The Demolition of Rugeley Power Station

Today I went to photograph the demolition of Rugeley Power Station and it didn’t end well for me or the power station! I’ve never actually witnessed a demolition like this before so when I read about it in the local news, I was excited to make the short trip from Birmingham to Rugeley to witness the spectacle!

As with a lot of my recent photography, I decided I wanted to capture the historical moment on film - in particular medium format. It was also pretty obvious to me that I would need to use a camera that had some kind of ‘burst’ mode to fire off multiple shots, as the towers came down! Fortunately, I have a Mamiya 645 Pro with an autowinder which would do just the job!

I knew thing were off to a bad start when I arrived in Rugeley and couldn’t even see the huge cooling towers through the thick mist. After a week of glorious sunshine, it was almost comical that the weather would be this bad but also a little predictable. Nonetheless, I wondered the local streets looking for compositions.

I had an idea in my mind that I wanted to place some of the local houses or maybe even a bungalow in the foreground of the shots so that it would add to the scale of the size of the cooling towers. This proved a little more difficult than I first imagined as I just couldn’t find a composition that I was happy with!

With the demolition scheduled for 11.15am and that time fast approaching, I settled on a spot overlooking a local football pitch and much to my surprise, there was even a match on! Brilliant! I thought, this will certainly add to the foreground interest!

As the clock ticked towards the final seconds for the towers, the weather had not improved much and my fears of using an old film camera in the rain were suddenly more prevalent as I desperately tried to hide my camera under my jacket. The problem was, it’s such a manual process in terms of setting the camera for a shot that I really needed to have the camera ready to go - but the weather just wasn’t playing ball!

11.15am came and went. With every passing minute I had the constant battle of trying to keep the camera dry but need to take the camera out at just the right second (and also checking it was set up to shoot!). Then, with a huge bang, the moment was upon us and the towers quickly came down. I fired off multiple shots until the film was finished and so too were the towers. The wait was over and I felt relieved that it was all done and over.

A quick train journey home and straight to developing the film. This part of the process is almost as anxious as the shoot itself as there are still so many things that could go wrong! I was happy to see that there were images on the negatives but on closer inspection, I could seem that something wasn’t right. Later, after scanning the images, my fears were true - all of the ‘action’ shots were dull and hazy… my lens had clearly fogged up and although they were semi usable, I was more disappointed than anything.

In honesty, it’s one of those things that I should have been able to deal with but between rushing and my outright desire to shoot film - I only really have myself to blame. Fortunately, the final composition never really worked for me and I would have liked more football players to have been at that end of the pitch and obviously, better weather! However, that’s how these things go and more importantly than the images, it was still quite an experience!

My Camera Collection for 2021! Film and Digital!! Have I wasted my Money??

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If you’re anything like me, you love cameras! If you have an interest in Photography then you more than likely enjoy looking at and holding cameras, well at least I do… It recently struck me (after finally receiving a couple of my late night eBay purchases in the post!) that I had covered all the major bases with my camera collection so thought it would be fun to share them and to see if you think I’ve got it right, or I should sell up and start again!

Now this isn’t a flex, it’s not a ‘look how much stuff I own’ kind of thing. This is the result of years of hard work, saving and sacrificing many other luxuries to buy the ‘tools’ that I use on a regular basis. In fact, I have a very simple criteria when buying it camera, it must do one of the following:

• Fill a purpose: Have features and functions that are necessary for me to complete the work that I need to do - basically to be a tool.

• Bring me joy: To make me ‘want’ to go out and shoot with it and therefore to further my photography experience.

Film Vs Digital

Around 18 months ago, when the world was a much brighter place and we could leave the house, I decided to start shooting film again. Like many others, the process appealed to me more than the results and what some would consider a waste of money when digital does everything you need it to do, I threw myself back into the format.

In this list you will see that even in that relatively short time, film cameras seem to be dominating my ‘collection’ - I make no apologies for this and in fact, plan to add many more - more on that later. However, it is worth noting that I do see the digital cameras very much as ‘tools’ and the film cameras ‘things of joy’ - almost like the daily driver vs the weekend treat. With that in mind, let’s start with the digital cameras, smallest to largest…

DIGITAL CAMERA COLLECTION

Ricoh GRiii

This little camera is an absolute street photography beast. The tiny form factor allows you to be stealthy in most situations and the virtually silent shooting won’t draw attention. Most importantly for me, it fits easily in a pocket meaning it is really easy to carry it everywhere - and that means more chance of taking photos!

