

Actually, its more than just 'good', as this relic of the 1970s takes some staggeringly great photos. Yes, a bit of technique is required when you're dealing with a lot of manual controls - its hardly point-and-shoot, as you would with a digital camera. But, do it right, and the images that come out of the 124 G often tend to be quite sharp. That's particularly, as I've found, once its stopped to between f8 to f11.

You will probably guess my location from the photos and ‘Photographer Birmingham’ plastered all over my website. However, this little beauty is also great for travelling with. Its (relatively) diminutive size means it is easy to throw in a bag and apart from being conscious of its age, its pretty solid, as long as you take care of it. The only thing better than using this camera is using it in some beautiful, far-flung location!

This is partly aided by the Yashica Mat 124 G's crisp lens, and that square 6x6 negative. Not only would it afford you a high level of detail in your shots, it even has a good amount of depth of field. You'd think the quality would absolutely be demolished when looking side by side compared to a modern camera. Yet, it holds up quite well on its own. As such, you could totally rely solely on the 124 G for taking photos.

🕰️ A Time Capsule For The Good Old Days

It is fair to say that given the practical functionality and great image quality, owning a vintage camera like the Yashica Mat 124 G is more than a mere gimmick. Or, simply trying to be all cool and hipster. Still, that doesn't mean that there aren't any novelties to be enjoyed with it. Viewing through the focusing screen as well as the 124 G's waist-level viewfinder is no doubt a pretty unique photo-taking experience.

Compared to viewing with just one eye through a DSLR's digital viewfinder, being able to use both eyes and look into a TLR viewfinder gives off a 3D-like quality that's hard to match. Equally as old-school is the build quality of the Yashica Mat 124 G. It is decent, but nothing extraordinary, and is most certainly fragile. Take a look inside any vintage camera, and you'll have an idea of how many moving parts there are.

So, make sure you don't drop it. Additionally, since it is a camera from the 1970s, buying one almost always requires that you at least give it an in-depth inspection before any serious shooting. There's likely at least something in there that needs urgent servicing. Or, it is nearing the end of its usable service life and needs a full replacement. A saving grace here is the relative abundance of 124 Gs on the used market.

Video Source - Imran Nuri via Youtube

With that in mind, it might not be too tough to find spares. If you are to carry it around day-to-day, make sure you also have a strap for it. Unlike most other 124s, the 124 'G' variant has a bit of plastic in its build. Yet, with a nearly all-metal construction, the Yashica Mat 124 G is still pretty heavy. This does translate to a solid - if not a bit clunky - feel to it anytime you pick it up or have it hanging around your neck.

🤔 Specs, Details, And Closing Thoughts

Despite being an ancient camera, the Yashica Mat 124 G is still a nice bit of kit. Some might argue that it is really only functional as some sort of collector's toy or a hipster fashion statement. But, once you spend a good bit of time with it, and see how well it takes photos, you'll realise how capable it can really be. It even stands toe-to-toe with modern cameras of today (those huge negatives can render a lot of detail!), even if a phone camera might match it.

The most important factor for me, in all of this, is F-U-N. It is a fun alternative to a digital camera or even a later film camera and is enjoyable to take photos with. This joyousness is also the reason why I try to bring it with me as frequently as I can. To be fair, if I had deep pockets, I'd still go for a Rolleiflex. Regardless, the Yashica Mat 124 G is still a fantastic pick and a great buy for any budget-friendly film camera enthusiast.

FAQS

• Is the Yashica Mat-124G actually a good first “proper” film camera?

  If you’ve never shot medium format before, it’s one of the most approachable ways in. The layout is simple, it’s hard to get distracted by settings, and the 6x6 negatives are wildly forgiving compared to 35mm. It’s also a camera that rewards slowing down — which is basically the whole point of shooting film in the first place.

• What should I check before buying a Mat-124G?

  If you only do a few checks, do these:

  • Look through the viewfinder: is it bright enough to focus easily, or is it dim/hazy? (Dirty screens are common, but heavy haze can be a pain.)

  • Focus: wind focus from near to infinity — it should feel smooth, not gritty.

  • Shutter speeds: fire it at a few speeds (especially 1/500 and 1/30). You’re listening for consistency, not perfection.

  • Film advance: winding should be smooth and stop positively at frame “1” after loading.

  • Lens condition: small dust is normal; haze/fungus is not. Shine a torch through if the seller allows it.

• What are the most common faults on these?

  The big three I see mentioned (and occasionally experienced) are:

  • Sticky/slow shutter speeds (especially the slower ones)

  • Dim finder / focusing screen issues (age + dirt makes them feel “harder” than they should)

  • Light meter problems (dead meters, inaccurate readings, battery weirdness)

  None of these are instant deal-breakers, but you want to price them in — and ideally buy from someone who can show it working.

• How important is it that the light meter works?

  Nice-to-have, not essential. If it works and is accurate, great — but I wouldn’t pay a big premium for it. If it doesn’t, you can:

  • use a phone light meter app,

  • carry a small handheld meter,

  • or shoot using sunny-16 if you’re that way inclined.

  The camera is completely usable without the meter, and plenty of people prefer it that way.

• What’s the one thing that makes a Mat-124G feel “wrong” in use?

  A dim focusing experience. When the finder is murky, you’ll miss focus more often, and the camera stops being fun. If you’re buying in person, spend 30 seconds focusing on edges/contrast (signs, door frames) — if you’re fighting it, you’ll fight it forever. Some people upgrade focusing screens, but ideally you start with a decent example.

• How do I tell if the shutter sounds healthy?

  You’re mainly listening for consistency across repeats. Fire the same speed 3–4 times; it should sound the same each time. Then do a slow speed (like 1/8 or 1/15) and listen for anything that sounds like it’s dragging or sticking. If you’re buying remotely, ask for a short video of the shutter firing at a few speeds — it’s a completely reasonable request.

• Is it actually a good Rolleiflex alternative?

  In the “I want the vibe without selling a kidney” sense, yes. The shooting experience is similar enough to scratch the itch: waist-level, square format, slowed-down pace, and surprisingly good results if your camera is in decent nick. It’s not a Rolleiflex, but it’s also not trying to be — it’s a proper camera in its own right.

• Any simple tips for getting sharp photos with it?

  A few things that helped me:

  • Focus carefully and don’t rush the last millimetre of the focus knob.

  • Use higher shutter speeds than you think you need if you’re handheld.

  • Brace the camera against your body — waist-level shooting is naturally steadier if you use it properly.

  • If you’re shooting wide open, take a breath and treat it like a portrait lens: nail the focus, then shoot.

About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his work published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.

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Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sought before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.

Hebridean Way Bikepacking Adventure - A Photographer’s Dream!

The Outer Hebrides, in the far reaches of Scotland’s Western Isles, are often described as one of the most beautiful places in the UK — and arguably, the world. So it is no surprise that Landscape photographers and those seeking adventure flock to the remote islands in search of beauty in this barren landscape. 

✅ QUICK FACTS:

1. Route: The Hebridean Way — ~185 miles / 297km from Vatersay (south) to the Butt of Lewis (north) Outer Hebrides

2. Islands & links: 10 islands, 6 causeways, 2 ferries

3. Typical pace: Most riders take 5–8 days (longer if you’re prioritising photos + rest days)

4. When I rode: Late September 2025 (expect fast-changing weather and big winds)

5. Key realities: Remote stretches, limited resupply “pit stops”, and single-track roads with passing places

6. Camping: Scotland allows responsible camping where access rights apply — follow the Scottish Outdoor Access Code

This is my real-world itinerary + planning guide for cycling the 185-mile Hebridean Way (with a photographer’s priorities).

🚴‍♂️ The Hebridean Way - My Adventure…

In late September, 2025 - I attempted to combine these two things with a bIkepacking adventure taking in the Hebridean Way. However, not everything went to plan as this trip pushed me to breaking point!

The Journey Begins - Oban Ferry Port before heading out to the Outer Hebrides

In this post, I will describe what my plan was, the journey itself and offer some tips and guidance for those looking to do a similar trip. This is going to be a long one with a lot of information so consider bookmarking it so you can easily return to it or skim through to the section you need. As always, please leave a comment below with your thoughts and questions and I will always get back to you. To be clear, I am not a bikepacking expert so do plenty of research before planning your own adventure!

❤️ Jump To:

• The Plan - How I planned my Journey…

• The Trip - Details of my Bikepacking Adventure!

• The Gear - What I packed on my Hebridean Way trip!

• My 10 Quick Tips for Completing the Hebridean Way…

• FAQs - Essential reading for Planning and Finishing your Hebridean Way Bikepacking Trip!

📝 The Plan - GO BIG AND THEN GO HOME!

By the start of 2025, I had got a few little bikepacking trips under my belt and felt the pull of a longer adventure. After a lot of time spent trawling YouTube and Reddit, I kept coming back to the Hebridean Way - a 185+ mile ‘Bucket List’ trip in the bikepacking community that just happened to have beautiful landscapes and reachable from my home location of Birmingham!

Planning started with working out how I would even get there! The islands are only accessible by ferry and even reaching the departure point for the ferry alone felt like an adventure. I would be taking a train to Glasgow before heading out to Oban. After an overnight stay, I would take the ferry crossing to Castlebay at the southerly tip of the route. This alone was a two day trip just to get to the islands.

One of the quirks of the Hebridean Way is planning your return, with the most common route being a ferry crossing from Stornoway in Lewis, back to Ullapool on the Scottish mainland. This all sounded simple enough, even with nearly 200 miles to cover on the days in between. I furthered complicated things by initially planning to go to the Isle of Skye after completing the Hebridean Way - more on this later!

I set about booking all of the train travel, ferry bookings and a couple of nights of accommodation. Throughout my trip, the plan was to wild camp where possible - one of the joys of travelling in Scotland, where this is permitted under the right-to-roam laws. I felt confident that I could cover between 30-40 miles a day so booked all of my homeward travel - this would be my first major mistake

🚴‍♂️ The Trip - FEELING ALL AT SEA!

I’ll try to keep this brief as there is so much to cram into this post but the trip was obviously spectacular. Even the ferry crossing from Oban to Castlebay on the excellent CalMac Ferries felt like an adventure.

Rough seas battered the ferry and there was an eerie silence amongst the 50 or so passengers and more worryingly, the staff! It’s not something you can really capture on camera but things were already starting to feel very remote as we crept into Castlebay as the sun began to set.

I set foot on the island and was immediately battered by an unrelenting headwind. The wind would not show any signs of calming down for the next two days and as I desperately tried to cycle from the ferry port to the start of the Hebridean Way, with Google Maps setting an ambitious 30 minutes!

The sea was a bit rough!

But the CalMac food was great!

I already felt like I had bitten off more than I could chew. I eventually made it to the start point at around 8pm as the sun began to set and a huge rain storm rolled in. A quick photo to prove I made it to the start point and then back into the wind and rain. Welcome to the Hebrides!

🌅 THE ADVENTURE BEGINS

After abandoning my wild camping romanticism and spending the night in a hostel, I woke up early the next morning to cycle to the top of Barra to get my first ferry to Eriskay. The morning was spectacular, a beautiful sunrise revealed countless rainbows as showers rolled across the island. I stopped several times to take photos with each passing mile revealing even more beauty.

First day of ‘proper’ cycling and already in stunning landscapes…

It took me around 30 minutes to absolutely fall in love with Hebrides, a relationship that would be challenged shortly after crossing Eriskay and its spectacular causeway as the open lands of South Uist provided my first real challenge!

With 30 miles to cover, I was cycling into 40 mile per hour gusts that felt like they were pushing me backwards! With next to no cover from the terrain, the winds ripped through the island and made the cycling feel nearly impossible! My legs were burning by the end of the day and I decided to find a campsite where I could at least have a warm shower.

All hope of a slow, peaceful photography focussed trip seemed to be slipping away. As I attempted to put my tent up in the unrelenting wind, I could feel my will being tested - surely I can't quit after one day of cycling! I just about got the tent up and managed a total of about 3 hours sleep…

🏕️ CARRY ON CAMPING OR HOMEWARD BOUND?

With South Uist under my belt I was praying for better conditions on North Uist - but the Hebrides don't make anything that easy! More headwind but now the hills slowly got worse. “This is why you came here,” I told myself, huddled in a bus stop as rain lashed sideways.

Adventure isn’t supposed to be comfortable - it’s supposed to test you. As one YouTube video sprang to mind, “You have to endure the ups to enjoy the downs” - not quite sage advice for life but certainly sound for the Hebrides - I pushed on!

Over the next few days, I battled my way through North Uist, Harris and Lewis. I stopped to try to take advantage of the scenery and grab some photos but in truth, the journey had felt like so much of a struggle that I just wanted to push on for fear that if I stopped, I might not start again!

As I passed through Leverburgh and round to the beautiful Luskentyre Beach, I felt lifted as the spectacular beauty of the islands seemed to pull me further along the road, just waiting for what was around the next corner. It was just a shame that the grey skies didn’t open up for a few minutes but you can’t have it all!

