My Camera Collection for 2021! Film and Digital!! Have I wasted my Money??
If you’re anything like me, you love cameras! If you have an interest in Photography then you more than likely enjoy looking at and holding cameras, well at least I do… It recently struck me (after finally receiving a couple of my late night eBay purchases in the post!) that I had covered all the major bases with my camera collection so thought it would be fun to share them and to see if you think I’ve got it right, or I should sell up and start again!
WATCH THE VIDEO
If you’re anything like me, you love cameras! If you have an interest in Photography then you more than likely enjoy looking at and holding cameras, well at least I do… It recently struck me (after finally receiving a couple of my late night eBay purchases in the post!) that I had covered all the major bases with my camera collection so thought it would be fun to share them and to see if you think I’ve got it right, or I should sell up and start again!
Now this isn’t a flex, it’s not a ‘look how much stuff I own’ kind of thing. This is the result of years of hard work, saving and sacrificing many other luxuries to buy the ‘tools’ that I use on a regular basis. In fact, I have a very simple criteria when buying it camera, it must do one of the following:
Fill a purpose: Have features and functions that are necessary for me to complete the work that I need to do - basically to be a tool.
Bring me joy: To make me ‘want’ to go out and shoot with it and therefore to further my photography experience.
Film Vs Digital
Around 18 months ago, when the world was a much brighter place and we could leave the house, I decided to start shooting film again. Like many others, the process appealed to me more than the results and what some would consider a waste of money when digital does everything you need it to do, I threw myself back into the format.
In this list you will see that even in that relatively short time, film cameras seem to be dominating my ‘collection’ - I make no apologies for this and in fact, plan to add many more - more on that later. However, it is worth noting that I do see the digital cameras very much as ‘tools’ and the film cameras ‘things of joy’ - almost like the daily driver vs the weekend treat. With that in mind, let’s start with the digital cameras, smallest to largest…
DIGITAL CAMERA COLLECTION
Ricoh GRiii
This little camera is an absolute street photography beast. The tiny form factor allows you to be stealthy in most situations and the virtually silent shooting won’t draw attention. Most importantly for me, it fits easily in a pocket meaning it is really easy to carry it everywhere - and that means more chance of taking photos!
I’ve owned a few of the older generations and always had issues with the lens motors. The build quality of the ‘iii’ seems a lot better but I do worry how it will hold up over time. It really is a great little camera that produces beautiful images and a camera is very easy to fall in love with.
Fuji X100V
One of my more recent purchase, the ‘V’ comes from a great heritage of Fuji’s X-Series cameras and is pretty much the pinnacle of form and function - I mean, it’s great to use, produces stunning images and look at it! It’s a beauty!
Not quite a s pocketable as the Ricoh, it is still easy enough to carry as an everyday camera and as long as you can cope with a fixed focal length, it has all other major functions covered. If I was being picky, I would love in body stabilisation, but I’m not sure what that would do to the form factor. However, it’s an absolute joy to shoot with and I find myself far more likely to reach for this than all of my ‘better’ cameras.
Canon M50
This little Canon is purely here for one thing, vlogging. The small form factor, great autofocus and flippy screen make it perfect for filming yourself when out and about. When pairing it with the right lens, it produces wonderful 1080p video - though I wouldn’t use it for 4k. Canon’s colours always look great and you really don’t need to do much in post to get a good image.
One thing that I feel always get’s overlooked with these cameras are it’s ‘stills’ mode - it takes pretty decent images. I have been in many situations where I wanted to grab a quick shot and have been perfectly fine with using the ‘vlogging’ camera, rather than unpacking my camera just to get to the ‘big boy’.
Canon Eos RP
Like the M50 - the RP serves a purpose - this is my ‘studio’ camera or B camera on bigger shoots. The RP is the ‘lite’ version of the Eos R but like most modern mirrorless cameras, is very capable in most situations. The video looks good and as with all Canon’s, it’s so well laid out and easy to use that shooting with it is never a chore.
This particular camera is most often permanently mounted to a tripod so that I can quickly go into video mode and start filming. However, it’s smaller form factor also makes it great for pairing with a gimbal and grabbing some juicy B-roll - though many will overlook it due to it’s mediocre 4k and slow motion features. For what I need, it does the job.