I’ve owned a few of the older generations and always had issues with the lens motors. The build quality of the ‘iii’ seems a lot better but I do worry how it will hold up over time. It really is a great little camera that produces beautiful images and a camera is very easy to fall in love with.

Fuji X100V

One of my more recent purchase, the ‘V’ comes from a great heritage of Fuji’s X-Series cameras and is pretty much the pinnacle of form and function - I mean, it’s great to use, produces stunning images and look at it! It’s a beauty!

Not quite a s pocketable as the Ricoh, it is still easy enough to carry as an everyday camera and as long as you can cope with a fixed focal length, it has all other major functions covered. If I was being picky, I would love in body stabilisation, but I’m not sure what that would do to the form factor. However, it’s an absolute joy to shoot with and I find myself far more likely to reach for this than all of my ‘better’ cameras.

Canon M50

This little Canon is purely here for one thing, vlogging. The small form factor, great autofocus and flippy screen make it perfect for filming yourself when out and about. When pairing it with the right lens, it produces wonderful 1080p video - though I wouldn’t use it for 4k. Canon’s colours always look great and you really don’t need to do much in post to get a good image.

One thing that I feel always get’s overlooked with these cameras are it’s ‘stills’ mode - it takes pretty decent images. I have been in many situations where I wanted to grab a quick shot and have been perfectly fine with using the ‘vlogging’ camera, rather than unpacking my camera just to get to the ‘big boy’.

Canon Eos RP

Like the M50 - the RP serves a purpose - this is my ‘studio’ camera or B camera on bigger shoots. The RP is the ‘lite’ version of the Eos R but like most modern mirrorless cameras, is very capable in most situations. The video looks good and as with all Canon’s, it’s so well laid out and easy to use that shooting with it is never a chore.

This particular camera is most often permanently mounted to a tripod so that I can quickly go into video mode and start filming. However, it’s smaller form factor also makes it great for pairing with a gimbal and grabbing some juicy B-roll - though many will overlook it due to it’s mediocre 4k and slow motion features. For what I need, it does the job.

Canon 5D Mkiii

The camera I’ll never sell… I class myself as a photographer first, then a ‘YouTuber’ or whatever you want to call me… And this is the camera that really elevated my photography from a hobby to a career. I moved up from my first camera, a Canon 650D to the full-frame 5D and never looked back.

Even to this day, in the right hands this is a more than capable camera. However, I really wouldn’t see the point in picking a DSLR over mirorrless these days and advances in autofocus etc. have left this big boy feeling a little bit like old technology. However, if for no other reason than sentimental value, it will never leave my collection.

Canon Eos R

And finally, the workhorse. This is the camera I do most of my shooting on and really is the camera that pays the bills. Whereas it was pretty much attacked at launch for Canon’s excessive use of the ‘cripple hammer’ on their first venture into the world of full-frame mirorless, it has served me very well with pretty much no complaints'.

The stills look amazing with decent dynamic range, the video is good (if you’re not shooting 4k) and the 60 fps is enough to get some nice cinematic shots. The autofocus is great and as always, Canon colours steal the show. However, I’m not saying I would upgrade to an R5 (or even dare I say it, a Sony!) - but in these uncertain times, I really don’t ‘need’ to spend an extra £4-5k on a camera for features I’ll rarely use.

More so, for many amateurs/semi-pro’s - this is more than enough camera for your needs. I pretty much couldn’t live without this camera and paired with the 24-70 f2.8 RF lens - it’s everything I need… for now.

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FILM CAMERA COLLECTION

Ricoh GR1

Like it’s digital relative, the biggest selling point of this camera is it’s size, it’s tiny! Barely much taller than a 35mm film canister, this is a truly pocketable little point & shoot! To make it even better, it has pretty decent autofocus and ‘feels’ like you are shooting with a more modern camera than it’s age suggests.

This camera is far from without it’s flaws - mine suffers from the most common issue of a faulty LCD screen - so you are never really sure how many shots you’ve taken. The lens motor always feels like it’s about to pack in and it can be a noisy little thing - so not great in quiet situations - but in everything else - it’s fantastic!

Canon P Rangefinder

This is my most recent film camera purchase so I really haven’t shot with it much - so I can’t say how good it is. However, I sent it off to be CLA’d and can’t wait to get out with it. If nothing else, it’s certainly a looker! As Canon’s crack at a Leics M series, it’s got the look, feel and the heft of a Leica - but will it shoot like one?