Luskentyre Beach is a real Landscape Photographers Dream!

🥃 Whiskey Business!

The scenery was undoubtedly beautiful. Harsh, rugged landscapes gave way to the crashing waves of the North Atlantic Ocean. Wild birds fought against the winds in what felt like the onset of a storm - to the islanders, this was a calm day…

Showers rolled in and out without warning and any desire to stop and indulge in landscape photography was quickly replaced with the urge to get to the next rest point, or at least a shop and an opportunity to find a bit of food - as with everything here, they were few and far between. 

After paying a trip to the wonderful Harris Distillery I was immediately brought back down to earth, with the most challenging climb of the route - a big push over the top of Bunavoneader! I’m not too proud to admit that I did push the bike indeed, this had been another challenging day and there was no way to finish it! I treated myself to a night in another hostel, my legs at least would thank me. 

Expect some big climbs on the Hebridean Way!

🤦‍♂️ FEELING DEFLATED

I still had a couple of days travelling ahead of me but as I crawled my way towards Balallan, the worst finally happened - my first puncture! Well, my tubeless setup was miraculously leaking air. I couldn’t see any obvious problems so I pumped up the tyre and got on my way.

A few miles down the road and the same again, something was not right! Feeling dejected, I got to a crossing where if I wanted to bail on my trip, I could just shoot for Stornoway and civilisation. Or, I could stick to the plan and head along the remote route to the Calanais (Callanish) Standing Stones.

After another strong chat with myself, I did the latter… And I am so glad I did. Several more ‘pump’ stops later, I made it to the Callanish Stones, a spectacular site and reward for my efforts. However, after a 7am start, I only had another 40 miles to get to the end of the Hebridean Way! Seeing as it was only 11am, I made the (some would say) foolish decision to push on - despite my puncture predicament, I wanted to make it to the end! 

❌ REACHING A CROSSROADS

To say the next few hours were a struggle would be an understatement - the bike felt like it was buckling under my weight, the tyre refusing to be normal! Worst of all, As I made it to Barvas, I was offered another opportunity to quit and head back to Stornoway!

No! I couldn’t travel all of this way just to give up now. As I got to around 10 miles from the end point, with legs burning and bags sagging, a spoke gave way making the rear of the bike feel like I was rolling on rocks! As I sat by the side of the road, feeling like I could cry - was this it, had I finally been broken?

I felt a bit embarrassed as a car pulled up and a lovely lady (Anne) checked to see if I was OK, the outstanding Hebrides hospitality once again saving me when I needed it. After some strong words of advice, I picked myself up, strapped the bike together as best as I could and pushed on! I don’t think I’ve ever felt more challenged on a bike trip than this but as the Butt of Lewis came into view, the feeling of relief was enormous!

However, I was broken and needed an escape route. After yet more amazing hospitality (a roadside beer from more incredible locals!) I dashed for a bus heading back to Stornoway. I threw the bike in the luggage hold and bit my tongue as the driver said “I’ve seen you a few times today, usually pumping your tyre up”... Cheers mate!

🚳 THE END HAD ONLY JUST BEGUN!

I sat on the bus back to Stornoway cursing my own cycle repair abilities, my eagerness to finish the route and my burning calves. As I flicked through the images on my camera I felt somewhat relieved that I had at least captured a taste of what the Hebrides is about.

Would my photos win any landscape photography awards? Absolutely not. But they’ll always remind me of the grit, beauty, and sheer unpredictability of the Hebrides — and that’s worth every mile.

After finding a room for the night in Stornoway and a much needed hot meal, I looked back on a 70+ mile slog of a day. I was a mix of being amazed that I made it and disappointed in myself that I had rushed it! Something about the desire to ‘get to the end’ had completely taken over the actual reason I was there, to slow down, take some nice photos and enjoy the islands. Us city folk never change it seems and the desire to rush around just wouldn’t leave me.

Cutting the trip short meant that all of the hotels and trains that I had booked for my return leg were now wasted - not the best planning on my behalf! In truth, there were a couple of reasons why I needed to get home sooner but one thing I would definitely do in the future is to be a bit more flexible in how I planned my days. After all, the unexpected happening is about the most predictable part of doing a journey like this!

🥰 EVERY FAILURE IS A CHANCE TO LEARN!

From Stornoway, I had another decision to make. Do I head back to Tarbert, over to Skye and cycle back to Fort William - or get the ferry to Ullapool and head back on the train through Glasgow and back to Birmingham? I’m sure you could guess, my adventure was over and my broken bike (and broken feeling body) meant that any trip around Skye would have to wait for another day!

Looking back on the trip, it was incredible. I met some wonderful people, saw some of the most beautiful landscapes I have ever witnessed and most of all, learnt a lot about myself! I clearly struggle to slow down and I will always regret not spending more time in certain locations.

However, I also learnt that I can put up with a bit of adversity and can see some challenges through to the end. Even if it is the thought of a beer that really pulls me through!

🚲 The Gear - WHAT I PACKED

If you are planning your own trip and are curious, here is a list of the gear I used. I will try to link to as many of the products as I can and some will be Amazon Affiliate links, but these will not cost you any extra. 

• Bike - Canondale Topstone 4

• Front Bag - Altura Waterproof Handlebar Bag

• Frame Bag - Tailfinn Medium

• Panniers - Ortleib Gravel

• Bike Computer - Coros Dura Solar 

• Handlebar Mirror (essential!) - Hafny Bar End Bike Mirror

• Front Light - Magicshine RN 1200

• Rear Light - SEEMEE 300

• Front Rack - BLB Lite Rack

• Rear Rack - Ortleib Quick Rack

• Stand - Click Stand

• Lock - Abus Bordo Lite Mini

• Dry Bags - Sea to Summit Dry Bags 8L

• Tent - Durston X-Mid

• Sleeping Bag - NewDoar Ultralight 

• Sleeping Pad - Big Agnes Rapide XL

• Cookware - MSR PocketRocket Deluxe

• Water Filter - Katadyn BeFree 0.6l

• Main Camera - Canon R6 MkII

• Lens - Canon RF 24-105mm

• GoPro - GoPro Hero 10

🔴 10 Quick Tips for Bikepacking the Hebridean Way

1. Whatever weather you think you’re going to get, plan for the exact opposite! To say the weather is unpredictable is a massive understatement!

2. Plan your food and drink properly! Although there are shops, it is easy to fall into the trap of being a long way from your next meal. Also, water is more difficult to come by than you would imagine, even if you are carrying a water filter.

3. Understand your equipment. It is quite possible to do this trip on older bikes or even bikes that might not feel that suitable, but having decent understanding of basic bike repairs could be a lifesaver!

4. Fail to plan… I won’t finish the quote but seriously, plan, plan and then plan some more! Having ‘escape routes’ and alternatives if you decide you can’t go on or if a proper storm rolls in is essential - in particular, having a warm shelter could make or break your trip.

5. It’s a different pace of life - shops are closed on Sundays and despite the locals being incredibly friendly, generally your are out there on your own, so be prepared to be a bit more resourceful than normal!

6. Phone signal is decent on all islands but the further south, the worse it gets. You may struggle to get internet connection in the south so make sure you save maps offline etc. and you know where you plan to stay each night and how to get there!

7. The roads are pretty safe but there is a lot of single-track roads with passing points every 100 metres or so. However, if the wind is particularly strong, you won't hear cars behind you! Get a mirror and use it! Oh, and look out for cattlegrids, they can be a nightmare!

8. Take a really good quality rain jacket, always have some dry socks and underwear to get into! Merino wool t-shirts etc. worked well for me and have some kind of hat/cap to wear with your helmet, those winds can feel brutally cold!

9. Plan your electronics accordingly - I always had two battery banks, one for daily use and another ‘emergency’ battery bank that I never planned to use, but was there for (you guessed it) emergencies!

10. Don’t sacrifice safety for weight-savings! I was massively concerned about weight but I’m glad I had a few emergency essentials and a decent toolset with me - if nothing else, the peace-of-mind it gives you is worth the extra grams!

✅ Final Thoughts…

If you are a photographer on the hunt for incredible landscapes, a bikepacker looking for a challenging adventure or both! The Hebridean Way is an incredible option that will certainly leave you feeling rewarded and will certainly give you a few stories to tell. If you catch the weather right, it will be spectacular, catch it wrong and you will feel the full force of these remote islands.

It’s not a trip for the faint-hearted and it certainly helps to have some experience, whether you are choosing to hike, cycle or drive the route. Proper planning is essential and having a Plan B, C and even D is highly recommended. All that aside, it is something I am keen to do again. I just need to lose weight, teach myself some basic bike repair skills and learn how to slow down a bit!

FAQS

• 1) How long is the Hebridean Way cycle route?

  The signed on-road Hebridean Way cycling route runs about 185 miles / 297km, starting at Vatersay and finishing at the Butt of Lewis. It’s way-marked, but you’ll still want offline maps for detours and planning.

• 2) How many days do you need to bikepack the Hebridean Way?

  A common timeframe is 5–8 days, depending on fitness, wind, and how often you stop for photos, food, and exploring. If you want a more photography-first pace, plan extra time so you can wait out weather and chase better light.

• 3) What’s the best time of year for a photography-focused ride?

  Late spring to early autumn usually gives the widest daylight window, but the Outer Hebrides can deliver all four seasons in a day. If you’re going for photos, build flexibility into your schedule so you can pause for conditions and light.

• 4) Can you wild camp in the Outer Hebrides?

  In many places, yes — if you do it responsibly. Use small tents, camp well away from buildings/roads, avoid enclosed fields with crops or livestock, and leave no trace. In busy areas, managed campsites can be the better option.

• 5) Do you need to book ferries in advance (with a bike)?

  Strongly recommended. CalMac advises booking tickets online in advance (even foot passengers), and you should also keep an eye on service updates, especially in windier seasons. Check the CalMac guidance for taking bikes.

• 6) Is phone signal reliable on the route?

  It’s often decent, but there are weaker areas—especially further south—so download offline maps and keep key notes (stops, ferry times, accommodation options) accessible without data.

• 7) What are the biggest challenges on the Hebridean Way?

  Wind and weather can be brutally changeable, and remote stretches can leave you far from food, water, or shelter. Mechanical issues become “bigger” when you’re tired and exposed, so basic repair confidence is a genuine safety net.

• 8) Is it safe to ride with traffic?

  Many roads are quiet, but you’ll encounter single-track sections with passing places. In strong wind you may not hear vehicles behind you, so a bar-end mirror can be a smart safety upgrade, and cattle grids deserve respect.

• 9) What camera setup works well for bikepacking photographers?

  A flexible zoom (like a 24–105) is ideal when you’re prioritising momentum and changing conditions. Keep the camera accessible (not buried), and accept that “perfect light” won’t always align with your legs and the weather.

• 10) What’s the single biggest planning tip?

  Build Plan B/C/D options: bailout points, indoor shelter options, and a buffer day. The route rewards patience — rushing to “finish” can steal the best photos and the best parts of the islands.

📸 Are you a photography/videography brand looking to showcase you products? Take a look at my Media Pack and Contact Me to discuss how we can collaborate on a sponsored review.

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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his work published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.

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Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sought before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.

REVIEW: Atomos Ninja TX Go: All Show and Go!

Atomos Ninja TX GO is a 5" 1500-nit monitor-recorder that adds CFexpress Type B, Wi-Fi/cloud workflows, and HDMI camera control + touch-to-focus (on supported cameras)—making it a meaningful upgrade for creators who want a brighter screen, faster media and tighter camera integration.

• Buy it if: you record ProRes/ProRes RAW, shoot outdoors, want CFexpress + camera control

• Skip it if: your camera isn’t supported for control / you don’t need external recording

• Best for: weddings, doc, content creators, small crews

❤️ PLEASE NOTE - No AI was used to make this article. It is my own work based on my experiences and created in my own time. This item was purchased with my own money and is not in collaboration with Atomos. If you would like to support the blog, please consider making a small donation.

Some things simply can’t be improved upon. Take a perfectly worn-in mattress that feels like it was built for you, or a piece of toast, cooked to perfection, heaven! Sounds great, right? Well, swap that mattress for the latest Memory Foam with active cooling or spread a nice thick layer of Jam on that toast and tell me it isn’t ten times better! OK, I’m stretching a bit but you get the point - well that’s exactly where the TX GO comes in - they might seem like little tweaks, but they add up to a world of difference!

🔨 What is the Build Quality Like?

Straight out of the box, this feels like an Atomos product. It is sturdy with a reassuring weight to it. Although it is plastic, it feels sturdy and like it could take a knock or two. Atomos clearly understands its users and it is nice to see mounting points on the top and bottom of the monitor and well throughout additions like the new ‘locking’ cable clamps for the HDMI and USB-C. With the additional ‘Creator Accessory Kit’ you also receive a sunhood which is a nice add-on for those working in nicer climates than the UK!