Canon 5D Mkiii
The camera I’ll never sell… I class myself as a photographer first, then a ‘YouTuber’ or whatever you want to call me… And this is the camera that really elevated my photography from a hobby to a career. I moved up from my first camera, a Canon 650D to the full-frame 5D and never looked back.
Even to this day, in the right hands this is a more than capable camera. However, I really wouldn’t see the point in picking a DSLR over mirorrless these days and advances in autofocus etc. have left this big boy feeling a little bit like old technology. However, if for no other reason than sentimental value, it will never leave my collection.
Canon Eos R
And finally, the workhorse. This is the camera I do most of my shooting on and really is the camera that pays the bills. Whereas it was pretty much attacked at launch for Canon’s excessive use of the ‘cripple hammer’ on their first venture into the world of full-frame mirorless, it has served me very well with pretty much no complaints'.
The stills look amazing with decent dynamic range, the video is good (if you’re not shooting 4k) and the 60 fps is enough to get some nice cinematic shots. The autofocus is great and as always, Canon colours steal the show. However, I’m not saying I would upgrade to an R5 (or even dare I say it, a Sony!) - but in these uncertain times, I really don’t ‘need’ to spend an extra £4-5k on a camera for features I’ll rarely use.
More so, for many amateurs/semi-pro’s - this is more than enough camera for your needs. I pretty much couldn’t live without this camera and paired with the 24-70 f2.8 RF lens - it’s everything I need… for now.
I provide all of this content for free, so if you’d like to support me continue to produce content like this, click the button below ;)
FILM CAMERA COLLECTION
Ricoh GR1
Like it’s digital relative, the biggest selling point of this camera is it’s size, it’s tiny! Barely much taller than a 35mm film canister, this is a truly pocketable little point & shoot! To make it even better, it has pretty decent autofocus and ‘feels’ like you are shooting with a more modern camera than it’s age suggests.
This camera is far from without it’s flaws - mine suffers from the most common issue of a faulty LCD screen - so you are never really sure how many shots you’ve taken. The lens motor always feels like it’s about to pack in and it can be a noisy little thing - so not great in quiet situations - but in everything else - it’s fantastic!
Canon P Rangefinder
This is my most recent film camera purchase so I really haven’t shot with it much - so I can’t say how good it is. However, I sent it off to be CLA’d and can’t wait to get out with it. If nothing else, it’s certainly a looker! As Canon’s crack at a Leics M series, it’s got the look, feel and the heft of a Leica - but will it shoot like one?
My biggest fear with this camera is the manual focusing. I have had the patch cleaned and it seems easy enough to use - but I don’t have the best eyesight and I’m not sure I will be very accurate with it - this is very much a ‘me’ issue and certainly no fault of the camera - but I do hope it doesn’t ruin the experience.
Canon Eos 30
This camera was an absolute bargain at around £30 - and paired with a way more expensive EF 24-105mm lens it’s makes for easy film shooting. It is bulky but it feels every bit a professional film camera with snappy autofocus and plenty of features you won’t find on your vintage 35mm’s!
I think it’s size is it’s only real drawback as it is far from discreet. Most casual passers-by will assume it’s a modern digital camera and it certainly handles like one. This would certainly make a fantastic option for anyone looking to get started with shooting analogue.
Mamiya 645 Pro
My first foray into medium format and this was love at first site. A Japanese import that had been well looked after, it feels like a modern camera and shoots like one too. The large 6x4.5 negatives produce great image quality and I quickly added more lenses, an autowinder and a viewfinder to make the whole experience, well, more enjoyable.
It really is like a baby RZ-67 but without the bulk - it’s not exactly small but if you strip it down to the ‘top down viewfinder’ and remove the autowinder, it’s a more than usable little package. This really is a great place to start with Medium Format photography and is a real pleasure to shoot with.
Fujifilm GSW690III
The beast or as it’s more commonly known, the ‘Texas Leica’ - this thing is huge! However, it’s size is it’s main selling point as it spits out incredible 6x9 negatives that are just packed with detail. The camera itself is a rangefinder which is almost comical to look at when someone is using it, it has a real ‘toy’ camera feel to it.
However, don’t let that fool you, it produces spectacular images. I chose the ‘wide’ version (as I a more of a landscape photographer than anything else) and the lens can produce wonderfully sharp images. It’s not without it’s quirks and shooting long exposures with it is a real faff. However, I absolutely love it and is often the first camera I’ll reach for when I want to go and shoot for fun, rather than necessity.