My biggest fear with this camera is the manual focusing. I have had the patch cleaned and it seems easy enough to use - but I don’t have the best eyesight and I’m not sure I will be very accurate with it - this is very much a ‘me’ issue and certainly no fault of the camera - but I do hope it doesn’t ruin the experience.

Canon Eos 30

This camera was an absolute bargain at around £30 - and paired with a way more expensive EF 24-105mm lens it’s makes for easy film shooting. It is bulky but it feels every bit a professional film camera with snappy autofocus and plenty of features you won’t find on your vintage 35mm’s!

I think it’s size is it’s only real drawback as it is far from discreet. Most casual passers-by will assume it’s a modern digital camera and it certainly handles like one. This would certainly make a fantastic option for anyone looking to get started with shooting analogue.

Mamiya 645 Pro

My first foray into medium format and this was love at first site. A Japanese import that had been well looked after, it feels like a modern camera and shoots like one too. The large 6x4.5 negatives produce great image quality and I quickly added more lenses, an autowinder and a viewfinder to make the whole experience, well, more enjoyable.

It really is like a baby RZ-67 but without the bulk - it’s not exactly small but if you strip it down to the ‘top down viewfinder’ and remove the autowinder, it’s a more than usable little package. This really is a great place to start with Medium Format photography and is a real pleasure to shoot with.

Fujifilm GSW690III

The beast or as it’s more commonly known, the ‘Texas Leica’ - this thing is huge! However, it’s size is it’s main selling point as it spits out incredible 6x9 negatives that are just packed with detail. The camera itself is a rangefinder which is almost comical to look at when someone is using it, it has a real ‘toy’ camera feel to it.

However, don’t let that fool you, it produces spectacular images. I chose the ‘wide’ version (as I a more of a landscape photographer than anything else) and the lens can produce wonderfully sharp images. It’s not without it’s quirks and shooting long exposures with it is a real faff. However, I absolutely love it and is often the first camera I’ll reach for when I want to go and shoot for fun, rather than necessity.

Intrepid 4X5 MkIV Black Edition

The large format camera. This is probably the one camera I would save in a fire (who am I kidding, I’d be running down the stairs with my arms full of cameras!). I absolutely fell in love with this format the moment I first shot it - the slower process, the technicality of it and the enormous negatives - it really is the most fun camera I have ever shot with.

The camera itself is well made, 3d printed and pretty budget friendly. However, shooting large format is a real challenge and not for the faint hearted, in particular due to the cost of film! That said, it is also one of the most rewarding experiences I have had as a photographer and one that I am pretty much hooked on! I will most certainly be adding more lenses and possibly a new large format camera to the collection in the future!

MISCELLANIOUS CAMERAS

There are a bunch of other cameras that I own that have either been donated to me or I have picked them up from secondhand shops or eBay. Most of these will never be used or at least, not on a regular basis, but they still bring me pleasure to look at and just to have around. Part of the experience of owning cameras like these is just simply taking pleasure in their aesthetic.

Conclusion

Overall, I am very happy with my collection and feel it covers everything I realistically need and want to shoot. However, I do wake up some days and think ‘I’ll sell the lot and buy a digital medium format set-up’ - But I still think I’d be a bit short of cash so I doubt that will happen anytime soon!

On the other hand, having the versatility of a collection like this is great. Being able to pick a camera that suits the style if shooting that I want to do on any given day is a real privilege and something that I highly recommend other photographers aspire to have.

Ultimately though, this collection will continue to chop and change, some will get sold on and undoubtedly, new cameras will be added. Please leave a comment below and let me know what you would keep, what you’d get rid of and what would be next on your shopping list.

Thanks as always, Ross.

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Disclaimer: All links to Amazon UK are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.

VIDEO: Samyang AF 85mm f1.4 RF REVIEW - Best 'Bang for Buck' RF Mount Lens???

Recently, I was very fortunate to spend a couple of weeks trying out the Samyang AF 85mm F1.4 for the RF mount. I was definitely very impressed by the build quality and the affordability of this lens - but how would it stack up against Canon’s native offerings? Watch the video below to find out!

I provide all of this content for free, so if you’d like to support me, please consider making a small donation ;)

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Disclaimer: All links to Amazon UK are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.

Film Photography - Shooting with the Canon EOS 30 & Kodak UltraMax

So recently, I have been shooting more film photography and even though I have had my ventures into Medium Format, I decided to pick up a 35mm film camera. I wanted something that felt familiar, easy to use and could match my current set up. After much research, I stumbled across the Canon EIOS 30 - a film camera with the feel of a modern DSLR.