There are some improvements to airflow and Atomos have changed the fan in the latest TX GO - it is still not silent, with a subtle whirring noise that ramps up on start-up and quickly calms down. This has never been an issue for me personally as even in interview scenarios, it is usually unnoticable. However, it is something to be conscious of if you work in exceptionally quiet environments, it may be irritating - but if you are using video lights etc. then you will be used to some subtle fan noise.

👍 What is the User Experience like?

I have used a ninja V for many years and it has always been a delight to use. The TX GO is no different to that. The improved screen brightness (1500nit) is a welcome addition and makes the screen more easily viewable in brighter lighting conditions. However, the included sun shade in the Creator Kit goes a long way to cut down on glare and reflections as well. Colours look fantastic and the screen generally gives you a lot of confidence in terms of setting exposure - though the additional exposure tools such as ‘False Colour’ basically eliminate any concerns anyway.

The touchscreen is fast and responsive and even with my sausage-like clumsy fingers, navigating the tools and menus is simple and rarely have I ever ‘clicked’ something I didn’t intend to. The menus are logical and well laid out, with monitoring tools and features all easily accessible. The Ninja range has certainly developed over my years of use and the menus and options now feel fully rounded with an absolute plethora of recording, monitoring and audio options and that’s before you get to the additional items that the TX brings.

📲 How do the new features work?

The TX GO feels like a more premium model than its midrange price would suggest and that is down to what Atomos has crammed into the new model.  The standout feature for me is the new ‘Camera Control’ which allows compatible cameras to be controlled directly from the monitor. You can change aperture, ISO range and touch to focus which for me, is the real selling point. Unfortunately, my go-to video camera is the Canon R5C which is not currently supported, but having tried these features on my Canon R5 Mkii - they work great and I’m really hoping between Canon and Atomos - this is something that can eventually find its way to the R5C.

If you do have a camera that is compatible with Camera Control - one other big consideration is how the camera ‘talks’ to the monitor. Obviously, all visuals and audio are handled by HDMI but Camera Control is done over USB-C. This is fine for most users but if you are powering your camera with an external battery and use USB-C - you will need to free that port up. Most modern cameras will have multiple powering options so there will always be a solution, but if your current rig is already utilizing the USB-C port, it is something worth thinking about.

Another big selling point for me is the move away from SSD recording to CFexpress Type-B. The biggest reason I love the Ninja V range is the additional peace of mind that I get from recording to an external recorder. Most modern cameras will have some kind of ‘dual’ recording but there is just something about recording to a completely separate device. However, having to use a caddy and plugging onto an SSD always felt a bit cumbersome. The new CFexpress Type-B option not only reduces that hassle but it feels a bit more future-proof. Additionally, you can still record to an external SSD over USB-C if you desire.

More professional based users will also love the range of Codecs on offer in the TX GO. As standard, it offers Apple ProRes/RAW up to 6Kp30, Avid DNx, H.265 and NDI 6 HX3 TX & RX - so you are basically covered for all but the most demanding of scenarios. Atomos have always offered user upgradable packages that can be purchased via their website - but for me and many other users, the included line-up of codecs is more than enough for most workflows.

Finally, the TX range offers the ability to utilize WiFi cloud compatibility for both streaming and back-up. You even get 20gb of cloud storage which is crazy when you think about it - I only really use a Ninja because of the ‘off-camera’ recording capabilities and now I can send files to the cloud for additional piece-of-mind. Depending on your personal use case, this is an amazing addition. 

🔎 QUICK LOOK PRO’S AND CONS

PROs

• Exceptionally good touchscreen responsiveness and accuracy

• 1500nit monitor brightness is great for outdoor use

• Camera Control is a brilliant feature (with compatible cameras)

• The addition of CFexpress Type-B is more than welcome

• Atomos are generally very committed to firmware updates offering new features

CONS

• Fan noise might be an issue to some users in extreme circumstances

• Camera Control is not compatible with all cameras (not necessarily Atomos’ fault!)

• Price point is certainly higher than other options if you don’t need/can’t use all of the features

☝️ Is it worth the upgrade if I own a Ninja V?

For current owners of the Ninja V, the TX Go causes you a bit of  headache. The TX GO is similar enough to previous generations that you might not see the point in upgrading. However, the addition of Camera Control (for compatible cameras), the additional connectivity features, improved brightness/fan and CFexpress Type-B - all make this a compelling option and one that I would class as a worthy upgrade. 

Source: Pro Moviemaker via YouTube

One thing that I really admire with Atomos is their on-going commitment to firmware updates and a continual striving to improve their products. The difference with the TX range is that the physical upgrades make them a justifiable purchase. Knowing that Atomos are committed to the longevity of their products means that the TX range will be well supported for the next few years at least so investing now in those additional physical benefits, seems like a ‘no-brainer’.

✅ Final Thoughts…

I started this post by suggesting that some things just can’t be improved upon. However, Atomos clearly pay no attention to that idea and have strived to make an already great product range even better! Even though the price point of the TX range might be slightly out of reach for some, the value of what the TX GO delivers compared to some monitors more than double its price can not be understated - it really is a powerhouse of a portable monitor.

The Ninja V has been the go-to choice for many thousands of creatives over the years and with this latest refresh, it seems the TX GO will serve many thousands more, long into the future. With all that said, if you don’t need all of the bells & whistles, Atomos has such depth in their range of products, it’s difficult to believe that they wouldn’t have something that fits your needs. Leave a comment below if this little monitor does the job for you or if you think it’s missing something?

🔴 FAQ’s

• How much does the TX Go cost?

  There are multiple version in the TX range but the TX Go version that I tested was priced at £720 at the time of purchase. This included the additional ‘Creator Kit’.

• Is it a worthy upgrade from the Ninja V?

  This will completely depend on your own use case but if you can make use of the Camera Control feature, than I would say Yes! The additional upgrades are well worth the price but if you own a ninja V and it’s doing everything you need it too, then maybe hold out for a sale!

• Who is it for?

  Honestly, I could see the TX Go being used on all but the most high-end of productions. You will know if it fits your needs but for the vast majority of users, it will get the job done.

• What do you not like about it?

  For me, the price feels high but there are so many features here, it’s difficult to complain. I would love the fan to be silent and I wish the body was metal, but then there are always compromises. I’d also love to see the ‘frame’ of the body covered in mounting options so it feels a bit more adaptable.

• Are there better alternatives?

  There are certainly more expensive options out there and there are definitely users that will ‘need’ an alternative option (such as RED owners choosing to use RED monitors etc.) However, ‘better’ is very subjective in this case and I think you would be hard pushed to find a better value proposition for the features on offer.

📸 Are you a photography/videography brand looking to showcase you products? Take a look at my Media Pack and Contact Me to discuss how we can collaborate on a sponsored review.

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Posts you might also like…

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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.

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Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sought before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.

Logitech MX Master 4 Mouse - the Porsche 911 of mice!

Writing product reviews is actually more difficult than most people think, in particular when that product is something that a lot of people use on a daily basis and tend not to make really in-depth purchasing decisions about, like buying a mouse for your computer. However, even the most mundane products can be exciting in the right hands and MX Master 4 is certainly one of those! Let me explain why it is so special and indulge me as I compare this little chunk of plastic to a Porsche 911! 

❤️ PLEASE NOTE - No AI was used to make this article. It is my own work based on my experiences and created in my own time. This item was purchased with my own money and is not in collaboration with Logitech. If you would like to support the blog, please consider making a small donation.

🔨 Build Quality

Out of the box, the MX Master 4 doesn’t feel a whole lot different to the previous iterations. I have been using the MX Master series for years, this being my fourth one now and instantly, your hand sculpts to the familiar layout - no new learning curve here. The mouse feels robust enough and is made from a healthy mix of recycled plastics. Like previous versions, longevity doesn’t feel like it will be an issue which is on par with what you would expect from a premium product like this.

Logitech have reformulated some of the ‘touch points’ of the mouse with improved stain resistance where your hand rests on the mouse and subtly transparent main buttons have a near silent click but feel incredibly satisfying to use. The attention to detail from Logitech on those touch points is very welcome. One of my main complaints of previous versions is that they develop a slightly greasy looking sheen on the main contact points. Logitech seems to have addressed this with their choice of new materials but in truth, time will tell how well it holds up.

The additional customisable buttons and scroll wheels all feel very similar to the previous version which is actually great to see. Logitech’s ‘MagSpeed’ scroll wheel is probably the best in the business and as I will be repeating a lot throughout this review - if it isn’t broken, don’t fix it. Elsewhere, battery life and connectivity seem to be solid, most likely improved from previous versions but this obviously depends on personal usage. I am using the Mac version of the MX Master 4 and it connected quickly to my Mac and no issues since.

Source: Youtube - Oliur / Ultralinx

😎 Getting the most from the Master

OK, so this is where things get interesting (no, really!) but first let me cover a few basics. In it’s most fundamental use case, for connecting to devices and pointing at things - this mouse is already excellent. It is comfortable to use, feels great in the hand and does everything you would expect a mouse to do. Honestly, how much can ‘Mouse technology’ really change? Well, turns out, quite a bit… Logitech has added a few features that kind of make you think ‘why has nobody else done this before’... I’ll start with haptic feedback.

Ok, so in essence most mice have some kind of feedback - afterall, that satisfying click of the mouse button or scroll pad does indicate that a button has been pressed and therefore an action has been initiated. However, Logitech has taken this much further. The first time you turn the mouse you get a satisfying buzz - and no I’m really not that excited about using mice, you genuinely get a little buzz, similar to that of a mobile phone receiving a call. It feels a little odd to start but it very quickly becomes an incredibly sensory thing that just adds to the user experience.

I must admit, I turned the feedback down a little as I thought the original factory setting was a bit much but you very quickly get used to the subtle buzz of actions being taken. The haptics main purpose is to support Logitech’s new ‘Action Rings’, the second main feature of the mouse and one that I think will have most users excited about upgrading to this device.

🖥️ Customisation and Action Rings

If you are looking to buy this mouse for any particular feature, it really should be the Action Rings. In its most basic sense, the Action RIngs are just customisable shortcuts that reveal a beautifully designed onscreen overlay with popular actions. The Actions can be programmed to specific software with Photoshop and Lightroom being supported straight out of the box. However, the actions can be customised so most shortcuts can be assigned.

Even whilst navigating the general OS of your computer, a quick tap on the Action key reveals a set of thoughtful actions and the aforementioned haptic feedback makes scrolling the actions feel immersive and gives you a better sense of connection with your device - sounds weird but once you try it, it becomes a little addictive.

When I first saw this feature advertised, I thought it sounded a little gimmicky - in particular as I already have a lot of shortcuts set up on my Mac and for editing, I already use (and love) the TourBox - so why would I need to add even more confusion to my editing process? Well, it turns out that I can now pretty much edit anything I need to with one hand!

This might sound like a somewhat shallow win, but in truth, it is a timesaving masterpiece and even though I still insist on using the TourBox for some actions (who doesn’t like a ‘twiddly knob’!) I could easily carry out most actions on the MX Master 4 and when travelling, I really only need to carry the mouse now.

For both Lightroom and Final Cut - my two main pieces of editing software, a combination of customised buttons and the new Action Ring get me through 95% of my main editing actions. I only really use the keyboard or TourBox for very specific tasks that are so ingrained in my personal workflow that I can’t really seem to change. For most users (and photo and video editors, I’m really talking to you here!) the MX Master 4 is by far the most useful mouse… No actually, the most useful customisable user interface that I have ever used… I’m sure professional video editors using multiple thousands of pounds worth of editing desks might have a different experience - but for the rest of us, this little mouse is a brilliant addition!

🤔 upgrade from previous versions?

I would guess that the vast majority of photo/video editors already have a previous version of the MX Master series. So it begs the question, should you upgrade? In short, Yes! My personal experience is that the physical product feels very similar in most aspects to the previous version. This is a good thing, I love the Master 3 and if Logitech has decided to make massive changes, putting buttons in different places and changing the ergonomics - I genuinely wouldn’t even have considered changing my mouse - it’s only because it is so familiar that I thought about upgrading.

Where the real value lies is in the haptic feedback and the Action Rings. It’s clear that Logitech will be investing into this going forwards and with the additional software support and customisation options - I can see the Action Rings becoming a massively beneficial addition to most users - justifying the upgrade even from the most recent generations of this series. It really is one of those things that once you try it, you can't understand why it wasn’t there in the first place.