Intrepid 4X5 MkIV Black Edition
The large format camera. This is probably the one camera I would save in a fire (who am I kidding, I’d be running down the stairs with my arms full of cameras!). I absolutely fell in love with this format the moment I first shot it - the slower process, the technicality of it and the enormous negatives - it really is the most fun camera I have ever shot with.
The camera itself is well made, 3d printed and pretty budget friendly. However, shooting large format is a real challenge and not for the faint hearted, in particular due to the cost of film! That said, it is also one of the most rewarding experiences I have had as a photographer and one that I am pretty much hooked on! I will most certainly be adding more lenses and possibly a new large format camera to the collection in the future!
MISCELLANIOUS CAMERAS
There are a bunch of other cameras that I own that have either been donated to me or I have picked them up from secondhand shops or eBay. Most of these will never be used or at least, not on a regular basis, but they still bring me pleasure to look at and just to have around. Part of the experience of owning cameras like these is just simply taking pleasure in their aesthetic.
Conclusion
Overall, I am very happy with my collection and feel it covers everything I realistically need and want to shoot. However, I do wake up some days and think ‘I’ll sell the lot and buy a digital medium format set-up’ - But I still think I’d be a bit short of cash so I doubt that will happen anytime soon!
On the other hand, having the versatility of a collection like this is great. Being able to pick a camera that suits the style if shooting that I want to do on any given day is a real privilege and something that I highly recommend other photographers aspire to have.
Ultimately though, this collection will continue to chop and change, some will get sold on and undoubtedly, new cameras will be added. Please leave a comment below and let me know what you would keep, what you’d get rid of and what would be next on your shopping list.
Thanks as always, Ross.
Disclaimer: All links to Amazon UK are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
Film Photography - Shooting with the Canon EOS 30 & Kodak UltraMax
So recently, I have been shooting more film photography and even though I have had my ventures into Medium Format, I decided to pick up a 35mm film camera. I wanted something that felt familiar, easy to use and could match my current set up. After much research, I stumbled across the Canon EIOS 30 - a film camera with the feel of a modern DSLR.
So recently, I have been shooting more film photography and even though I have had my ventures into Medium Format, I decided to pick up a 35mm film camera. I wanted something that felt familiar, easy to use and could match my current set up. After much research, I stumbled across the Canon EIOS 30 - a film camera with the feel of a modern DSLR.
This video takes a look at my first impressions of the Canon EOS 30 and I combined it with Kodak UltraMax film - would I be happy with the results? Find out below…
VIDEO: The Loupedeck CT for Photographer & Videographers
The Loupedeck CT is genuinely perfect for Photographers and Videographers looking to improve their editing workflow. It support apps such as Lightroom, Photoshop, Ableton, Premier Pro Final Cut and more - it really is a great tool, but it has one massive drawback! Would you stump up for the Loupedeck CT?
❤️ - Don’t forget to Subscribe for more - https://www.youtube.com/rossjukesphot...
🎥 - You may also like...
📸 - Fuji X100F Review - https://youtu.be/Rze_FwWZjG0
📸 - Weebill S Honest First Impressions - https://youtu.be/EuWGpxOfJc8
📸 - The EOS-R - Have I made a mistake? - https://youtu.be/S7ICyugt4PE
5 Tips for Photographers - Making the Most of Autumn
Ask any landscape photographer what their favourite season is and there is a pretty good chance they will say ‘autumn’. There is just something about the golden colours, the low sun (if we’re lucky) and the cool crisp mornings that makes everything better, and more importantly, more photogenic! So how can you make the most of autumn? Well, I have compiled five tips that will allow you to take your photography one step further this year.
1) Make the most of ‘Golden Hour’
Let me just get the most obvious tip out of the way first. By now, I’m sure most photographers understand the sense of shooting at ‘Golden Hour’ to make the most of either sunrise or sunset. During the summer months, sunrise in particular is a bit of a nightmare, as it can mean a 4.30am start or earlier. However, the sunrise times in autumn return to far more reasonable times making it much easier to be motivated to get out and shoot. It goes without saying that the thing we all love most about this time of year is the beautiful colours of the trees, but throw in the warm glow of sunrise/sunset and it can really elevate your images.
2) Get experimental!