This video takes a look at my first impressions of the Canon EOS 30 and I combined it with Kodak UltraMax film - would I be happy with the results? Find out below…

INSIDE JOB: Commission for Elevate Property Group

Client: Elevate Property Group

Location: Birmingham

Website: https://elevatepropertygroup.co.uk/

So, in a new series of blog posts, I have decided to share some info about commissions that I am either currently working on or recent completed. The hope is that this will give you a little insight in to how I operate, how to overcome certain challenges and if you’re considering hiring me, a look at some of my commercial work. With that said, let’s get into it!

Elevate Property Group are a well established developer with office based in the beautiful St Paul’s Square area of Birmingham. I was contacted by Z3 Design on behalf of Elevate to help with imagery for marketing materials.

Without giving away too many details of Elevate’s latest venture, the brief was a fairly broad one. It required a selection of ‘standard’ Birmingham shots, including some well documented areas. However, there was also room for a few details here & there with a focus on architecture - not surprising from a property developer!

Communication with the design company turned out to be the key to this shoot! My first venture out was not the most succesful, not fully nailing the brief! However, after a brief telephone conversation and a bit of clarification, I felt far more confident. The ensuing images were far more ‘on point’ for the clients needs.

The shoot itself was a pleasure. I felt i managed to cover a lot of the city in a relatively short space of time to show many various aspects of our vibrant city. When you take the time to look around and look at the details of buildings, the variety of architecture on offer in Birmingham is astounding - but I digress.

With the client happy to sign off on the images - the job was complete. Even though jobs like this feel well within my capabilities, it still goes to show that communication is key and I was more than happy to go out on multiple occasions to make sure the client was receiving images that fitted their needs. The only ‘dampener’ was the weather but again, with some persistence, we managed to make the most of the little but of good weather that we got!

If you have any questions or would like to hire me, please feel free to Contact Me

REVIEW: Adam Audio T8V Studio Monitors

WATCH THE VIDEO REVIEW BELOW

I long be fan of Adam Audios equipment. The build quality is excellent and more importantly, the sound quality is incredible. So when I was invited to try the T8V’s - a budget friendly monitor with 8” woofer - how could I say no?

Key Features

• U-ART 1.9” ribbon tweeter

• Polypropylene 8” woofer

• HPS waveguide

• Rear-firing bass-reflex port

• 90 watts of RMS power

• Amplifier Power U-ART Tweeter: 20 W [RMS]

• Amplifier Power Woofer:70 W [RMS]

• Frequency response 33Hz – 25kHz

• Max. peak SPL at 1 m per pair: 118 dB

• Built-in Amplifiers: 2 x Class-D

• Crossover Frequency: 2.6 kHz

• Analog Inputs: XLR, RCA

Out of the box impressions & Build Quality

Max. peak SPL at 1 m per pair: 118 dBI’m going to cut straight to the point, these are obviously large monitors, measuring H400mm x W250mm x D335mm and weighing in at 9.8kg each - this is obviously all necessary to house that 8’ Polypropylene woofer. However, thanks to Adams beautiful cabinet design, they some how manage not to feel too bulky and are definitely a good looking monitor.

As you would expect from a German manufacturer, the build quality is excellent. Each unit feels solid and well constructed and if they did go for an unadvised tumble - I suspect they would damage what they hit more than be damage themselves, but obviously don’t try this! However, the bevelled front gives you a hint that more thought has gone into these than simply ‘big cabinets’. Inside is where the magic happens and they are design to be acoustically optimised. But if you do have any concerns, Adam also through in a generous five year warranty, so you are well covered.

A strong family heritage…

The T8V is the big brother to it’s predecessors, the T5V & T7V - with the number reflecting the woofer size (so 5”, 7” & 8” respectively) but all sharing the U-ART tweeter and HPS waveguide. The T-Series line-up represent Adam Audios more budget friendly alternatives launching in 2018. The T7V’s and in particular, the T5V’s received fantastic reviews from most that tried them and have been warmly embraced by those who need high-end quality studio monitoring options whilst not breaking the bank.

As an owner of Adam’s slightly more expensive A5X’s and Sub7 - I was keen to see just what the extra money gets you compared to their ‘entry level’ options. In fairness, I would almost be disappointed if the more expensive options didn’t outperform the T8V’s but having long been amazed by the quality of Adam’s product, I knew that nothing would really surprise me.