Source: Youtube - Cameron Dougherty Tech

🔎 QUICK LOOK PRO’S AND CONS

PRO’s

• Excellent ergonomics and comfort

• Haptic feedback feels like a genuine innovation and something we will see more of

• Incredible customisation of buttons and the ‘Action Ring’

• Solid battery life and connectivity

• Top choice for both professional use and normal day-to-day opperations

CON’S

• Definitely cheaper options out there…

• The Action Rings usage in apps like Lightroom can be a bit fiddly

• The MX Master 3/3S are both great choices if you don’t need the Action Rings

✅ Final THoughts

I started by comparing the MX Master 4 to the Porsche 911 - I’m sure a lot of you will have already worked out the relevance of this but let me explain… Porsche is often accused of being ‘lazy’ when it comes to design. The 911 shape hasn’t really changed that much in over 60 years! At first glance, the MX series is a lot like that - you might be scratching your head as to what has actually changed from the previous version! But like with iPhones, toasters, McDonald’s menu (yeah I’m clutching at straws!) Sometimes simplicity is the key to its success…

Continuing the 911 analogy, you can use the big Porsche to go to the shops and it will get you there and back just like any other car. What a lot of cars can’t do, is get you round the Nurburgring in lightning fast times and leave you with a smile on your face at the end of it! The MX Master 4 is the same… It can do all of the pointy clicky things any other mouse can do… But it also has the potential to save you hours of editing time and leave you with a smile on your face because now, you can spend that saved time on far more interesting things! 

🔴 FAQ’s

• How much does the MX 4 cost?

  The MX currently retails at around £120 (I’ve seen it at $110 in the US) but it does seem like there are fairly regular discounts and I would assume that this may also be a ‘Black Friday’ item when sales come around - check the latest prices on Amazon (affiliate link)

• Is it a worthy upgrade from the 3s?

  In short, Yes. The addition of the haptic feedback and action rings make it worth checking out and for the action rings alone, I would consider this worth the cost of the upgrade

• Who is it for?

  Honestly, this is a very solid mouse for any user and the ActionRings make a lot of day-to-day actions very simple - but for photo and video editors, I think they will get he most additional benefits from this mouse.

• What do you not like about it?

  I’m genuinely struggling to think of anything… It’s a great product that I can’t really see how it would be improved… But I said that about the previous product and Logitech proved me wrong with the MX4!

• Are there better alternatives?

  This is hugely down to personal preference - some may prefer a track pad or vertical mouse but that really is down to your own specific use case. For most people, I think the MX4 is probably the best mouse on the market right now though for photo/video editors, I’m still a big fan of the TourBox and the MX4 hasn’t completely replaced it… yet.

📸 Are you a photography/videography brand looking to showcase you products? Take a look at my Media Pack and Contact Me to discuss how we can collaborate on a sponsored review.

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Posts you might also like…

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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.

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Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sought before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.

10 Essential Amazon Black Friday Tips for Photographers & Videographers

🔴 UPDATE: NOVEMBER 2025

As Black Friday (28th November) rolls around for another year, i thought I would update this post and add a few pointers for Photographers/Videographers looking to make the most of the festive discounts. Whether you are hunting for a specific bargain or just like to browsing the offers to see what catches your eye, it pays to be prepared.

One of the biggest mistakes I see fellow photographers make is being sucked into the trap of buying unnecessary items that they either already own or have no real need for! Things haven’t really changed in 2025 with offers seeming too good to miss out on and in a time when every penny counts, it may seem like you are getting an absolute steal!

However, as we will see in these 10 essential tips, there are still ways to save yourself a bit of cash and even if you do plan on making specific purchases, being a little bit savvy can go a long way! Don’t forget to share your moneysaving tips in the comments below and as always, make sure you are enjoying your photography and not taking on unnecessary financial concerns just to feed the ‘Gear Acquisition Syndrome’!

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I love a bargain as much as the next person and whenever ‘Black Friday’ rolls around, I find a comfy chair, a cup of coffee and arm myself with my credit card waiting to snag myself a deal! However, this annual homage to consumerism isn’t always the money-saving bonanza that we think it is and quite often we can find ourselves spending more than we’d planned to! So how can you take best advantage of the Black Friday deals? I’ve added my top tips to give you a chance of actually grabbing a bargain and not going bust! 

Don’t forget to leave your own personal tips in the comments below :)

📝 1. Plan Ahead: Know What You Need

It might sound obvious, but start by assessing your current equipment and figuring out what you need versus what you want. This is the ideal time to consider any upgrades that could enhance your workflow, whether it’s a faster lens, a new lighting setup, or additional storage solutions. Once you have a list, note down the specific brands, models, or features you’re looking for. This will help you stay focused during the sale and avoid impulse purchases that may not serve your long-term goals. I tend to keep a list throughout the year of items that I know I will need, usually more memory cards!

Memory Cards are always a good buy!

💰 2. Set a Budget and Stick to It

Black Friday can lure even the most disciplined buyers into overspending, especially with so many enticing offers flashing on your screen. Set a budget for how much you’re willing to spend on new equipment, and be realistic about it. Keep in mind that even small accessory purchases can add up quickly. Sticking to a budget will help you prioritise purchases that provide real value to your business and prevent unnecessary splurges that could strain your finances later on. 

Batteries are usually another good Black Friday Bargain

💵 3. Consider your Cashflow

OK, this one may seem a little obscure at first but stick with me! Have you thought about how you are actually going to pay for your items and in particular, bigger purchases? I’m a strong believer in never taking out credit to pay for an item and no Black Friday bargain is worth going into debt for. If you are upgrading gear, have you considered the resale value of your old equipment? Will you get enough money back to cover your beautiful new purchase? Be realistic, if it’s going to be a financial stretch, it won’t feel like you’re getting a good deal. 

📈 4. Compare Prices to Ensure the Best Deal

Just because an item is labeled “Black Friday Sale” doesn’t necessarily mean it’s the lowest price you’ll get. Use price comparison tools like Camera Price Buster which track the historical prices of camera products. These tools can show you how an item’s price has fluctuated over time and help you determine whether it’s truly a good deal. Additionally, check other retailers to see if they’re offering better discounts on the same item; sometimes, brands will match or even beat Amazon’s pricing during Black Friday. I personally check prices against eBay to see whether something really feels like a bargain.

🛍️ 5. Look for Bundle Deals

During Black Friday, many brands offer bundled packages that include multiple items at a discounted rate. For photographers and videographers, bundles can include a camera body with additional lenses, memory cards, or even a tripod. These bundles provide substantial savings compared to purchasing each item separately, allowing you to stretch your budget further. Just make sure to review the items in each bundle to confirm they match your needs and are from brands you trust. In addition, look out for the ever-popular Adobe deals - you can save big on the Creative Cloud plans. 

📸 6 Think Outside the (Camera) Box

Similar to the idea of keeping a list of items you think you will need, also try to consider items that might not immediately spring to mind - like stationery, books, printing and framing materials etc. Personally, I’m holding out for things like Cinefoil, Diffusion Cloths and 5-in-1 Reflectors - all stuff that wouldn’t immediately get you excited about grabbing a bargain but you’ll be glad of any additional discount. Think through your entire workflow and see what springs to mind! Another great area to save money on is external storage, you can never have enough! 

Think of what other accessories you may need!

🎥 7. Consider Refurbished Gear for Extra Savings

If you’re open to buying slightly used or refurbished gear, Amazon’s refurbished section can offer deep discounts on cameras, lenses, and other equipment. Refurbished items are typically inspected and tested to meet certain quality standards and often come with warranties. You’ll pay significantly less than you would for a brand-new item, which can be a great solution for picking up a backup camera or testing out a new lens without a huge investment.

🙋‍♂️ 8. Follow Influencers and Reviewers for Recommendations

During Black Friday, photography influencers and tech reviewers often share curated lists of the best deals, particularly on Amazon. These individuals frequently have early access to deals or insider knowledge of upcoming sales. Following a few trusted voices can give you the extra edge in discovering discounts you might have missed. Look out for photographers or videographers who have similar styles or equipment needs to your own—they often post recommendations that are specific to professionals like you.

Tech items usually have a good chance of being discounted

📲 9. Use Social Media to Catch Flash Sales and Exclusive Offers

Brands tend to ramp up their social media activity during Black Friday, announcing flash sales or exclusive discounts across their social media channels. Follow your favorite photography and videography brands on platforms like Instagram, Twitter, or Facebook, and set notifications for posts if possible. Social media can be a valuable source for early access to sales, exclusive discount codes, or limited-time offers that aren’t widely promoted.

🏎️ 10. Be Ready to Act Quickly

The most popular Black Friday deals, especially on high-demand photography and videography items, can sell out quickly. If you see a deal that aligns perfectly with your list, be prepared to act fast. Amazon’s “Lightning Deals” are designed to offer high discounts for a short time or until stock runs out, so having a solid plan in place can help you avoid missing out. Ensure your payment information is updated, and if there’s something you absolutely need, consider setting alarms or reminders for when deals are expected to go live.

✅ Wrapping Up

Black Friday on Amazon can be an ideal opportunity to get high-quality gear at a fraction of the cost, but only if you’re strategic about it. These tips will help you stay focused, save money, and build out your photography and videography kit without the stress of overspending. Remember that preparation is key, and a little advance planning can go a long way in ensuring you get the most value out of this shopping season.

Think about what you can sell to finance your new purchases!

Whether you’re upgrading to a new camera, adding a versatile lens to your collection, or picking up accessories to improve your setup, Black Friday deals on Amazon have something for every photographer and videographer. Just keep your list and budget in mind, and you’ll be well-equipped to score the best deals while building out your creative arsenal. Happy shopping!

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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.

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Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sought before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.

Fuji X10 Review - Best Alternative to the X100V?

🔴 OCTOBER 2025 UPDATE:

The Fuji X10 is still a fantastic little camera, even in 2025. However, I wanted to add a quick update in the interest of making this post as useful as possible to potential buyers. If you watch my video about this camera (linked below) you will know that the camera developed a ‘freezing’ issue where the camera powers on, but won’t do anything else. I could not fix this so the camera is effectively useless.

That said, I enjoyed this camera enough that I am in the market for another one. I am also considering trying the Fuji X30 as well so that I can make a comparison and see if the X30 is a good alternative to the X100V. The X10’s main benefit is decent image performance in a very compact body with good glass.

It might not hold up perfectly against more modern cameras but for cost, convenience and sheer fun - it is a difficult little package to beat, hence me being in the market for another one! Read the full review below and let me know in the comments what you think of this pocket-sized classic!

Read the full blog post below :)

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📸 Small but beautifully formed…

If you’ve seen any of my gear related blog posts, you’ll probably have noticed two things. Firstly, I love trying new camera gear. Secondly, I’ve still not found the perfect camera for me! Even though I class myself as a ‘Birmingham Photographer’ I need something small enough for travel but reliable enough to produce good images in most situations, without need to take my full camera kit! A tough ask for a small camera…

I recently wrote about the Leica M8 which is certainly a great camera, though price, sensor problems and poor low-light performance mean that it is far more for ‘fun’ than business!

PLEASE NOTE: I PURCHASED THIS WITH MY OWN MOMEY AND NO PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW

Watch my latest video where I give an in-depth review of the X10 in 2025!

However, the camera that has come closest to meeting my needs of a small, fun to use camera that produces print worthy results is the Fujifilm X100V. There has been a lot of interest in this camera of late and due to a perfect storm of social media praise and stock shortages - the X100V has become a rare and sought after commodity in the camera world.

This has also caused another, more worrying issue. Prices have absolutely skyrocketed for the little gem and some unscrupulous people seem to be charging way more that the cameras original RRP in a bid to make a chunky profit out of wannabe ‘V’ owners!

This has (rightly) left many people scratching around for alternatives. Though there are plenty of great cameras out there, many people want beautiful Fuji images with… well, the Fuji street-cred!

The easy suggestion at this point would be to go with the Fuji X100F - the V’s predecessor and a fantastic camera that I reviewed myself many years ago, and fell in love with almost instantly!

Once again though, some of those pesky camera dealers have slowly started to inflate the price of the ‘F’ as demand for some Fuji fun times has reached fever pitch! As before this simply prices many of us out of the market with no chance of getting in on the action.

So what is the answer? Well, maybe not the complete answer, but certainly an interesting proposal is the Fujifilm X10 - a somewhat hidden gem from way back in 2011 and gues what, I bought one!

🤔 First Impressions...

I spent a little while hunting eBay for a good deal and at around £150 for a camera, battery, charger and a couple of little ad-ons, I think I got a reasonable deal. Average prices seem to be around £225-£250 though as with everything, that will depend on the condition of the camera.

When the package arrived, I hurriedly dived into the box and got my hands on the little beauty, and it is a little beauty! The lineage of the Fujifilm ‘X’ range is very apparent with it’s traditional rangefinder stylings and well throughout layout. 

One of the ‘big’ surprises for me was that it’s a fair bit smaller than an X100V - understandably so as it’s not packing anywhere near the tech and features of it’s modern counterpart. However, as one of my most disliked things about the ‘V’ is it’s size (calling it pocketable is a stretch - literally in jean pockets!) I was really delighted at the smaller form factor.

“One of the ‘big’ surprises for me was that it’s a fair bit smaller than an X100V.”

The next shocker for me was the lens, a short telephoto 28-112mm equivalent (on it’s two-thirds sensor, roughly 12 megapixel). More so, you actually twist the lens to extend it from the body which also turns the camera on & off - very snazzy! 