Autumn is a fantastic time of year to shoot but many of the images can be lost in the crowd of very ‘similar’ images. This offers photographers a great opportunity to get experimental. Composition is one area that can be great to play with, shooting low to the ground and making the most of the blanket of leaves, for instance. One area that I will be looking to experiment with is ‘off-camera flash’. Having recently used the PocketWizard flash triggers, which I normally use for my automotive work, I see lots of potential for illuminating backlit subjects using off-camera flash whilst shooting into the sun. Hopefully, this will create some really unique images and offer a lot of versatility in terms of lighting subjects.
3) Make use of planning tools…
Planning at this time of year is essential, in particular as the weather can be very hit or miss so every opportunity needs to be grasped. There are several tools that I utilise to make sure I have planned ahead before going out to shoot. The most obvious is a decent weather app. I have used Yahoo Weather for years and found it to be fairly consistent. However, I have also used apps such as AccuWeather and Dark Sky. One particularly useful tool is the Photographers Ephemeris - which allows you to see the angle of sunlight at any particular time of day - essential for understanding what will be bathed in beautiful light and what will be in shade. Finally, I use Google Maps and in particular, Street View to explore different areas, especially if they are further afield so that I have a good idea what to expect when I get there!
4) Expand your editing skills
One of the best ways to take your images to the next level is to improve your editing skills. It’s always really important to capture a scene as well as possible ‘in camera’. However, it’s about what you do with it next that is equally important. Paying attention to the warmer hue’s and the saturation can really help your image ‘pop’. I do the majority of editing in Lightroom and will often make a few final adjustments in Photoshop. With regard to autumnal images in particular, I like to bring out the orange and red tones to make the most of the autumnal feeling. I also like to adjust the tone curve to add a softness to the image, but it is always better when Mother Nature adds a bit of mist! A great place to learn new skills is YouTube and I will be uploading new videos on my own YouTube channel soon.
5) Print your work…
This may not seem like the most obvious tip at first. However, by printing your photos, you are committing to an image and ensuring that you are producing your best possible work. I never feel that an image is complete until it is printed and you can see the fruits of your labour. It also helps you pre-visualise an image and make sure you are making the most of a scene and envisaging the final image, hanging on your wall. More importantly though, it is the warm fuzzy feeling you get weeks, months or years after taking an image you are particularly proud of and you happen to glance back at it and get that satisfied feeling. Autumnal images always feel the most sentimental to me and many others and therefore, make a great option for printing and hanging.
In conclusion, whether you’re experimenting with PocketWizards, planning a trip to the countryside using the Photographers Ephemeris or simply printing a few images you are particularly proud of -autumn is a great time of year to be out shooting! Good luck!
Modern Nostalgia: A Backwards approach to Photography
I have been struggling with my photography lately. Call it ‘Photographers Block’ or maybe actual apathy but either way, something just hasn’t gripped me like it use to. Recently, I went out for an evening stroll, mainly just to clear my head but with the intent of grabbing a few photos. I found myself drawn to the same old things, dereliction, grime, dirt and basically anything on the more run-down side of life. As I stared at the old shop frontages, the run down streets and pictured how they would look with my heavy-handed edits, it suddenly dawned on me, I am a nostalgia whore… I pimp myself out to anything that has even a remote whiff of sentimentality.
This is nothing new, I’ve pretty much spent my whole ‘photography life’ trying to make my images look like they are from another time. In fact, Birmingham itself has a weird duality of personality between being this historic relic that should be preserved for future generations and every available derelict space being knocked down to make way for the ‘latest in modern living’. In fact, there are people out there so attached to the past that they simply must live in converted old factory units, as long as they come with all of the trappings of modern life - even I couldn’t resist that level of ‘authenticity’.
However, having more than a subtle nod to the past seems to be the new craze in Photography, well not new, but certainly more prevalent than ever. I see images all over social media that could be plucked straight out of the back-catalogue of any 1970’s photographer worth their salt. Even more, I see people returning to shooting film to try to achieve that authentic feel, something than simply ‘can’t be recreated in Lightroom’ so instead they are returning to the darkroom. This got me thinking about why so many of us are so determined to add a feeling of Nostalgia to our images and why we would even waste thousands of pounds on modern equipment, only to apply filters to make the image quality, well, worse.