Main Features

So the obvious headline feature is the 8” woofer and the first thing you notice is that this thing wants to be pushed. Lower volumes will never do a speaker like this justice and to be frank, the T8V’s aren’t really built for casual listening. The ideal situation for getting the most from the woofers is a large studio environment where they can be driven at high volumes.

However, the real star of the show is the ribbon tweeter up top. This special piece of kit as a clarity to the high-end that just needs to be heard. It offers accuracy without being so bright that it’s unlistenable and makes the overall package, combined with that large woofer, a very compelling one.

Who should buy them?

They are, beyond doubt, a very capable studio monitor. However, they are not for every space. They really do call for a larger room that can accomodate them and I don’t just means their physical size - they offer a big sound when pushed and need a bit of breathing space.

The price is very appealing and for this reason, those looking to buy their first studio monitors should take a long, hard look at the T8V’s. For those looking for a little more refinement and maybe an upgrade from existing monitors, then maybe a look at the A5X’s may be a nice alternative.

Final Thoughts…

These are a great studio monitor. I really feel it’s unfair to call them an ‘entry level’ monitor as their price tag suggests - these are very capable. Size may be an issue but if you have the space, they are fantastic. Sound quality is good and clarity excellent and whether plan to use them for ‘actual’ monitoring or just casual music listening, they are a sound option.

INSIDE JOB: Commission for Woodblocx Garden Design

Client: Woodblocx

Location: London

Website: https://www.woodblocx.co.uk/

So, in a new series of blog posts, I have decided to share some info about commissions that I am either currently working on or recent completed. The hope is that this will give you a little insight in to how I operate, how to overcome certain challenges and if you’re considering hiring me, a look at some of my commercial work. With that said, let’s get into it!

Woodblocx are a manufacturer of garden planters, retaining walls and other specialist items. I have worked with them previously but this was to be my first job following the lockdown. The client asked if I could travel from Birmingham to London to shoot an outdoor area that had made great use of their products.

The brief required me to photograph the are and also produce a short video with ‘fly through’ gimbal shots. and edit the video - However, the client did not require branding/music etc. as this was something they would add themselves. This was perfectly fine with me but I still wanted to make sure we got some great footage.

Planning was critical as I would have to travel from Birmingham to London and I didn’t want to make the journey, only for weather to ruin the shoot. The main concern was obviously rain. However, if it was a grey, uninspiring day, the products wouldn’t look their best, so it was critical that we planned for the clearest possible day - our planning certainly paid off as the weather was spectacular!

The day of the shoot felt so different. On arriving in London, the underground felt deserted and the usual bustling streets were remarkably quiet. I made my way from central London to Kew Gardens where the beautiful 3 bed apartment was with an amazing outdoor space - incredible to think this was still London!

After being greeted by the very friendly residents, I set about capturing the shots that I need. The plan was to photograph all planters/spaces and then move on to the video. However, it was important to check the are first to make sure everything looked spotless and move any distracting items.

I spent a little over 30 minutes, slowly walking around the space and photographing from various heights and distances from the items - to give the client as much potential as possible to use a variety of images. The weather made it a really enjoyable experience but the heat certainly was an issue!

After a quick breather and a chance to shelter from the midday sun, it was on to the gimbal work! Having already photographed almost every square inch of the space, I had built a pretty good mental image of how I wanted to move through the space. I set about capturing the necessary shots and once completed, reviewed the footage to tripple check that I hadn’t missed anything!

The job was done and after packing away and saying my goodbyes, it was time to head back to Birmingham. The train journey gave me the opportunity to do some editing and I was pleased to see that the images looked great - the weather had really made the shoot! The gimbal footage looked great too and I was satisfied with my days work! All that was left to do was to get home, disinfect everything and have a beer!

If you have any questions or would like to hire me, please feel free to Contact Me

10 Essential Accessories for Photographers UNDER £50!!!

Photography is very expensive. Whether photography is a hobby or a profession, it can be expensive to buy all of the things that you feel you need. So it is always nice when you find a bargain! I have therefore compiled a list of items that I think all photographers would appreciate and all of them are under £50! The video below details 10 items that I would personally recommend!

In the description below the video, you will affiliate links for the products and if you decide to purchase, I gain a tiny commission and best of all, it doesn’t cost you a penny extra!!

REVIEW: Mamiya 645 Pro - The perfect Medium Format Film camera for beginners?