Build quality and button layout are all very satisfactory and even in my quite large hands, the ergonomics feel good and in no way ‘clumsy’. However, I have added a soft shutter release button and wrist strap for a bit of extra confidence when handling the camera.

The LCD is bright & clear and images seem to pop off the screen with it’s vivid colours. The optical viewfinder is a little underwhelming. It is clear but i’ve personally had some issues with setting the diopter. Another major flaw is that the extended lens will block roughly 15% of the bottom right when viewed through the finder. This itself is not a major issue, in particular if you’ve used many other rangefinders - but something to be aware of.

Protect those highlights, they’re difficult to recover!

Overall, I found the camera very satisfying to handle and the build seems robust enough. One drawback is the lack of weather sealing but this camera is more for casual use than serious photography, in my opinion.

🌅 IMAGE QUALITY...

Whenever you are using a camera more than ten years old with a mere 12 megapixels, you probably have to take the result with a grain or two of salt! In the X10’s case, I would dare anyone to be anything other than impressed by what this little camera could do! 

From my first test images, I instantly fell in love with the vivid, sharp images that can be gained from this lens/sensor combo. In good light, the images are beautiful and with a bit of patience, you can get some fantastic results!

With a camera this age, some expectation setting needs to be done in terms of dynamic range and one thing that I found was highlight retention was not great. Shadow detail can be pushed a little but protecting highlights seemed to be the way to go! 

Low light was my next major concern! I like to have a camera on me at night and if the little X10 could handle the dark stuff, it may find a permanent place in my coat pocket! Well, it didn’t do a  bad job! With a little coaxing (and watching for slower shutter speeds!) you can achieve some more than satisfactory results!

As ever, you are probably better suited using a tripod/shutter release at night (which I’m yet to try with this camera) but by doing so, you lose the portability and convenience of a pocket camera. If you need a tripod etc. then you’re better suited just using a larger camera in general.

Focussing was pretty responsive and even at night, as long as you have a bit of contrast in the scene, it didn’t really seem to struggle. However, I wouldn’t class this a particular quick camera to use and for anything fast-paced (sports/wildlife etc.) you may struggle.

🙅‍♂️ The DOWNSIDES...

So, in my constant hunt for the perfect camera, I knew that this little gem couldn’t be 100% perfect and alas, it’s not. Whereas the image quality is great and certainly gives a slightly film-like vibe - the quality is still somewhat lacking behind the ‘V’ - which is perfectly acceptable given the age/spec difference.

For me, I love the images it produces but then again, I would rather pick up a film camera over a digital camera for all but commercial use so ‘pure’ quality is not the highest concern for me.

Next is an issue that I can’t seem to find a satisfactory answer to. My X10 is incredibly slow to ‘boot’. When I turn it on, the LCD fires up but it takes around 10 seconds for the focus system/LCD info to actually appear on the screen.

Low light can be a challenge, but it can work!

I’m yet to find out if this is a common issue or if a firmware update/new SD card might resolve it. However, if you are a street shooter and you want to quickly capture a moment - it may turn out to be incredibly frustrating! 

Update - I’ve since changed SD card and this has help boot times significantly but I’m still unsure as to why this happened in the first place?

Finally, that lack of weather sealing and not the most robust raw files make this camera a definite ‘maybe’ for most shooters. If you can look past some of these minor issues, it’s still a very decent little camera.

✅ Final Thoughts...

I started this review by drawing a comparison to the X100V. I think that is maybe stretching things a little and the two are more similar in styling than any practical function. That said, would I consider this a serious alternative to the ‘V’ - yes…

Those colours though…

Sure, it’s age and somewhat modest specs mean that you shouldn’t expect to get anywhere near the image quality from the X10 as what you would the V. However, can you get a decent image, absolutely. Does the camera handle well, indeed it does. Does it look super cool when you whip it out in the street - well you’ll be beating off photo nerds with a monopod, so it’s definitely a looker!

Video Source - Riley Photos via YouTube

I thoroughly enjoy using this little camera and as mentioned before, it will be living in my pocket for the foreseeable future. As an X100V owner, I find it remarkable that I’ve been reaching for the little X10 over it’s bigger, better brother.

For the most part, that’s simply due to the V’s size - I just don’t find it convenient enough to carry unless I’m taking a bag out with me. There lies the problem, if I’m taking a bag, I’m far more inclined to reach for a film camera and then it becomes a dedicated event.

The purpose of a small, compact camera is that it can go everywhere with and the X10 makes for a great companion. So would I recommend it, absolutely. I think as long as you have the patience to use it, the know how to work with the camera to get the best results and modest expectations for the final output, then this is a dream of a camera. Happy shooting :)

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Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sought before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.

Canon Selphy CP1500 - Pocket Sized Powerhouse Printing!

🔴 UPDATED OCTOBER 2025 - CANON SELPHY CP1500

Since my original Review of the Canon Selphy CP1500, I have now had a lot more time with the Selphy CP1500. My key thoughts are that this is still an amazingly valuable little printer. I find myself using it on a weekly basis to make little test prints, gifts and reminders of trips and holidays.  As a photographer, I find it a genuinely useful little tool to have around the office.

Originally, I think I saw the printer as a bit of a gimmick - after all, it is still relatively simple to get small images like these printed on the high street. However, I have grown to love the convenience of being able to print something in a matter of seconds. It has been invaluable for seeing how an image might look in print and making small mockups of zine ideas etc.

The only downside to the printer is there are not a lot of ‘cheaper’ options for replacing ink/paper. Canon prices are slightly higher than what I would like to be paying but overall, it still offers a good value for the convenience that it brings. In October 2025, I still recommend the little Canon Selphy.

Read the original post below :)

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Although it might seem archaic in this day and age where we can beam documents and photos through the internet, it's still pretty handy to have a printer around. With Instagram and email, you may assume that photographers won't ever find the need for a printer. But, having used Canon's Selphy CP1500 mini-printer, I've come to appreciate keeping it about the office. Granted, it's a very particular form of printing.

For one, it's a very tiny machine, with its compact frame weighing in just 850g. Though chunky, it's lighter than many smaller laptops out there. Moreover, you also have to contend with the Selphy CP1500's odd printing format. At the very largest, it'll only produce 6.0x4.0-inch prints (or 148.00x100.00mm), with its max resolution of 300x300dpi. You'd likely get better value out of larger printers in its price range, depending on your needs.

PLEASE NOTE: I PURCHASED THIS WITH MY OWN MONEY AND NO PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW

Video Source - Camera Labs via YouTube

But for others, it's the ideal package. Canon's Selphy CP1500 is targeted towards a very broad audience, and includes both casual mainstream users, as well as professional photographers. Especially, if your use case values ease of use, convenience, quality of the print, and speed. I personally have used it in the studio to print photos and I can't recommend it enough, given that it's also fairly portable.

So, you could lug it about from one photoshoot to the next. Granted, doing this requires that you buy the optional £180 battery pack to power it. I don't personally recommend it, so you're better off plugging the printer into a regular wall outlet. Otherwise, the Selphy CP1500's battery will last you a claimed 72 6x4-inch prints per full charge. That aside, there are plenty of other reasons why you should get one...

👍 Convenience And Ease Of Use

As mentioned, effortlessness is a major highlight of the Canon Selphy CP1500. To start a print, you could pair the printer with the Canon Selphy app on your phone. It's more than just a mobile control panel, too. Using the app, you could upload your photos, create collages, or even make on-the-fly edits. This includes cropping your prints, adding filters, drawing over them, inputting annotations, or maybe writing some text.

Then, once it all looks good in the preview, you can then print it out. Speaking of convenience, the Selphy CP1500 doesn't even require you to physically plug in your computer to it. Instead, you'll load the photos and prep a print via Wi-Fi or Wi-Fi Direct. And for anyone asking, it unfortunately doesn't have Bluetooth. Another option includes plugging it in via USB-C, or printing it out from an SD/SDHC/SDXC memory card.

Besides using the Canon Selphy app, the CP1500 can be controlled through its built-in 3.5-inch colour LCD display. It's not a touchscreen, but at least the physical buttons are clicky, tactile, and easy to operate. In addition, Canon has revised the paper feeding mechanism from its predecessor, the CP1300. That makes the process of supplying the CP1500 with fresh paper easier and sleeker. Oh, and then there's the ink.

For now, I'll mention that feeding the dye-sub cartridge (much more on that later) is quite easy. So, if you need to replace the cartridge, all you need to do is pop out the filler flap on the side of the printer and it's done in a jiffy. At this point, we'll now get into not one, but two unique aspects of what makes the Canon Selphy CP1500 quite a bit different compared to most other printers, even small-format ones.

“A fantastic and useful addition to any photographer’s studio or office”

🔍 Small (Prints) Can Sometimes Be Better

The first noteworthy element of the Selphy CP1500 is those small postcard-sized prints. In the case of a Canon Selphy CP1500, it's a double-edged sword. It's a huge downside for some, as the distinct format is unique compared to what most are used to working with. Again, the largest possible print size is 6x4 inches. So, if you need anything bigger, you're left having to send your photos to a lab or print shop, anyway.

Although, there are additional formatting options to choose from - but, smaller. There are papers sold in Canon's catalogue for the CP1500 in sizes as small as a credit card. Moreover, there are varying types of paper sold, like sticky paper (used for stickers), or 6x4-inch print papers with tear-off tabs on either side. Size-wise, there are papers for the CP1500 sized in 4.7x3.5 inches, 3.4x2.1 inches, and 2.1x2.1 inches.

Still, there are a few neat tricks that these small print papers can pull off. For example, you'll note that it mostly prints out in a glossy finish. But, at your discretion, you can print out from the Selphy CP1500 in a selection of semi-gloss and satin finishes. What's cool is that these differing finishes can all be printed on the same type of paper. Nonetheless, the paper alone isn't what makes the Selphy CP1500 worthwhile.

It's only when it starts printing, and ink is applied to the paper that you now realise why this printer is all the rage. For context, Canon uses its own format of printing style, rather than the more ubiquitous inkjet or Giclée that many comparable printers on the market use. They call this dye-sublimation (or dye-sub, for short), and one that allows your prints to truly pop and showcase impressive image quality.

🎨 A Unique Approach To Printing Colours

Canon's dye-sub paint technology, as used in this Selphy CP1500, is well-regarded for its bright and vivid colours. Altogether, it excels in providing a great amount of depth, and visual clarity, not to mention properly highlighting a wide range of colours... From subtle changes in shading, to brighter variations in hue. This can't truly compete on the same level as costlier, bigger, and high-tech inkjet printers, of course.

But for a compact package, the Canon Selphy CP1500 is one of the best mini-printers that you can get on the market today, as far as quality is concerned. On top of that, it'll print out rather speedily, too. Thanks to its dye-sub-inking system, a single 6x4-inch print in the highest quality will take just 41 seconds. That's a noticeable 6-second improvement from the old CP1300. But, how does this dye-sub thing work?

Video Source - Feral Publication via YouTube

Well, Canon's dye-sublimation inking works by running each sheet of special printing paper, as we noted, and feeding them through the printer four times. Meanwhile, individual layers of cyan, magenta, as well as yellow dyes are applied on top of one another. Lastly, the final, protective layer is printed on top of its other coloured layers. This upper layer is resistant to both smudges and fingerprints, which is nice.

And apparently, Canon claims that this upper coating is able to last for up to 100 years. Notably, unlike a competing inkjet system, you won't have to worry about any messy or runny ink. Furthermore, despite its resolution being "just" 300x300dpi, the quality of the final print pops more than a lot of other printers. It's thanks to the coloured dyes being applied on top of one another, rather than adjacent in the same layer.

📸 A Handy Tool For Any Photographer

Still, you might be wondering... What does any of this have to do with me, a photographer? Well, I believe the Canon Selphy CP1500 can be a fantastic and useful addition to any photographer's studio or office. In one scenario that I've come across many times before, you're able to leverage the Selphy CP1500's speed, reliability, and consistency to print out a bunch of photos at once. What would you use it for, I wonder?

Well, how about mocking up projects, such as a photobook? You could print out a load of pictures, and move them around while working out how and where the pictures should go... Before finalising a design which you can commit to. Or, perhaps you could use the Selphy CP1500 to print out memories. No doubt, you'll surely have at least one picture from the past year's efforts that you'd have a fond memory of.

Some prints are just for fun, though the templates and overlays really add to the experience!

With a tiny printer on hand, you could keep a collage of your favourite pics, to look back to when you're done with a photoshoot. For a more business-minded use case, a printer is, I feel, a must-have. You can print out a ton of your best photos, and share them with others to promote your work. If you're lucky, you might attract some new clients. The easier route to doing this, naturally, is sending over an email.

But, it can be nice to pass on something physical and palpable to grasp onto. If you're going to an event, for instance, you may consider printing out some extra samples of your finest work. Then, hand them around to showcase your services, or simply as a gift to any passer-by. It may seem old-fashioned, but a creative photographer, like you, will surely spot some innovative ways of using those diminutive prints.