As I continued my walk, thinking deeper and deeper about why I am personally drawn to a whimsical sense of past, a thought crossed my mind and seemingly got stuck there and wouldn’t budge. Quite simply, maybe we just always associate the past as being better than the present. Now that may not ring true for everyone and it certainly isn’t intended to be so sweeping, but I do think that most people have a tendency to remember the past in a more favourable light. Music, food, sport, fashion.. everything was better when you were younger, right? Well the truth is, probably not… But that doesn’t mean that we don’t hark back to a time when our lives were less stressful and our fashion choices a little simpler.
However, there is one important person that we are missing out and that is the viewer. Why do nostalgic images appeal to the non-photographer viewer? Well, from what I see it is simply that, we like old things because they remind us of a better, simpler time… a time pre-Brexit. I love the work of Fred Herzog, but have no attachment to 1960’s Canada. I’m constantly amazed by the work of Saul Leiter but have no reason to feel sentimental about New York nearly 70 years ago. Even Gregory Crewsdon and Todd Hido have their enigmatic ‘can’t really place a time on them’ style of images beguile me and they are working very much in the present!
So what does it all mean… Well, for me personally, I doubt I will be changing my style anytime soon, though the more I see the same style of images, the more I know I need to do something different. Whereas I hugely enjoy the work of many photographers that shoot with film, find beautifully nostalgic scenes or even just apply film grains to give their images more ‘feels’, I do think the nostalgia bubble will eventually burst. The main reason for this? Well you can only fake authenticity so far.
However, these are just the ramblings of a photographer trying to cement a style and work out the ‘why’ - and I will continue to dream of living in my modern abandoned factory unit with just the right-level of ‘voice activated heating’ whilst looking at bare-brick walls with images of run down 1970’s American petrol stations in the desert… Maybe one day… What are your thoughts on this? Please leave a comment below.
What is the meaning of Photography?
It’s that time of year when we all get a little bit reflective and look back at the year that has passed, but also look ahead to what is to come. I, like many others, have some big plans for next year but I kept coming back to the same thought that I felt like I’d lost my way a little. Somehow, I felt like I wasn’t even sure ‘why’ I was taking pictures. This got me thinking, what is the meaning of Photography?
“the process or art of producing images of objects on sensitized surfaces by the chemical action of light or of other forms of radiant energy, as x-rays, gamma rays, or cosmic rays.”
Now, in the most fundamental sense, photography is, as the definition states, simply capturing light in one form or another. However, anyone who has ever captured a beautiful sunset or the smile on the face of a loved one, knows that Photography is much more than that. You don’t even need to be particularly talented to take an image that means something to you, many of my favourite images were taken in the 80’s & 90’s on disposable 35mm cameras and the reason the images mean so much to me, they are of my Mom & Dad, who are no longer with us. That means that these images, with all of their technical imperfections are still incredibly valuable to me.
So what does that mean for those of us that are lucky enough to either has Photography as a hobby or even a job, what does it mean then? Well, the truth is that it becomes a passion. It is something that you can’t go a day without, like food and drink. Many people will get differing things from the art form. For me, it started an an opportunity to explore my city, Birmingham. It was a great way to discover new areas that I wasn’t aware of. It also open the doors to a whole new social world of people with a shared passion. I was fortunate that Birmingham has a fantastic community of photographers who are incredibly supportive (and sociable!).
In terms of Photography as career, when you are out shooting a muddy building site on a freezing December morning, it may seem like it would be easy to become disillusioned and just see Photography as a ‘job’. However, the pure satisfaction of creating an interesting image from the the bleak surroundings is still incredibly rewarding. Having a skill and being able to achieve something where others may struggle is a hugely satisfying thing.
On the other hand, there is social media, where ‘likes’, ‘hearts’ & retweets are strewn around like nobodies business. We all find a secret little thrill when we hear the ‘ping’ of the latest notification and our eyes dash to the vivid red of that latest ‘heart’ on our images as the endorphins start to race around our bodies. Nobody else feels like this? OK, well I may need to see a Doctor!
So what is the meaning of Photography? For me, it is simply creating something meaningful, something that brings joy to others or simply gives you the gratification of knowing that you have a skill and can harness it to your own advantage. This is what I feel I may have lost sight of over the last twelve months as I went through a bit of ‘creators block’. I now feel re-energised and ready to go into 2019 and focus on creating images that bring me satisfaction and maybe, other people might enjoy them too. We will see.