There is no doubting the allure of film photography. For a number of years it has been in a form of ascendency amongst the photography community. It still struggles to shake off the ‘Hipster’ tag but in truth, there is a lot to love about the format. However, in more modern times, many of us crave better resolution, better aesthetics to the image and just the ‘feel’ that Medium format can give you - step up, the Mamiya 645 Pro!

Once the ‘go to’ camera for working studio professionals, this beast of a camera has been refined over the years and now offers all of the mod-cons you would expect from a modern DSLR. More importantly, it allows you to capture a look & feel to your images that just can’t be replicated by it’s digital counterparts. In the video below, I describe what it’s like to shoot with and who I think it’s for, enjoy!

Why shoot Film Photography in 2020?

The Corona Virus Pandemic has undoubtedly been a terrible time for a lot of people. Personally, I have seen all of my work cancelled which has left me with a lot of free time. Rather than simply binge on box sets, I have tried to use this time productively. One of the things that I’ve wanted to do for a while now is to get back into shooting film. On a side note, I will be making a series of videos about this on my YouTube channel, so keep an eye out for them.

Why Film?

The obvious question for a lot of people, is why shoot film when you have a perfectly good digital camera? The simple answer, for me at least, is to achieve a look & feel that has eluded me for years. Looking at my images, it’s fairly clear that I always try to achieve an element of nostalgia, shooting in soft light and adding grain etc. to make the images feel older than they actually are.

That’s all well and good apart from the fact that digital images tend to be over sharp and well, are clearly digital images. This might sound counter-intuitive to a lot of photographers, ‘you don’t want sharp images?’ - in a way, no. You only have to look at any family album with 70’s, 80’s or 90’s and look at those blurry images to get an instant nostalgia fix! The brain seems to make a correlation between those images and something in our past that always seemed to feel like a ‘better time’. Now, this is obviously not factual, but something in those images makes us feel a sense of comfort - and that is something that I’m always striving to achieve.

OK, so get an old 35mm Camera…

Well, again, things are never quite that straightforward. I’ve shot enough 35mm in the past to understand it’s benefits and limitations. So straight away, I knew it wasn’t going to cut it. So I did what any ‘want-to-be’ hipster photographer would do and went straight to medium format and in particular, the Mamiya 645 Pro. Again, I will make a separate video on the perks & quirks of this particular camera but the simple benefits are that it feels modern enough that I could use it without thinking too much and more importantly, it’s a 120mm film camera - and I want that medium format goodness!

I was always sceptical over people saying that you ‘just can’t replicate the medium format look’ and I still don’t fully subscribe to it, but I do agree that the extra negative size has its own benefits over its 35mm counterpart. Most notably, I love the fall off in the out of focus areas that are very difficult to replicate on 35mm. That combined with the go-to Kodak Portra stocks, is a winning combination for me.

OK, so you just want to be a Hipster?

Well, I do have a beard and more than one check shirt. However, the truth is no. The camera, the medium and even the subject matter are all just ‘tools’ to provoke an emotion. I am not trying to get ‘Insta famous’ - far from it. I have simply found a way to translate the feelings of nostalgia that I want to achieve into an image in the most natural way.

That being said, there is obviously a bit of a trend for photographers turning to film in an attempt to show their credentials as a fully-fledged master of light! Again though, it is not about achieving any acclaim for me, it is simply to understand the process better and to take full control, from start to finish, of the images that I create. So that means I am also developing my own film and scanning my own images - again, more videos on this soon on my YouTube channel.

So no more digital then?

Far from it, I actually still carry my digital camera even when I am shooting film. I will obviously be shooting digital for client work - though I am interested in offering commissions on film, that would be fun! The whole process of shooting film is merely to help convey a metaphor in my images, in the same way, that some might choose to shoot purely black & white because it makes their images feel more ‘honest’. Digital is still absolutely a necessary tool but film simply allows me another option, depending on the subject matter.

What’s next?

I will be shooting a lot more film in the interim and will also be travelling to some of the lesser shot areas of Birmingham to find the kind of gritty, run-down scenes that I like. As previously mentioned, I am developing and scanning at home so I will be looking at simplifying and improving that process too.

Overall, shooting film in 2020 is a great new area for me to explore and allows me to keep developing my own skills. It allows me to slow down a little and work on my composition skills and also improve my ability to meter and read light. All of these will hugely benefit my commercial work and throughout the process, I will, of course, bring you with me to share my experiences and knowledge. I am really excited and glad that I can take at least one tiny positive from the crazy times that we are living in.