✅ Worth It For The Expense?... Some Final Thoughts

So, using the Canon Selphy CP1500 to print out memorabilia, sampling mock-ups, showcasing your work, creating postcards of your own, or printing out an ID photo for a passport. These are only a handful of the use cases where mini-printers like the Selphy CP1500 could prove useful. To be fair, if you want super-high-quality (and bigger) prints done, you'd be best to trust a lab or printing service.

This thus leads us to another disadvantage of Canon's baby printer - cost. If you're printing stuff in large bulks... And combined with the cost of the printer, dye-sub ink, and specialised printing paper... The final tally can sometimes be costlier than beaming over your photos to a print shop. Roughly speaking, it adds up to around £0.32 for each 6x4-inch print. The Selphy CP1500 itself retails for an MSRP of around £139.99.

Video Source - Peter McKinnon via YouTube

Additionally, Canon only sells the dye-sub ink alongside the paper in bundles. And, it just so happens that each ink cartridge only has just about enough ink to run through the entire pack of printing paper before you need a top-up. So, it's up to you whether the ease and convenience of being able to print out photos anywhere and at any time, without delay, is worth the premium. To me, it certainly is worth the cost.

Even though, as discussed, you need to buy Canon-specific dye-sub ink cartridges and printing paper. So far as I've searched, there aren't any cheaper, third-party dye-sub inks or paper that you would use as a more attainable and cost-effective substitute. Though, despite the high cost of running it, I still think it's one awesome little printer to have in your office or studio, even if you're only using it once in a while.

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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.

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Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sought before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.

My Photo and Video Editing Desk Setup for 2026

Having a good desk setup is critical for Photographers and Videographers to produce their best work. It might not be as sexy as talking about the latest cameras or delving into vintage lenses because you want to create something organic! However, having a cluttered, poorly organised setup is not just bad for your creative process, but you could even be causing yourself long term health issues! With all of this in mind, I felt it was time to sort out my setup. Hopefully, it will also give you a few ideas of how you can change your own setup!

I’ve always ensured that I have somewhere suitable for my editing process, but there were always little pain points that just annoyed me enough to make editing feel like a chore. Some of those were simple changes, like having a little more desk space. Others would require a bit more investment of time and (painfully) money! 

❤️ PLEASE NOTE - No AI was used to make this article. I will try to add product links or alternatives where I can and they will be Amazon Affiliate links - you still pay the same price but I receive a very small commission. If you would like to support the blog, please consider making a small donation.

✏️ The PERFECT Desk FOR EDITING

Like many, many other professionals, I have always turned to Ikea to solve my furniture problems. My previous desk was an Ikea table top and although it is perfectly fine for what I use it for, I found myself repeatedly having the same problem - it was just too big! Well more accurately, it was too deep and thanks to my poor eyesight (a story for another day!) I was constantly dragging my monitor forwards so that I could see it properly! 

Also, I had always loved having my scanner off to one side to make sure there were less barriers to the scanning process - but it was always on a shaky stand! This is a massive ‘no no’ for scanning for a fairly obvious reason. The solution to all of this, another Ikea classic - the Karlby counter top! I went for the longest available size (I still had to trim a bit off though!), added my favourite square legs and a couple of additional legs to help with flex and I was away - a solid base to build from, literally!

💻 A POWERHOUSE Computer

The heart of any editing setup is obviously the computer. For years, I have flitted between using a laptop or having a more permanent solution. In the past couple of years, I have ditched a PC and gone to a solely Mac setup. I recently retired my M1 Mac Mini and have since been using the Macbook Pro M2 Max - more than enough horsepower to handle my level of photo and video editing. 

Why go purely laptop? Well I do travel for work and having the ability to edit on the go is a must! This might not be the same for everyone but being able to edit on the go is a non-negotiable for me. This does have one downside, the laptop takes up a bit of desk space. Yes, I could use it in clamshell mode for a cleaner setup but in honesty, I like having a second screen when I’m editing to dump slightly less crucial windows such as emails (or cough, ‘Spotify’, cough…). Talking of screens, let’s have a look at the monitor situation…

🖥️ ESSENTIAL Monitor FOR EDITING

This was one of the main reasons for rebuilding my setup. I have been using the BenQ SW320 which is a fantastic monitor but it was starting to feel it’s age. It had developed a weird green line across the screen which was distracting and despite regularly calibrating the monitor - I just never felt confident with the colours I was seeing on it. It was time to upgrade - up step the Asus Pro Art PA32UCDM!

At £1600, this was a massive investment but the big 32”, 4K, OLED monitor certainly had some impressive specs and piqued my interest enough to give the Credit Card a bit of a beating! Was it the right choice, well it looks nice… Do I have some buyer's remorse? A little… but I’m going to save that for the full review which you can expect in the next few weeks - if you can’t wait, it’s great but the factory calibration is questionable… Anyway, let’s have a look at audio (that sounds odd!).

🔊 Sound QUALITY MATTERS

One thing that does not sound odd is my audio setup - which in truth I'm pretty happy with! My studio monitors are the incredible Adam Audio A4V’s which provide fantastic sound quality. I have added the 7 inch Sub (discontinued and replaced with the Sub8) for a bit of extra low-end reach. If there is one weak point, it would arguably be the Topping DX3 Pro+ DAC - Not that it’s particularly bad quality but I always feel like it might not be the best for monitoring audio, adding its own distinct feel to the audio - but I could be over thinking that.

One new addition to the setup is on the input side - a FocusRite Scarlett Solo is now my chosen input method for recording voiceovers for YouTube videos and tutorials. Another area for concern is my budget condenser microphone - Would I like a Shure SM7B? Yes! Can I afford one? No! So this will be something to address in the new year…

📹 Other ESSENTIAL EDITING Peripherals…

Scattered across the desk are some other crucial devices that help my day-to-day workflow. However, I’m going to start under the desk, where I hide all of my secrets… well, storage and other devices. Starting with a big Sabrent Docking Station crammed with 24TB of SeaGate Ironwolf NAS disks. This acts as a project dumping ground and short term backup to my main NAS (hidden in another room!) a 36 TB QNAP NAS that operates as my long term storage - not the perfect setup but it works for me. 

CalDigit TS4 is a must for these kind of setups

On the subject of storage, I use two ‘working’ drives that hold current projects that are live. The two drives are the incredible Oyen U34 Bolt and a custom built Acasis drive - these both have 4TB of incredibly fast storage that can travel with me if needed. Let me know in the comments below if you would like me to do a full run through of my data management system!

Also below the desk, along with power bricks, LED lights and other fire hazards is the excellent CalDigit TS4 Dock - This little beauty handles all of the inputs/outputs for audio/visual meaning I only need one cable plugged into the MacBook Pro to charge and operate all peripherals - a really neat way of working and reducing the hassle of connecting everything when you need to get to work quickly.

The Epson is an excellent scanner for film photographers

Back topside of the desk and I have my aforementioned film scanner, the Epson V850, An excellent flatbed scanner that handles all of my 35mm/medium format film needs and now, it sits on the solid desk to reduce any shake issues!

I want to give a special mention to the TourBox Lite - an excellent little controller that I have previously reviewed. This helps make editing photos and videos so much faster! The TourBox was provided to me for free to review but I can honestly say, I use it every single day and would have no concerns buying another, it really has made my life so much simpler - well, even easier now that I have upgraded the mouse as well!

The TourBox Lite really is one of my favourite editing tools

I use both Logitech keyboard and mouse - the keyboard is the Logitech MX Keys S and whereas it is an excellent keyboard with zero usability issues, I do wish I chose something a bit smaller. The mouse is the amazing MX 4 Master - I won’t go too far into this as I have recently reviewed it so check that out. Above the monitor you will find the BenQ ScreenBar and Elgato Key Light for, well, illuminating everything. Mixed with the cooler temperature bias lighting behind the desk, these all provide a really nice ambience that is perfect for long editing stints.

Things have changed a bit in the last five years!

I will also draw attention to my little iPad Mini 6 - which is more than useful to have around but this has now been pretty much converted into an Elgato StreamDeck by using Elgato’s StreamDeck Mobile. It’s actually much cheaper than buying one of their devices if you already have a compatible device lying around. It offers some amazing customisation and I use it to help launch and control software as well as some hardware accessories - again, I’ll probably create a separate post about this. 

Simple things like a cutting pad can really protect your desk

Finally, I have both a (fake) leather pad to protect the desktop and a rubber cutting pad as a space for assembling camera gear when I go out on shoots - this is a much better solution than sitting on the floor trying to put camera rigs together! I should mention the chair which is something basic from Amazon - it’s comfortable enough but again, I probably need a better solution (Herman Miller if you’re reading this, hit me up!). 

🔴 Five Quick tips for YOUR editing space

1. Write down the ‘pain points’ the things that stop you from want to edit or that slow you down and address those first!

2. Make sure your space is comfortable including a suitable chair, desk and footpad if you need one! Doing your own DSE Assessment will help with poor working arrangements.

3. Don’t overlook lighting! Having well balanced bias lightning and avoiding reflections and glare on your screen are essential for the editing process.

4. Think about sound treatment. If you are working with video and audio is crucial, consider treating your room to ensure you can hear and isolate any audio problems.

5. Take your time - I’ve built my setup and adjusted it countless times over many years. Concentrate on making subtle changes rather than spending thousands on things that might not work for you!

✅ Final Thoughts

I fully appreciate that not everyone has the time, money or patience to build a desk setup like this - it’s all been a bit of a stretch to me! However, I cannot stress enough the importance of having a space that allows you to be creative, concentrate on the editing process and most importantly of all - remove all of those little annoyances that stop you from wanting to and enjoying the editing process!

I’m pretty happy with this setup, we’ll see how long it stays like this 🤣

Is this my final setup ever? Absolutely not, there are still plenty of changes to be made. What it does for now is allow me to go into 2026 with the ability to focus on producing the best work that I can - both for paying clients and you guys that read my blog and watch my YouTube videos - expect to see more of this setup over on my channel. What I want to know now, is what you would change about your own setup? Leave a comment below and tell me what is stopping you from producing your best work?

FAQS + MORE TIPS TO IMPROVE YOUR WORKSPACE

• What’s the best desk size/depth for a clean editing setup?

  A “clean” setup starts with a desk that fits your workflow without forcing you to stack gear. For most editing setups, depth matters more than length:

  • Too deep = you end up dragging the monitor forward (and clutter creeps in).

  • Aim for enough depth to keep the monitor at a comfortable viewing distance, with space in front for keyboard/mouse and one “working zone” (not a dumping ground).

  • If you use a scanner/printer, plan a stable side zone so it’s not living on a wobbly stand.

• How do I hide cables properly (and keep it easy to maintain)?

  The winning combo is: under-desk power + one main data cable + labelled runs.

  • Mount a power strip under the desk (not on the floor).

  • Use Velcro ties (not zip ties) so you can adjust later.

  • Add a cable tray/basket under the desk for bricks and excess cable.

  • Label both ends of key cables (tiny tags save hours later).

  • Try to route everything to one “exit point” so you don’t get spaghetti creeping across the desktop.

• Should I run my laptop in clamshell mode for a cleaner desk?

  If “clean” is the priority, clamshell helps — but it’s not always the best workflow.

  • Clamshell = cleaner + more space (pair with a dock, external keyboard/mouse) and watch for overheating!

  • Laptop open = second screen for email, music, bins/timelines, etc.
    A nice compromise: keep the laptop open but on a stand, so it uses vertical space instead of horizontal.

• What should I look for in a monitor for photo/video editing?

  Prioritise:

  • Colour accuracy & calibration support (hardware calibration is a bonus)

  • Resolution (4K is a sweet spot for photo + video timelines)

  • Panel type + consistent viewing angles

  • Glare/reflections control in your room
    Also: don’t assume factory calibration is perfect — it’s common to still need calibration to feel confident in colour.

• How do I keep external drives from ruining the clean look?

  The trick is separating “working drives” from “archive/backup”:

  • Keep 1–2 fast working drives accessible (active projects only).

  • Everything else goes under the desk (or off-desk entirely via NAS).

  • Use short cables and route them down immediately (no “drive snakes” across the desk).
    A dock/enclosure under the desk can keep storage powerful and invisible.

• What’s the easiest way to make it “one cable to plug in”?

  A Thunderbolt/USB-C dock is usually the cleanest upgrade you can make:

  • Monitor, audio interface, card readers, drives, ethernet, etc. all plug into the dock

  • Your laptop connects via one cable for data + charging (depending on the dock/laptop)
    It reduces clutter and makes packing up / reconnecting fast.

• What are the best “minimal” peripherals (keyboard/mouse) for editors?

  For a clean setup, most people prefer:

  • Wireless keyboard + mouse (fewer cables)

  • A slightly smaller keyboard if desk space is tight (full-size can dominate)

  • A mouse that’s comfortable for long sessions (ergonomics beats aesthetics)
    If you edit a lot, consider a control device (dial/controller) to speed up workflow without adding visual chaos.

• How should I light my desk setup without making it look messy on camera?

  If you want clean and usable:

  • Use a monitor light bar for task lighting (no big desk lamps)

  • Add a key light if you record tutorials/meetings

  • Consider bias lighting behind the monitor to reduce eye strain and add a tidy “studio” feel
    Also: position lights to avoid screen glare (glare is the enemy of colour work).

• Do I need speakers/room treatment for video editing?

  If you’re doing video, audio matters more than people think.

  • If you can, use nearfield monitors positioned symmetrically.

  • If the room is lively/echoey, even basic soft treatment (rugs, curtains, panels) helps you hear problems sooner.

  • If you can’t treat the room, good headphones + a consistent monitoring routine can still work.
    A tidy desk helps here too — fewer reflective surfaces and random objects around the speakers can reduce weird reflections.

• What’s the #1 ergonomic change that improves a desk setup fast?

  Monitor height and chair comfort usually give the fastest quality-of-life boost:

  • Top of screen roughly at eye level (reduce neck strain)

  • Chair that supports long sessions (and consider a footrest if needed)

  • Keep keyboard/mouse at a neutral wrist angle
    If you’re in the UK, a quick DSE-style self-check is a good sanity test for posture and screen placement.

📸 Are you a photography/videography brand looking to showcase you products? Take a look at my Media Pack and Contact Me to discuss how we can collaborate on a sponsored review.

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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.

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Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sought before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.

Canon PowerShot V1 Review - Compact Power in your Pocket

When I started out, over 15 years ago, I would never have believed all of the features that we take for granted in a consumer level camera. Incredible autofocus, high resolution stills, 4k video with effective wide-dynamic range (Log) - With the Canon PowerShot V1 launched in April 2025, we now have all of that and much more in our pocket. When I think about it, it really is mind blowing. However, it does all come at a cost, let's find out if it’s worth it!

⏰ TL;DR

If you don’t have time to read the full article, my ‘Too Long; Didn’t Read’ take on this is…

The Canon Powershot V1 is an excellent compact camera. Yes, it has a premium price tag but it is an incredibly capable little camera. Whereas some of it’s counterparts make up for their high price tags by offering a myriad of features and specs, the Canon is simple to use yet powerful enough to get great results in an all but the most challenging scenarios. It’s a great stills camera but for a vlogging/content creator, the video features make this camera a ‘no-brainer’…

Canon PowerShot V1 Review (Quick Verdict)

If you want a truly pocketable camera that’s built for high-quality vlog video and solid everyday photography, the Canon PowerShot V1 is a strong option — especially if you value Canon colour, quick handling, and a compact setup you’ll actually carry.

Best for:

• Vloggers / creators who want better quality than a phone in a small setup

• Travel + everyday carry (EDC) video and photos

• Content makers who want a simple, fast workflow (shoot → share)

Not ideal for:

• Anyone who needs weather sealing or a built-in EVF

• People wanting the cheapest “vlogging compact” option

• Sports / fast action shooters (small compact ergonomics + limitations vs ILC bodies)

PLEASE NOTE - No AI was used to make this article. It is my own work based on my experiences and created in my own time. If payment was received or any items gifted to me, it will be clearly stated in the article. If you would like to support the blog, please consider making a small donation.

🔨 Build Quality and Ergonomics

Straight out of the box (and I’m pleased to see Canon using mostly recycled packaging for their cameras) the camera feels like a premium camera. It has  a little weight to it and feels dense - though at 426 grams, it’s certainly not heavy. That dense feel makes sense when you think of all of the technology crammed inside this thing! The package comes with a battery and wind cover for the mic, this camera is certainly targeted towards vloggers after all.

✌️ Ergonomics

The ergonomics of the camera are another standout feature. Canon have somehow managed to make this feature packed camera incredibly simple to handle and use. I’ve used my fair share of small cameras and there is usually a compromise when it comes to button layout. The PowerShot V1 focuses on being simple and fast to use. Startup time is quick, the buttons all makes sense in terms of placement and the flip out LCD touchscreen is a joy to use in all but the very brightest of situations.

🔎 What is missing?

I do have two very minor gripes with the body. Firstly, and probably most importantly is that the PowerShot V1 is not weather-sealed. Canon has obviously had to work thermal wonders to keep the issue of overheating at bay. However, that does come at the expense of not being able to use the camera in wetter conditions - which is a shame for more travel focussed users. My other personal issue is the lack of EVF - though I really am stretching here as the camera is packed with other features - I really don’t know how they would have fit an EVF in, so its absence is understandable.

📸 Canon Powershot V1 for Stills Photography

I’m going to break the review up into the two main areas of use for this camera, stills and video. The 1.4 inch CMOS sensor crams in 22 megapixels which helps deliver fantastically rich images. I’m not going to bang on about ‘Canon colour science’ but if you know, you know. The PowerShot V1 delivers images that certainly have that ‘Canon Feel’ and as an owner of the Canon R5 MkII - in some ways I preferred the images out of the V1 but my mixed emotions towards the R5 MkII is a conversation for another day.

Source - Gordon Laing via YouTube

I’ll talk more about the 16-50mm equivalent lens in the video section but suffice to say it delivers wonderfully crisp images with little compromise and with Optical Image Stabilisation - it’s more than just a typical ‘point and shoot’ lens. There is a bit of distortion but nothing that isn’t very easily fixed and sharpness throughout the aperture range seemed decent from my own very basic testing - though YouTube is your friend if you want to find some very detailed examples. The lens has a maximum aperture of f2.8 at the wide end going to f4.5 at the longer end which is decent for a small camera like this.

🌅 Image Performance

The images have decent dynamic range and I was impressed with the lowlight performance. I really think we have reached a point where you would struggle to find a truly ‘bad’ modern camera for stills but I’m pleased to say that the PowerShot V1 is a good stills performer, even with its diminutive form factor. The Dual Pixel Autofocus performs very well. It's nice to see some of Canon’s new tracking features built in. An additional bonus is the built in ND filter which can help in some scenarios - the mechanical shutter maxes out at 1/2000 of a second but there is an electronic shutter that delivers up to an incredible 1/16000 of a second. 

Overall, the PowerShot V1 delivers fantastic images from what is a compact camera. The lens is sharp and the sensor renders images with plenty of dynamic range. As a professional photographer, I would have no problem using this camera to deliver images for social media, websites etc. and for most users, they will not be disappointed with the image performance and more importantly, the usability of this camera to capture great images.

🎥 Canon Powershot V1 for Videography

There is no doubt that this little powerhouse is mainly focussed on the video side of things with its primary customer base being vloggers and content creators. However, to simply class this little camera as a ‘vloggers camera’ would be missing some rather large points. Most notably the 4K 60 P video and the fact that this camera has Canon Log 3 - a feature that up until only a few years ago was reserved mostly for Canon’s premium Cinema line of cameras. It shouldn’t be overlooked that this ‘pocket’ camera, if used in the right hands, is capable of producing some beautiful video.

➕ AdditIonal Features

Other key video features include Canon’s ‘Movie Digital IS’ - this worked well in the field but it does come with a small crop factor and call me old-fashioned, but I appear to be the only person that still likes a bit of ‘normal’ camera shake. The previously mentioned built-in ND filter is also a great feature though fairly commonplace in video oriented compact cameras these days. In addition to the 4K 60 P, this little beast also delivers Full HD 120 P which for a lot of content creators will be a great addition - for those looking to make more ‘cinematic’ content, the choices of frame rates have you well covered. The Dual Pixel Autofocus also appeared to work well with the lens and I rarely found the camera ‘hunting’ for focus - in particular when used as a vlog-style camera.

📽️ The Lens for video

One of the most crucial features for videography and in particular for the vloggers out there is the lens, and with a 16mm equivalent at the wide end - it really does have you covered. One of the main gripes for most vlog-style cameras is that you normally need the dreaded ‘selfie-stick’ to get the camera far enough away from the user so that they do not completely dominate the frame. The Powershot V1 is wide enough that this really is not an issue. The lens is slightly more compromised at the long end - the 50mm equivalent offers some degree of ‘zoom’ but from a personal perspective, I’d love to have seen this closer to 80mm or ideally, 105mm. I must caveat that with the fact that I don’t know the technical limitations of building a lens with that zoom range so it may not be possible! 

🖥️ Video Performnace

Video quality overall is great and for most users, they will be happy with the results. The audio also sounds fantastic for a small camera and even though I’d always recommend using a wireless lav etc. the onboard audio sounds full and rich - just remember to use the supplied wind-cover when outside. For more advanced users, the addition of C-Log 3 is great to see. Lowlight performance was decent with noise present as you start to ramp up the ISO - but this is where I feel some people forget the basics of videography in terms of looking for good lighting scenarios, with balanced audio and good framing - it is only a camera after all and won’t make poorly shot video look incredible, so some user skill is required to get the absolute most out of this camera - but it is certainly easy to get good looking footage from it. 

Source - PetaPixel via YouTube

✅ Pros

• Pocketable and easy to carry daily

• Strong video-first feature set (creator-friendly controls)

• Canon colour and pleasing skin tones

• Built-in ND filter is genuinely useful outdoors

• Solid image quality for the size

🔴 Cons

• Price is premium for a compact (around £959 at launch)

• No built-in EVF (composition can be tricky in bright light)

• Not weather sealed

• Some video modes/features may involve crop / trade-offs (depending on settings)

🤔 FREQUENTLY ASKED QUESTIONS…

• Is the Canon PowerShot V1 good for vlogging and YouTube?

  Yes — it’s very clearly built for creators: a wide built-in lens, flip/vari-angle screen, strong AF, and creator-focused video tools like 4K 60p, Full HD 120p and Canon Log 3. If you want something more “grab-and-go” than an interchangeable-lens setup, it’s a strong fit for YouTube-style talking head + travel footage.

• Is the lens wide enough for handheld selfie vlogging?

  Most likely, yes. The V1’s lens goes to 16mm equivalent at the wide end, which is wide enough that you usually don’t need to push the camera far away on a selfie stick just to fit yourself in frame. It’s one of the big reasons this camera makes sense as a “pocket vlogging” option.

• Does the PowerShot V1 shoot 4K 60p, and is there a crop?

  It does shoot 4K 60p, but expect trade-offs depending on mode. Canon’s own specs list 4K 60p and also show 4K 60p (Crop) in its comparison table, and the detailed specs list “4K (cropped)” at 50/60. If you want the widest possible look, check which 4K mode you’re in.

• Can it record long takes, or does it overheat?

  Canon highlights an active cooling vent designed to prevent overheating on longer shoots. In the official specs, Canon also lists movie recording times up to 6 hours at standard frame rates (with the usual caveat that temperature, power and card capacity can limit this). Real-world results still depend on conditions, but it’s clearly designed for longer recording.

• Does it have Canon Log 3, and who is it for?

  Yes — the V1 includes Canon Log 3, which is useful if you want more flexibility in grading (recovering highlights/shadows and matching other cameras). If you don’t grade, you can ignore it and shoot a normal profile; if you do grade, Log 3 is one of the key reasons this compact is “serious” for video.

• Does the V1 have a built-in ND filter?

  Yes — it has a built-in ND filter, which is great for keeping motion looking natural in bright daylight (e.g., sticking near 1/50 or 1/100 shutter without cranking aperture/ISO). Some published specs list it as a 3EV ND filter—handy for outdoor vlogging and “cinematic” settings.

• How good is stabilisation for walking footage? Does it crop?

  You’ve got Optical IS plus Canon’s Movie Digital IS. Movie Digital IS can help smooth handheld footage, but it commonly comes with some crop/field-of-view reduction — and you’ve already noted there’s a crop trade-off in the field. Best practice: use Optical IS for a wider look, and turn on Digital IS when you truly need the extra stability.

• How good is the audio, and can I use an external mic and headphones?

  Audio is a big strength for creator cameras. Canon lists an external microphone input and a headphone socket for monitoring, plus a built-in mic with noise reduction. In your review, you also mention the onboard audio sounds strong and that Canon includes a wind cover — but for best results you still recommend getting the mic closer (e.g., wireless lav).

• Can I livestream or use it as a webcam?

  Yes — Canon lists UVC/UAC support (plug-and-play webcam style) and positions it for live streaming. That’s ideal if you want a clean, simple setup without extra adapters. Just remember that stream quality will still depend heavily on your Wi-Fi/upload speed and platform requirements.

• Is the PowerShot V1 good for photography too (not just video)?

  It’s not “only” a vlogging camera. You mention strong stills performance, good dynamic range, and decent low-light results, and Canon’s specs confirm a 22.3MP sensor and RAW support. For everyday travel/EDC and content stills (social/web), it should be more than capable — especially if you value a compact you’ll actually carry.

• Is it weather sealed — can I use it in the rain?

  No — and this is worth making very explicit because people search it. Canon’s official specs list no water/dust resistance, and you call out the lack of weather sealing as one of your main body gripes (likely connected to the cooling/thermal design). If you shoot outdoors a lot, plan around that (bag, cover, or choose a different camera).

• Does it have an EVF (viewfinder)?

  No — there’s no built-in EVF. You mention this in your “what’s missing” section, and Canon’s own comparison table lists EVF as “None” for the V1. In bright sun you’ll be relying on the rear screen, so consider a shade/angle adjustment strategy if you shoot outdoors a lot.

• What memory card does it use, and what should I get for 4K?

  Canon specifies 1× UHS-II SD card slot, and also recommends using a fast card for 4K recording. If you plan to shoot lots of 4K (especially higher bitrates / 4K 50/60), prioritise a reputable UHS-II card with strong sustained write speeds rather than the cheapest option.

• How pocketable is it (size/weight)?

  It feels premium and “dense” but not heavy at 426g, and Canon’s official specs also list 426g. That’s heavier than some tiny compacts, but still very reasonable for what you’re getting (large-ish sensor + strong video features + cooling).

✅ Final Thoughts…

I’ve taken a slightly different approach to this review, without focussing too heavily on every technical detail. As I mentioned at the start though, I find it genuinely mind-blowing that a ‘pocket size’ camera can deliver all of these features and functions. More importantly, it delivers fantastic stills and video performance in a simple to use, well built and stylish form factor. If you know that this camera suits your needs as a user, it’s very difficult to find any downside to it. However, there is one…

My biggest downside to this camera is the cost, at £959 - it’s expensive. Shopping around may bring that price down a little but that price still places this camera very much in the ‘premium compact’ category. The strange thing is, I actually think it is worth the money - this camera is incredibly capable. My main issue with the cost is that it puts this camera very near the price point of some other very capable mirrorless cameras. I’m not going to start making comparisons as this isn’t an ‘A vs B’ review - but at nearly a thousand pounds, that's a large chunk of change to be spending on a camera. That’s before we even get into the ‘camera vs phone’ debate for making vlog style content (camera every time for me but again, a conversation for another day!).

If the price is not the deciding factor for you, then one thing is for sure - you’ll be hard-pressed to find a more capable little camera that can slip in your pocket. Canon have done their research and delivered a camera that will have 99% of its target market covered! I would have no issue using this camera as an ‘everyday carry’ or for travel. For content creators, I think the PowerShot V1 would be an excellent option. Please leave a comment below if you like the look of this camera or if you think there are better options out there, I’d love to get your thoughts…

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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.

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Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sought before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.

REVIEW: Comica VM40 Combo Kit - A Budget Friendly Audio Beast!

As a self-employed videographer and content creator, finding the right tools for professional audio capture without breaking the bank can often feel like an uphill battle. Whether you’re shooting commercial videos, podcasts, or YouTube content, reliable audio gear is as essential as a good camera. Enter the Comica VM40 Microphone Combo Kit, a product promising high-quality audio at a relatively affordable price point. But does it live up to expectations?

DICSOUNT CODE: Use the link above to purchase the VM40 Combo kit and Comica have also provided a discount code - use ‘Q3LSUFVE’ - limited time only.

PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW

👀 Unboxing and First Impressions

Out of the box, the Comica VM40 Microphone Combo Kit comes across as a thoughtfully packaged product. The kit includes the VM40 condenser microphone, a sturdy shock mount, a pop filter, a foam windscreen, and necessary cables to connect it to most devices - Well actually there are TWO of each of those items! It also comes with a single wireless receiver that can pick up both mics! The kit is fully packed for a two mic setup that is ideal for video or podcast setups as well as a host of other use cases.

The build quality is solid, with the microphone’s metal body exuding durability and professionalism. The sleek black finish feels modern, and the overall design suggests that this kit is targeted towards semi-professionals and hobbyists alike. If you are working with commercial clients, the looks will certainly not give away the budget-friendly price! 

For someone who juggles between recording interviews for clients and creating social media content, the included accessories provide a comprehensive setup for various use cases. The kit thoughtfully consists of all the things you need to get you started and it’s nice to see the inclusion of items like the shock mounts for both microphones - it would have been easy for Comica to skimp on these items but they have you covered! 

🔊 Audio Quality

At the heart of any microphone review lies the question of audio quality, and the VM40 doesn’t disappoint. The microphone features a super-cardioid polar pattern, which is excellent for capturing sound from the front while minimising background noise. This makes it ideal for recording in less-than-ideal environments – something many self-employed creators can appreciate.

Testing the VM40 in multiple scenarios, from a quiet home studio to a moderately noisy office, yielded consistently impressive results. For voiceovers and podcasts, the microphone captured rich, clear audio with a warm tone, lending a professional quality to the recordings. When used for YouTube content, such as tutorials or vlogs, the clarity and directional focus significantly reduced the need for extensive post-production work to clean up background noise - though a little is usually required regardless of your given setup.

However, while the VM40 excels in controlled environments, its sensitivity can pick up unwanted sounds in noisier spaces, even with the cardioid pattern. The pop filter and foam windscreen do a decent job of reducing plosive sounds and minor wind interference, but they’re not a substitute for a properly treated recording space. Outdoor recording is certainly possible with these mics and the provided windscreens but avoiding wind is always the best prevention. 

Source: YouTube - Dale Cambell

👍 Usability

The Comica VM40 scores high on usability. Setting it up is straightforward, even for those with minimal technical expertise. The microphone connects via a 3.5mm jack, making it compatible with most cameras, laptops, and audio interfaces. Alternatively, the kit comes with the wireless receiver and even more, both microphones have internal 32-bit recording - making capturing audio an absolute breeze in almost any scenario, regardless of your camera setup. 

For those not in-the-know, 32-bit internal recording is an incredible feature to have at this pricepoint and in particular, on a shotgun mic. 32-bit is effectively a wide-dynamic range for audio allowing users to capture very quiet noise, through to very loud and be able to restore them in post-production, saving the all-important content. It is still possible to ‘overwhelm’ the microphone in extreme circumstances but for 99% of use cases(not an accurate stat but you get the point), 32-bit float can save misgained audio. With around 40 hours internal storage, these mics truly have you covered.

Another feature is the microphone’s gain control knob, conveniently located on the body. This allows for on-the-fly adjustments without needing to access software or external mixers. Whether you’re recording a soft-spoken podcast or narrating a high-energy video, having this level of control at your fingertips is invaluable. Some may be tempted to ignore this and just rely on the aforementioned 32-bit float - but best practice is always to set your gain appropriately! 

In addition, users have access to the Comica Audio App - ideal for conveniently checking gain settings and recording status. The app, whilst fairly basic in it’s layout has the majority of features that users would need. I personally found that I didn’t need to use the app (I mean, 32-bit internal recording, that has you covered in most circumstances!) but having access to the app is a welcome addition. The presence of high and low cut filters are also welcome in particular for recording in more challenging environments.

The mics have a very useful OLED screen for quickly checking details. Another great feature is the reported 200m range - however, I haven’t personally tested the range as in most use cases, you would never be that far away from the subject. Also, with internal recording, the mic could be practically anywhere and as long as it’s recording, range is not an issue. 

🎒 Portability

As a self-employed videographer who often shoots on location, portability is a significant consideration. The VM40’s compact design and included accessories make it a practical choice for creators on the go. Everything fits neatly into a small carry bag that is padded and allows you to conveniently carry all accessories. Personally, I just add what I need to my current backpack but always take care to protect the microphones from any shock or water damage.

🔨 Durability and Build Quality

Durability is another area where the VM40 shines. The metal body feels robust and capable of withstanding the wear and tear of regular use. The included shock mount and tabletop stand, while not top-tier in terms of materials, perform adequately for stationary setups. For more demanding shoots, you might want to invest in a heavier-duty stand or boom arm. Battery life is good at 32 hours when wired or around 10 hours when used wirelessly. 

Source: Youtube - Comica

🙋‍♂️ Personal Experience

One thing that I didn’t mention in the ‘usability’ section was the controls for the mics and wireless receiver. When not ‘wired’ to a camera or transmitting to the wireless receiver, the microphones can be set to record internally. However, setting to record and using certain functions on the microphones requires some button combinations that are not always intuitive. Likewise, I personally had a few issues with the wireless receiver seemingly not connecting but this was almost certainly user error. 

With that in mind, I’m a bit loathed to ‘knock’ the usability of the mics because some users may pick up the button combinations quickly, others may find them confusing but ultimately, there is a learning curve. I would have liked to have seen an easier setup or maybe more dedicated buttons but this really is just personal opinion and I’m sure others won’t have any issues with the usability of these mics. I would love to see some auto-recording options that can be set to user preference - like internal recording being triggered when the camera starts recording but in truth, I’m not even sure that is technically possible.

What I can say confidently though is that these microphones are almost ideal for people like me, who have to operate on their own or have the additional strains of producing YouTube content etc. The speed of set up and ease of use (once you’ve got the button combinations locked in!) is fantastic. The safety net that 32-bit float and onboard recording offer is almost priceless when you live in constant fear of missing a crucial piece of audio or having a file corrupt. 

☝️ Who Is This Kit For?

The Comica VM40 Microphone Combo Kit is an excellent option for:

1. Aspiring Podcasters: If you’re just starting a podcast and want professional-sounding audio without investing in high-end equipment, the VM40 is a solid choice.

2. YouTube Content Creators: Whether you’re filming tutorials, vlogs, or product reviews, the VM40’s clarity and directional focus will enhance the audio quality of your videos.

3. Self-Employed Videographers: For those who need an affordable yet reliable microphone for client projects or personal ventures, this kit ticks many boxes.

4. Remote Workers and Online Educators: If you frequently host webinars or record online courses, the VM40’s user-friendly setup and sound quality will elevate your presentations.

🔴 Pros and Cons

Pros:

• 32-bit float and internal recording (approx 40hours) - these are top-tier features!

• Wireless transmission for both mics - ideal for video, podcasts and much more!

• Affordable price point without compromising quality.

• Excellent audio clarity and warmth, particularly for voice recording.

• Includes all necessary accessories for a complete setup.

• Compact and portable design.

• Easy to use, with a convenient gain control knob.

• Durable metal construction.

• USB-C Charging with approximately 10 hours battery life in wireless mode

Cons:

• The included tabletop stand could be more robust.

• Sensitivity to ambient noise in less controlled environments.

• Fiddly controls and the wireless receiver seemed a little temperamental

• Wireless receivers in particular feel very plasticky - functions fine but not great build quality.

• Would love to see an XLR version but this would be a more ‘pro’ level model

✅ Final Verdict

The Comica VM40 Microphone Combo Kit is a versatile and budget-friendly solution for self-employed videographers and content creators. Its balance of affordability, durability, and impressive audio quality makes it an excellent choice for beginners and intermediate users alike. While it may not replace higher-end microphones in a professional studio setup, it’s more than capable of delivering quality results for podcasts, YouTube videos, and client projects.

If you’re looking to invest in a microphone that delivers solid performance without costing a fortune, the Comica VM40 should be high on your list. With a few minor upgrades – such as a sturdier stand and a dedicated carrying case – this kit could easily become a staple in any content creator’s arsenal.

FAQS

• What is the Comica VM40 Combo Kit?

  It’s a dual-microphone kit built around two VM40 mics and one wireless receiver that can pick up both mics, designed for creators who want flexible audio for video, podcasting, interviews, and content creation.

• What’s included in the box?

  You get two of the key accessories (for a true 2-mic setup): the mics, shock mounts, pop filters, foam windscreens, and cables—plus the receiver.

• Is the VM40 good for voiceovers and podcasts?

  Yes, testing notes highlight rich, clear audio with a warm tone, which works particularly well for voice recording and spoken content.

• What polar pattern does it use, and why does it matter?

  The VM40 uses a super-cardioid pattern, which focuses on sound from the front and helps reduce background noise—useful in home/office setups.

• Can I use it in noisy environments or outdoors?

  It can work, but you mention it’s sensitive—so in noisier spaces it may still pick up unwanted sound. The included pop filter/windscreen helps with plosives and light wind, but it’s not a replacement for good mic placement and basic wind control.

• How does it connect — will it work with my camera/laptop?

  You note it can connect via 3.5mm, making it compatible with many cameras and devices, and it also supports wireless use via the receiver.

• What’s the big deal with 32-bit float / internal recording?

  Both mics can record internally in 32-bit, giving you a much wider dynamic range safety net (recovering quiet vs loud audio in post). You also note roughly 40 hours of internal storage.

• What’s the wireless range and battery life?

  Comica claims up to ~200m range (you didn’t test it). Battery-wise you cite about 32 hours wired or ~10 hours wireless, with USB-C charging.

• What are the main drawbacks?

  The tabletop stand could be sturdier, the mic can be sensitive in noisier spaces, and some controls/pairing steps have a learning curve; the receiver feels a bit plasticky even though it performs well.

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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.

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Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sought before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.